File Prep Tips: Canva and Procreate

We love hearing about all the new and popular creative programs & apps out there. From Canva to Procreate…  we’ve got you covered in terms of how to set-up a digital file. Our hope is that by sharing some tips & tricks, the process is as headache-free as possible.

Boxcar’s Note: All of the above programs are pretty good, however, they do not get you all the way to what we need for a plate ready file. 

You’ll need to email us your pdf so that we can fix them up for the “last mile” leg. 

Reach out to us at info@boxcarpress.com.  We’re here to help!

The Short & Sweet:

  • All artwork should be 100% the size you need.
  • Send your art exactly as how you want your pulled print to look. 
  • Avoid wispy / fragile text or art.   If you think it may be too thin….then it probably is. You’ll it need to beef it up or scale-up the artwork (to be on the safe side).
  • Crop marks – include them inside and on the artboard if you need them for your own printing needs.
  • Artwork should be pure black or pure white (to the best of your ability).
  • Save out as a PDF.

File formats we do not accept: 

  • PNG
  • JPG
  • GIF
  • PSD

(If this is the only file format you have, reach out and we will assist or advise how to proceed to a plate-ready file.)

Canva tips:

How to Make a New Custom-sized Document

  • Log into or Launch the Canva program.
  • On the upper right hand corner, click the “Create a Design” button 
  • A fly-out menu will appear.
  • At the very bottom of the menu, click the text option “Custom Size”.
  • A new fly-out menu will appear
  • Change the measurements to inches
  • Enter in your Width and Height dimension in the correct fields. (e.g 5 x 7 inches)
  • Click OK.

Saving Out A Digital File

  • In the upper right corner, click the “Share” Button.
  • Next, click the “Download” button.
  • A new menu will appear.
  • Change the File Type to “PDF Print”.
  • Change the Color Profile to CMYK (may need to purchase a subscription for this).
    • DO NOT check the box next to “Flatten”. This will make a low-quality file (no fun).
  • Click the “Download” Button
  • A new pop-up window will appear. Save to your local computer / desktop.

Procreate tips:

Saving Out As a Digital File:

  • Tap “Actions” 
  • A fly-out menu will appear. Under the Share Images section, tap the word “PDF”.
  • Choose “Best” if prompted (this refers to the quality of the file).
  • Save to your local drive on your iPad


Trust Boxcar Press with your files, whatever your program. Send us a PDF file with what you have and we’ll work our prepress magic to aid you.

Letterpress Treats: Sweet Bippy Press

When Michael first met Patricia, she saw his printing press and said, “I’ve always wanted to have a greeting card company.” That’s all it took. Three years later, the duo has over 200 card designs via Sweet Bippy Press; a 1,000-square-foot shop, and is having more fun than adults should be allowed to have.

As co-owners, Michael and Patricia love coming up with ideas for new cards. For the last 30 years, the pair has been honing their skills—Michael in national consumer advertising and Patricia in sales and customer success. It’s a perfect match (the title of one of their card designs, coincidentally). Michael sat down with us to talk shop, vintage guitars, and a beloved press called “Vanderhalen”.

INK IN THE BLOOD “In 2002, I went on a press check at Full Circle Press in Nevada City. The owner, Judith Berliner, convinced me to buy my first press, a Chandler and Price. From the time I pulled my first print, I was hooked. Over the next couple of years, Judith went on to train me on her Windmills. She’s truly an angel”, said Michael.

PRINTING PARADISE We have an industrial space in an amazing warehouse in Petaluma, California. It’s called Watershed, and it’s a wonderfully creative building filled with fine artists, photographers, and woodworkers. We feel lucky and blessed to be here. The shop has a pretty minimalist decor. We painted the back wall PMS 137 to give it some energy. We are right on the Petaluma River. You’ll likely spot some competitive rowers, along with the resident egrets and Great blue herons.

ALL IN THE NEIGHBORHOOD Just down the block is an amazing artist, Marco Cochrane, who makes three-story-tall sculptures out of metal. We also face Petaluma River Park with a sculpture by Mark Di Suvero.

PRINTING MENTORS Judith Berliner of Full Circle Press. She’s taught me everything. Sometimes her methods are not “by the book,” but they often work better. We have fun trading printing tips.

THE CREATIVE SPIRIT “Beginning in 2023”, Michael says, “I’ve been printing full time and loving every minute of it. I approach design from my advertising experience. Then, I start with a pencil and paper (Blackwings are my weapon of choice). I find it helpful to get ideas from my brain to the page quickly. The winning sketch gets redrawn (often in Illustrator) and finally, good old polymer plates. I sometimes dream about having cabinets full of type, but I just don’t have the room.”

PRINTING FEATS I’m proud of our “Famous Guitar” series of greeting cards. Each features a different guitar from some of my favorite musicians. There’s Willie’s old Martin “Trigger,” George Harrison’s “Rocky” Stratocaster, and a bunch more. They are unique in that they are scored on the short side so that you can open them up and see the entire instrument. They also come with a custom Sweet Bippy pick.

PRESS HISTORY Our first press was a 1905 Chandler & Price platen press.

In addition to the C&P, we own three Heidelberg Windmills, two for ink printing and one—named “Metallica”—which is dedicated to foiling and die-cutting. Our latest purchase is a Vandercook No. 4, which we call “Vanderhalen”, says Michael.

BOXCAR’S ROLE Michael recalls, “When I started out, I didn’t have much of a printing network, and I was craving information. Boxcar’s site is chock full of great tips and information. I was an early adopter of Flurry paper—I think you offered it as a Kickstarter at the beginning. I love that paper. And the Swing Away Lay Gauge is amazing. All three Windmills have one. (Currently, one of them is hiding in the dark cavity below, but I will rescue it one of these days.)”

PRINTING TIPS 90% of printing issues are ink-related, so start light and add slowly!

WHAT’S COMING NEXT We keep adding to our Northern California collection of cards, and this year we plan to expand to SoCal and perhaps other states.

Letterpress QSL Cards Around The World

I’ve had a fifty-year obsession with QSL cards. And a newfound interest in letterpress. This is the tale of how they cross paths.

Dad had a cigar box full of these nifty “ham radio postcards” (aka QSL cards) from when he first got his license in the 1930’s back in Nova Scotia. Amateur radio operators, or “hams,” send QSL’s to one another to commemorate a contact they’ve made over the air.

Going after distant signals has always fascinated me. As a kid in 1960s Prescott, Ontario, I’d love to tune the TV dial, seeking out stations that were only there on certain days. Why did that happen?

As a young teen, I got bitten by the shortwave listening bug, especially after learning that shortwave broadcast stations sent their own QSL cards! Back in the 70’s, the Cold War was in full swing and the international broadcasters both East and West loved to hear from their listeners.

Shortwave broadcast stations (you’ve heard of the Voice of America, the BBC World Service, Radio Moscow, etc.) made for an effective way to hear varying points of view. They also were a wonderful source of exotic targets for a teen to go after. I wrote to every single station that I could hear and requested their QSL card. I would send them a reception report, telling them exactly when I heard them, on what frequency, and what was heard in their programming.

Many—even most—of these powerful international broadcasters have since left the air. Amateur radio is a little different from shortwave broadcasting. While both types of radio are found on shortwave, ham operators are not broadcast stations trying to reach a wide audience. Rather, they are individuals contacting other individuals.

In 1980, I got my Canadian amateur radio license and drew-up my very own QSL card. It featured one of my boyhood hang-outs, the lighthouse just two miles down the St. Lawrence River. (Look up the Battle of the Windmill near Prescott, Ontario if you like history.) I had the cards printed at a local print shop in Brockville.

Well, my love of shortwave listening and ham radio eventually turned into a 27-year career in radio broadcasting. At one point, that included six wonderful years as an international broadcaster at my favorite shortwave station, the “Voice of the Andes-HCJB,” in Quito, Ecuador. In fact, my wife, Lisa, and I were hosts of a program especially targeted towards shortwave hobbyists. We started raising our family in that beautiful Andean capital. Back in Ontario, Dad and Mom tuned in and listened to us each week, along with listeners around the globe.

Our family returned home in the mid 90’s and I continued broadcasting from Syracuse, NY. Eventually, I left radio to get into elementary teaching and audiobook narration. The teaching never got beyond subbing, while the narrating is something I still do on occasion. Two years ago, a steady position as a platemaker at Boxcar opened up. Letterpress was a different world to me—life on Jupiter might have been more familiar—but they were willing to teach and steady work was very attractive!

At Boxcar, Cathy Smith encourages all of us to use our department’s Vandercook Universal 1 for projects of our own. It’s an excellent way to learn and appreciate the printing side of letterpress. I’d done a few of these projects. However, I could never draw and ideas relating to visual artwork didn’t come easily to this audio-entrenched mind.

In the fall of 2022, I found myself re-bitten by the ham radio bug. However, if I wanted to receive QSL cards, I’d have to send QSL cards. By this time, though, I had an idea for a QSL, thanks to the hundreds of wedding invitation plates I had made over the past year. A map! I loved maps!

First, I sketched out a map of the roads around the hamlet of Navarino, our New York home since 1999. Next, I asked my daughter, Rachel (who also works at Boxcar) if she’d be willing to make some of her cute drawings for me for the map. Rachel was only too happy to give it a go and I was delighted with what she came up with.

At Boxcar, Rebecca put Rachel’s drawings onto my map and formatted the finished work for the negative. A second negative was made with the technical information on the QSL’s backside. I used a KF95 plate to make the first run of AB2FN QSL’s on green paper stock.

By the spring of 2023, I had sent all of these QSL’s to other hams and needed a new batch. This time, I wanted to try two colors on a lighter-color stock. Cathy had some 80 lb weight ivory stock with a felt surface. I went with an earthy brown and hunter green for the rural theme. We made a few small changes to the artwork (that’s Rebecca’s portrait of my head floating over the house). This batch went quickly and, with Cathy’s help, I found some more of the same paper on clearance and made a second run. This time, I used a KF95 plate for most of the card, but a KF152 for the”AB2FN” to give my call letters more of an impression. Our Universal 1 has an adjustable bed.

By August, it was time for yet a new supply. As southern Onondaga County is known for its apple orchards, I thought that an apple-themed border would work well. Rebecca brought this together and we went with red.

In the year since I began making QSL’s, I’ve sent out about 150 cards to hams in over 100 countries, including Australia, Andorra, Thailand, China, Scotland and Oman. While many hams use computer programs and printers to fill these out today, I really enjoy doing it by hand. It’s the feel of the pen contacting the paper, each time trying to improve my penmanship. For much the same tactile reason, I enjoy using an old-fashioned Morse code key to make most of my contacts, although I’ll use the microphone if there’s an exotic station I really want to contact.

And, to be honest, as a broadcaster at heart, I do like the feel of using my voice. A surprise was discovering that QSL cards and letterpress are a link shared by a number of hams! Ham radio and letterpress—especially the printing stage—have a similarity in that both arts require plenty of fussiness and fine-tuning. Besides a bond with past traditions, there is also the bond between an operator and his or her equipment, and the care in repairing and maintaining what is often older technology. Here’s a link to another blog by a fellow ham operator, QSL collector and letterpress printer. He designs his cards to match the early style used in the 1920’s and 30’s.

Not long ago, I was corresponding with a fellow whose ham-related small business dried up, partially on account of many hams today preferring “electronic QSL’s”  over paper. The “QSL” is a jpeg sent over the internet.

Bleah!

As we lamented the loss of the old ways, I mentioned that I was so “old school” that I made my own paper QSLs on a letterpress. “OMG!” He replied, and then went on to tell me how his father had a printing business and taught him to handset type at age five. He eventually used his dad’s 10 X 15 C&P and a 9X12 Little Giant for his own at-home letterpress business, which included QSL’s!

Making my own QSL cards has given me a much deeper appreciation for the talented and dedicated artists at every stage in every department at Boxcar.

I still have Dad’s QSL’s—even the cigar box!

City Series: Magnificent Miami

For this edition of our City Series, from the tides & (wooden) type to the colorful scenes of beaches and Everglades, the Extra Virgin Press owner shares his multicultural community of Miami, Florida. The people and the history continually inspire Tom Virgin in his printing as he works to grow letterpress and the Book Arts, particularly with kids. He was gracious to give the inside scoop on favorite creative places and eclectic hang-outs in the city that brings the heat. 

HOME SWEET HOME This is kind of a tricky question. I spent my first two childhoods (decades) in the suburbs of Detroit. After two years in college, I dropped out, traveled the West with friends, and rejoined my family when they moved to South Florida. I lived in Boca Raton, Florida for the next two childhoods, eventually earning a BFA in Printmaking and a Florida teaching certificate, one or two classes at a time. I also worked as a gardener in the family business.

(All photography courtesy of Tom Virgin unless otherwise notated.)

In 1992 I moved to Miami, on the heels of Hurricane Andrew, to begin an MFA in Printmaking at the University of Miami. Remarkably, I found a tiny apartment in Coconut Grove. It turns out that finding a place to live in a disaster area is easier than I thought. I have lived in Coconut Grove ever since, moving to West Grove for the last ten years.

NEVER THE SAME DAY TWICE Miami is like going around the world on any given day. Almost thirty years of teaching in Title I Public Schools introduced me to the children of all the cultures that make up our city. They were generous to this gringo who grew up in the Midwest. I wake up each day in West Coconut Grove, the original historic Bahamian settlement that became the Black Grove. Think peacocks, huge Banyan and Tropical Almond trees, and a short walk to Biscayne Bay. My pre-WW2 apartment is around the corner and down the street from the Coconut Grove Playhouse, built in the 1920’s. This part of the Grove has many humble and historic Shotgun homes and is one of the oldest parts of the city.

(Top: miamidadearts.org; bottom: coconutgrove.com)

Most days I drive twenty minutes north on I-95 through Downtown to Little Haiti. This was one of the original bedroom communities of the city. Much of the population is made up of Haitian immigrants. I am four blocks west of Little Haiti Cultural Center, Sweat Records, Laundromat Art Space and Carl Juste’s IPC Art Space. The City of Miami named a street after Carl’s parents, who were remarkable community builders and early immigrants to Miami from Haiti.

(Top: Little Haiti Cultural Center; middle: Laundromat Art Space: bottom left: IPC Art Space; bottom right: Sweat Records)

In the same neighborhood two blocks away is what used to be the Cuban Embassy pre-Castro. My shop is in a building (that used to be a grocery store) with Emerson Dorsch Gallery and Exile Books. Across the street is a lovely cafe named Sur. The family that runs it comes from Buenos Aires… Pastries, empanadas, sandwiches and family love daily. Did I mention the Mango Mint Lemonade? On either side of me are Panther Coffee and Clives Cafe, from Brazil and Jamaica respectively. Family is key around here. In the local Haitian grocery, you can buy Haitian peanut butter that includes scotch bonnet peppers as an ingredient. It was an epiphany for me.

(Top: Emerson Dorsch Gallery; bottom left: Panther Coffee; bottom right: Exile Books)

BEAUTIFUL BEGINNINGS Since there are only two letterpress shops (that I know of) in Miami, and no strictly letterpress programs in any of the colleges or universities here, we can only work to raise more printers. Both Extra Virgin Press and my neighbors, IS Projects/Nocturnal Press, teach these lost skills in Miami .

(Credit: IS Projects)

My love of letterpress came from the many communities that have established printing and book arts cultures. I was in artists residencies each summer between school years for almost twenty years. NYC, San Francisco, the Twin Cities, Portland, and also a few National Parks.

We are printing and making a difference.

BOOK & PRINT CONNECTIONS A few months ago, Tropic Bound Book Fair debuted in Miami’s posh Design District. We are hoping that it will run in years opposite Codex as a biennial event. This fine press event brought many of my friends and teachers from around the US, to my neighborhood. The Fair organizers even brought a group to my little shop for a tour. Tropic Bound’s catalog for the show is coming out soon with all the participants. Hopefully, Boxcar Press will be here in February 2025. The event was supported by a Knight Foundation grant and organized by Ingrid Schindall of IS Projects, Cristina Favretto Director of the University of Miami Special Collections Library, and arts professional Sarah Michelle Rupert.

(Credit: O Miami Poetry Festival)

The O, Miami Poetry Festival has been bringing poetry to virtually everyone in Miami for over a decade. I have always worked to funnel some of that exquisite magic into my classrooms. Now that I am out of the classroom, they have welcomed me to their programs as an artist who works for kids. The most rewarding job I have ever taken on is making letterpress illustrations from one-word prompts, using wood type to “draw,” to accompany elementary school students’ poetry on postcards, mailed to the entire zip code of the elementary school that was home to the student poets.

This year we are planning to teach book arts to kids, to contain that poetry, and to disperse it into Miami. The poem on the roof of a parking lot submitted by artist/ designer Randy Burman is in the flight path of the Miami International Airport. It is memorable. Check out this video because, yes, a kid wrote that.

ONLY IN DADE (COUNTY) Miami has everything, everywhere, all the time, all at once…Always! However, there is not enough letterpress, yet. We are doing our best to make that Miami look. The whole world lives in this one city. For references go to @onlyindade. You will be shocked, delighted, and amazed. You may never drive in Miami again (hahaha).

ARTISTIC COMMUNITY SHOUT OUTS Miami is just beginning to develop a books arts/ letterpress community. Paper from Announcement Converters and French Paper has lifted my practice. Shell Lumber in the Grove has the best art supplies that a printer could ask for.

HISTORY MEETS PRESENT After 1513, when Florida was “discovered,” the native Tequesta Indians of the Calusa Nation carried on much as they did for thousands of years, according to recent discoveries by the mouth of the Miami River. Roughly three hundred years later Key Biscayne and Florida became a US territory. The Key Biscayne Lighthouse was built in 1825.

(Bottom credit: Key Biscayne Park)

The causeway from the mainland to Key Biscayne was finished in 1947. When my friends from other places come to visit, I always take them to Bill Baggs Cape Florida State Park to see what Old Florida really looked like.  The State Park faces the ocean on the East, Stiltsville to the South, and Coconut Grove on the West.

(credit: Bill Baggs State Park)

The ocean is full of life, Stiltsville is a historic part of another National Park- homes on stilts in the Bay that used to sell liquor during prohibition and allowed gambling, and Coconut Grove on the bay is for the rich, historically or otherwise.

EAT, DRINK, BE MERRY I would be remiss if I did not mention Harry’s in Coconut Grove. Harry was my student. His dad, of Michael’s Genuine fame, has several excellent restaurants in the city. I am now putting Harry through college one pizza at a time.

(Left: Harry’s Pizzeria ; right: Garcia’s Seafood)

Garcia’s Seafood on the Miami River just west of Downtown is a family restaurant with excellent views of a working river, Miami’s culture, and the sounds of a city 24/7.

IN THE NEIGHBORHOOD Books and Books has been a cultural icon and gathering place for almost forty years. Mitchell Kaplan‘s regularly scheduled readings by locals and international authors plus the outdoor patio restaurant with a banned books mural keeps me coming back. Poets are a printer’s best friends.

(Credit: Miami Critical Mass bike ride)

Everything in Miami is a cultural attraction. However, on the last Friday of every month, Miami’s Critical Mass Bike Ride often travels through several of the less affluent neighborhoods. The cheering kids, smells of food cooking, variety of musical joy, and direct exposure to our varied population give me hope that we can all unite over shared changes in this city that include everyone.

EVOLVING CITYSCAPE There is rampant gentrification in Miami, especially in Little Haiti and West Coconut Grove. This threatens the places that I love the most, and many of the people, especially teachers. I have made three books and several prints since 2005 that reference these ongoing changes.

NOT TO BE MISSED Our Sunday Tai Class has recently moved south to Larry and Penny Thompson Memorial Park and Campground. This gem in South Dade, just past Zoo Miami, looks like Boca Raton did when I moved there in 1974. Slash pines, Saw Palmetto, big sky, exposed oolitic limestone, and freshwater lakes. Under the trees overlooking the lake, we forget everything but Tai Chi… And alligators.

(Top: Larry and Penny Thompson Memorial Park; middle: Fairchild Tropical Botanical Gardens; bottom: Pinecrest Gardens)

LAST THING TO SAY Miami is so close to the United States, and will welcome you in whatever language you choose.

LETTERPRESS STUDIOS IN SOUTHERN FLORIDA

OTHER MUST-SEE STOPS & (BIG!) SHOUT-OUTS

Letterpress Cards For Laughs

One of the newcomers to our staff is Rachel. A cheery team-member who cuts our Flurry paper and ships our supply orders, she loves to send snail mail. Since she has joined us, she has her eye on letterpress cards that bring a laugh, Rachel shares with us her round-up of humor-filled prints to make anyone’s day. Let us know which one is tickling your funny bone in the comments below!

funny-1

1. OK self care card by Sapling Press  | 2. Moving Away Card See Ya Later Alligator card by dodelinedesign  | 3. Letterpress Father’s Day card by StackCreates | 4. Domestic Adventures by HappyFinchStudios  |  5. Option To Sit card by Sapling Press

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 6. Beam me up, Scottie – Star Trek card by Letterpress Jess  | 7.  Vesties greeting card by PikeStreetPress |  8. Laugh Crass Calligraphy Letterpress  greeting card by Letterpress Jess

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9. Math Problems card by Sapling Press | 10.  Born To Be Mild card by McBitterson’s  | 11. How About Never? Seriously? card by Hazel and Violet  | 12. Stamp-worthy card by 12AcreStudio |  13.  Carbs card by Sapling Press

The Many Printing Dimensions of M.C. Pressure

Bright pops of color, clean designs, and a hearty dose of whimsical humor can be seen in the letterpress works of Ryan Tempro (and team!) at M.C. Pressure. The Florida-based printer sat down with us to talk shop about Kelsey tabletop beginnings and expanding out with new presses & custom-printed works in tow. Read on to hear about the satisfying pride that goes into seeing the printed pieces being transformed into one-of-kind crafted pieces.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

PRINTING IN THE SUNSHINE STATE M.C. Pressure is a print shop in St. Augustine, Florida specializing in letterpress, foil stamping, die-cutting and embossing. I started the company in 2014 after printing a couple years at a small stationery shop while I was in college. We have a lot of capabilities for a small shop. It’s been exciting to see the clients we’ve been able to work with and the creative things they come up with! We also design and create our own line of products that range from greeting cards to coasters to notepads and more.

INK IN THE BLOOD I first learned about letterpress and what it was while going through the graphic design department at Flagler College, here in St. Augustine, Florida. I was able to get a job at a local stationery shop operating their 8×12 Chandler and Price. I fell in love with the tactility of letterpress and being able to create something with my hands and away from the computer.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

After I graduated from college I spent a summer in New York for an internship with an artist and was exposed to a lot of different print and production methods. When I returned I started a job at a screen printing shop that had an old Kluge for die-cutting decals. My boss saw my interest in the machine and introduced me to a friend of his who was an old timer in town who ran letterpresses for years.

He had a few small tabletop Kelsey presses that needed some work, but had all the parts! I bought them and cleaned them up and started a little shop on the side when I had time and clients. Over the next few years, I grew from a little tabletop press to several larger presses and a full time shop for myself and a couple of employees!

PRINTSHOP PARADISE Our shop is a modest 1300-ish sq/ft warehouse. We have a 30″ Challenge Paper cutter, an Orbital 8 Poly Plate Maker, 2 Heidelberg Windmills 10×15, 1 Heidelberg GTP 13×18, and 1 Heidelberg KSBA Cylinder Press. I love the capabilities we can accomplish with these machines. They are incredible workhorses. Some days they can be very temperamental, but overall they are wonderful and I’m very fortunate to have the machines I do. My favorite is probably the KSBA, it’s such an accurate press in all aspects of register and inking. I’d be lying to say as a printer that I didn’t love to print large, and that press allows us to really work on a larger format.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

Our shop is located in St. Augustine, Florida which is the nation’s oldest city. It’s also a pretty small area so the community as a whole has been very accepting and welcoming of us and our small business. St. Augustine has a lot of rich history and a lot of great local makers and restaurants… a lot of which we’ve become friends with over the years. It’s truly a great community to be in support of and help others follow their passions.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

CHILL NEIGHBORHOOD We have a city guide online for sale with a lot of our favorite places. The downtown area is where a lot of people visit when they come into town, though it’s also filled with the most touristy things in town. We are off of the West King Neighborhood and we love it! I’d say if you’re in town check out the Blue Hen Cafe for breakfast or SunDay. Dos and The Kookaburra for coffee. Juniper Market for a snack. Really there are so many great spots in town!

PRINTING MENTORS The print community as a whole has been very helpful. I’d say our biggest contacts are Dan over at Clove St. Press. He is probably one of the best I’ve seen, and I have to include Matt at Matte Gold in Australia. They also have GTP Foil Windmills and were a huge help in learning more about that machine specifically. I always love seeing the content and machines running from Studio on Fire and their capabilities are truly incredible. We have a shoutout to Letterpress Mechanic and Chris at FI Letterpress as well for troubleshooting. Really, there are folks all over we keep in touch with and love to see work from.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

FULL TIME FUN I started M.C. Pressure in 2014 and worked on it part-time until the beginning of 2017 when I went full-time with it! I can say that I honestly love my job and love what I do.

THE CREATIVE ENERGIES I went to school for graphic design so some things are still designed by me. At the moment though most of my time is spent on press and business admin tasks. We have an employee, Lauren, who focuses the most on graphics for us. She graduated from Flagler College as well. We use a lot of digital processes in the work-flow. We use the Apple iPad and Pencil for a lot of the illustration work and typically finish up type in the computer through the Adobe suite.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

We usually think up a funny idea and work on visualizing it. Or we have an image we want to create and work to create a use for it. Sometimes we get feedback from customers on looking for a type of product or more of a certain type of thing and can work to make them. For example, more birthday cards, or something to say I like you, but maybe don’t love you quite yet.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

PRINTING FEATS Hmm, I’m always really proud of the packaging projects we work on here. Seeing the printed pieces being cut down and transformed into a three-dimensional object is always so satisfying. Most recently we printed a pretty complex and accurate carton for Hellcats USA for their Devilish Scent. A black outer sleeve with matte red foil and a red tonal letterpress printed on red for the inner carton. It had a cutout that needed to line-up perfectly with the print inside, and assemble to be snug enough to hold itself together. Clark Orr worked on the dieline and he truly nailed it with this project!

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

PRESS HISTORY Our very first press was a 5×8 Kelsey Table Top. It was a great start, but thank goodness we don’t have to work on such a manual press anymore!

BOXCAR’S ROLE In the early days of us starting out, we used Boxcar Press for all things! We got a set of inks, letterpress base, printing plates, and would use their resources to help figure out how to use the machines we acquired over the years. Though we don’t use Boxcar Press much these days, they were a huge help in getting us started on projects and understanding the things we use.

LETTERPRESS TIPS It isn’t always possible, but I almost always print with crop marks. I know it makes for a larger plate and paper size AND requires trimming. However, It really saves so much time, I think, on press to be able to utilize the grid on the Boxcar Base. It also allows for what I think is easier spotting if things start to bounce or get out of register.

Ryan Tempro - M.C. Pressure letterpress print shop, Florida.

WHAT’S COMING NEXT Over the last couple of years we’ve acquired various pieces of machines. This year we hope to not do that as much and really focus on the things we have to be as streamlined and efficient as possible! We don’t have a dedicated retail space, but we are working on some ideas to change that and hopefully get things out there more in our community!

A double round of applause & thanks out to Ryan Tempro at M.C. Pressure for letting us take a sneak peek at his wonderful plus fun printing realm!

Glass of Vino With AJ Masthay

[Installment 5]

Next up in our Letterpress Friend chat series is AJ Masthay. We are bowled over by the mesmerizing details in his concert poster series and his bright + bold color combinations. AJ is a Connecticut-based printer who always makes us wonder “What is he up to this time?!” We sat down for a quick minute to see what’s on his Vandercook (and beyond!) via Masthay Studios.

AJ-Masthay-letterpress

Boxcar Press: So good to catch up with you! We’ve all got the printing bug and we’re just curious about when you got “bitten”!

AJ: That happened back in my sophomore year of art school when I was first introduced to old-school stone lithography. Literally drawing on pieces of limestone, using leather rollers and gum arabic to reproduce beautiful full tonal drawings. It felt like the world of magic and alchemy to me, I was hooked.

Boxcar Press: Tell us about a press you remember fondly (or not so fondly) or one you have now that you prefer to use.

AJ: That’s my first Vandercook Universal I for sure. I found it through the help of one of my college professors, Jim Lee, a few years after I graduated. I was hoping to get an etching press as I figured that was the most versatile. Jim mentioned he knew of a Vandercook in a guy’s garage he was looking to sell. The only problem was it was completely disassembled and in pieces. 

$500 later…. it was mine and I spent the next couple of months studying the presses at my former art school to figure out how to reassemble the Uni I in my basement. That’s the press that started my entire art career but I wound up trading it for my current “go to” press which is a Universal III. The hand cranking on thousands of print passes became a bit much. The larger format and motorized aspect of the Uni III just made it way more realistic for my shop. I’m also in the process of possibly adding a large Vandercook 32-28 to my shop which is very, very exciting.

Boxcar Press: What is something people might not know about you?

AJ: People that follow me might know this already but I have a deep fascination with bones and osteology and have been collecting skulls since I was a little kid. I now have a pretty extensive collection at the studio with well over 200 skulls of various species.

Boxcar Press: What is your printing superpower? Every printer has one….

AJ: This one is easy, my printing superpower is my coworker Kait Lennon (@longlegslennon on IG) who handles almost all of the printing in my shop these days. There is no way I could crank out the amount of work I do for clients without having someone else working the press and there’s no one I trust more with my work than Kait.

Boxcar Press: Anything you want to give us a sneak peak about or a current project you have in the works? Maybe one project that you are always going to get to but it just never seems to get done? (We all have one!)

AJ: I’m currently working on a series of new art prints that I’m calling my “Pet Projects” that I plan on releasing at my November 12th open studio event. Summers tend to be very very busy for us with client work (summer tours, festivals, etc.) Once we got through all that this year I thought it would be nice to take some time to work on a few pieces that I’ve been meaning to do but always seem to get pushed off.

LOL […] I have many many projects that seem to just never get done. Hopefully, I can check a few off with this upcoming show though.

Boxcar Press: Last quick question &  just for fun(!) – Do you like to listen to podcasts or music in your shop while you create?

AJ:  Both really, depends on my mood and what’s going on that day. I find music, usually very loud music, helps me get in the creative zone when coming up with overall concepts or working out compositions/layout. Podcasts seem better when I’m diving into detail work and fleshing out/completing drawings. Neither is written in stone though.

That was a delightful time, AJ.  We’re grateful for the friendly chat! Visit his website link to delve more into the hue-filled world of masthaystudios.com.

Cerveza With Ben Sargent

Installment 4 ]

Next up in our Letterpress Friend chat is Ben Sargent. A Texas native and avid Chandler & Price printer, Ben is an inspiration for the pursuit of printing knowledge, and offers some good chuckles, and stories. As the conductor of Sargent Brothers Printers & Typographers, he adds a bit of charismatic style that comes only with letterpress.

Boxcar Press: So wonderful to catch up with you and delightful to have you. Speaking of delights… is there one defining moment or point that you just fell hard for printing?

Ben: It was last Christmas. I realized that was the date 60 years prior that my brother and I received our first press and type–a 5×8 Kelsey Excelsior, seven fonts of type, and the whole outfit. While we knew our Dad had been a printer in boyhood and we had grown up around the hot-type composing room of the Amarillo Globe-News, it was the first experience as “real printers” ourselves, and I never looked back. 

Boxcar Press: Tell us about a press you remember fondly (or not so fondly) or one you have now that you prefer to use?

Ben: Three years after I began on the Excelsior mentioned above, Dad brought home the C&P 10×15 Old Series he and his brother had bought as teenagers in 1928. That is the press I use to this day. She is a graceful and hardy specimen from the long-ago era of well-built iron-and-steel machinery. “I love her well and she must love me….”

Boxcar Press: What is something people might not know about you that would surprise them?

Ben: Maybe they don’t know that when I’m not printing, I can often be found swinging on and off moving equipment as a fully licensed but volunteer brakeman and conductor on our local excursion railroad. Can’t keep me away from ancient technology.

Boxcar Press: What is your printing superpower? You definitely have one!

Ben: I usually think there are always people who can do better than I in just about every facet of this trade, but if I had to choose a superpower, maybe it would be the delight I have in continuing to learn things about every aspect of the work, even 60 years into it. Sometimes new techniques, skills, and understandings come from my dear colleagues both young and old. Sometimes there are things I just figure out on my own, but it is always a pleasure to learn one more of the apparently infinite things there are to learn about this craft. 

Boxcar Press: Anything you want to reveal about a current project you are working on – even a hint or clue?

Ben: Recently, I had one of the most curious and interesting wedding invitations in the course of printing many, many such projects. The invitation itself is a thin 5 x 4 box. It was a challenge finding people who could do the tasks beyond my capacity such as the necessary die-cutting, duplexing, scoring, and laser-cutting of some tiny holes. Really the only part I had left was doing some letterpress on the inside of the box. But the finished box contains a computer chip the recipient plugs in and then touches the laser-cut openings to play various sound recordings from the happy couple. (The wedding involved a graphic designer and a computer engineer, so there you go.) 

Boxcar Press: Given these current “strange” times, what is that one project that you are always going to get to but it just never seems to get done?

Ben: If I had to pick one, might be the 3rd edition of our handset-type specimen book, last published in 2010, and in need of an update. But the deck seems to stay crowded with job work even in strange times, so it does keep getting put off.

Boxcar Press: One last question before you finish your drink, an IPA from Texas-local Pinthouse Brewing called “Electric Jellyfish”, – Do you listen to podcasts or music in your shop while you create?

Ben: I always have my Pandora channels on, which beggar the word “eclectic.” I’ve seen a young typesetter friend’s eyebrows rise when hearing Brubeck–Mercedes Sosa–Gregorian chant–Booker T and the MGs–Tommy Dorsey–Handel–Brazilian bossa nova etc. all in a row.

That was an immensely fun time, Ben. Heartfelt thanks out to you for the cheery chat!  Want to know more? Visit his website: http://sargentbrothersprinters.com/

West Coast Printing: Thom Caraway of Spokane Print & Publishing Center

Printing on press is as much a personal creative time as it is an experience you just can’t wait to share with others. This is an observation from Thom Caraway of the Spokane Print & Publishing Center. The full-time teacher and Center organizer has enjoyed creating a space where all interested in the craft could roll-up their sleeves and get inky. We spent time with Thom to talk shop, and to see how the printing world in Spokane is being discovered by others at their printing paradise.

GEARING UP FOR PRINTING ADVENTURES I’m a university English professor in Spokane, Washington via Whitworth University. I write poetry and teach classes in editing, book design, and print culture.

In 2015, I inherited a C&P from a printmaking professor who didn’t want it in the school art studio anymore. I was excited about it but had no idea what to do with it (or even how it worked). Shortly after, I met Bethany Taylor, who was getting her shop off the ground, and we decided to make a place where neophytes could come learn. She’d been to the Independent Publishers Resource Center (IPRC) in Portland, and we modeled ourselves off of their space and got going.

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PRINTING CENTER COMMUNITY We closed Iteration one in 2018 when our lease ran out, and moved into the new space as Spokane Print & Publishing Center in 2019. With the bigger space, we were able to add more presses and expand from letterpress and screenprint into relief and etching as well. Later, we added book arts and digital design and printing. My favorite thing is when there are members spread out across the shop all working on different awesome things, especially if several presses are going at once.

ALL IN THE NEIGHBORHOOD We’re a 5-minute drive from the Kendall Yards neighborhood and the Spokane River. Downtown is just across the river, so we are close to food and shopping.

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PRINTING MENTORS Letterpress Instagram kind of kept me sane during lockdowns, and with no formal art or print shop training, I’m a big fan of the School of Bad Printing. Amos Kennedy, Mizdruk, Fresh Lemon Press, Bright Press, Marcos Mello. Also Rick Griffith, Amy Redmond, Ben Blount, Chris Fritton, Base Press, Stephanie Carpenter…so many great printers out there!

PART-TIME PRINTER, FULL-TIME FUN This is a side hustle from my day job teaching. I would love to get to a point where I could print full time though.

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THE CREATIVE PROCESS I’m becoming more of a planner, but mostly I’m a seat-of-my-pants designer. I like seeing what happens with different applications of color, and big messy press beds full of wood type. From there, I might layer in a quote or phrase, or play around with the letterforms of larger wood type to see what happens.

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PRINTING FEATS Making a more formal turn from writing to printing in the last four years has been a lot of fun, if a little nerve-wracking at times. But mostly I’m proud of our little shop. We’ve weathered COVID well, and offer classes pretty much every week now. I feel like we’re really developing Spokane’s appetite for the print and book arts, and training up a bunch of new printers!

PRESS HISTORY I have that first press – a C&P Old Style with a broken flywheel axle. Have still never gotten that thing fully functional.

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BOXCAR’S ROLE We’ve gotten a bunch of ink from Boxcar, and had some plates made. And we’ve been meaning to order some logo plates, too!

PRINTING TIPS & TECHNIQUES I print mostly now on a Vandercook 14, which is really basic, so no ink rollers. Everything is applied by hand. My advice for letterpress printers is don’t be afraid to mess it up a bit. I love a nice clean print as much as anyone, but I’m also really interested in the accidents and goofs. Those are usually my favorites.

Trogdor

WHAT’S COMING NEXT I’ve got a full slate of letterpress classes spread through the year. I am hoping to grow our membership base once things open back up, and continue developing our Print Town USA events, which get the public into the shop for sales and demos, and are just a lot of (socially-distanced) fun.

A double round of applause & thanks out to Thom of Spokane Print & Publishing Center for letting us take a sneak peak at the wonderful community-driven printing center!

Part 2: 2020 Seattle Children’s Hospital Broadsides

In our second installment on the 2020 Seattle Children’s Hospital Broadside / Words of Courage, we shine a spotlight on another trio of printers who breathed life into a family story, brought to life great word pictures, and more.

Their inspiration is the poetry written by children who are patients at the hospital and with the team of Sierra Nelson and Ann Teplick of Seattle’s Writers in the Schools program (WITS).

Heidi Hespelt

I illustrated and printed “The Rat” by Lucy Watters, Age 7, for the Children’s Hospital Broadside poetry project. I think the poem is so fun and I found out after I designed the artwork that it was a family story that was told often in their household. 

Lucy, like me, loves animals and has written other poems featuring a variety of species. I wanted this broadside to be something that the family would want to hang on a wall, so the rat became part of the rose bush rather than a grotesque figure. Lucy was in my thoughts the entire time I worked on this piece. I hope that she felt that her poem came to life.

This year was special to me for printing because I set up my own printing shop in January 2020 and the broadside was my first big letterpress project in my own space, using my own machines and newly acquired type. Then Covid hit and put things on hold for so many printers. I felt lucky. I could do the entire project except for cutting the paper. And then, serendipitously, in mid-May a beautiful old paper cutter showed up for sale in Aurora, Oregon. Road trip and the cutter was mine! A couple of days after that, I was able to complete “The Rat” and send early copies to Lucy and her family. 

Here is a description of my process:

Here is the mock-up, including hand-set type proof.

Linocut, reduction-style, for the background. I also used pressure printing for the first time ever, to make the rat’s features and roses pink. It felt like an arts and crafts project and I needed  some long-distance coaching from my letterpress mentors, Jenny Wilkson and Amy Redmond.

Here I cut away the white parts of the rat and roses, and printed the green background.

More arts and crafts pressure printing to add dimension to the rose bush.

Last pass before printing the type! More of the lino block was cut away so that

the features of the rat and the outlines of the leaves and roses would pop with a darker green.

Here is the final product, before cutting to size.

And one last photo of my new shop, my printer’s helper Sheraton, and of the paper cutter that finished the job so Lucy and her family could receive the prints early. 

Annabelle Larner

I was immediately drawn to Peyton Bartz’s poem titled Something New because of the beautiful words about a mermaid tree. I loved Peyton’s descriptions – lumpy, flowing, green, honey-dew melon, rough, scratchy, hard as glass, soft. These words made me think of coral and its magical properties. Everything was hand done but the type was a polymer plate from Boxcar. I found a lovely font, Josefin Slab, to create the poem, which felt contemporary and clean. I knew I wanted to do layers and textures to match the poet’s descriptions, so I forged ahead. 

The broadside was created with five separate printing steps on the press: 

First pass: I used a piece of wood to create a subtle textured background, and printed it in a warm yellow. Second pass: I drew and cut out the coral-like tree on chipboard, glued it to wood, sealed it with acrylic medium, then printed it in a mossy green. Third pass: I created a mermaid with coral-like qualities to blend in with the tree (and used the same cutout/glued process as the tree), then printed her in blue.

I wanted to give the mermaid more features, so I carved linoleum for her face and tail, and did this fourth pass in light green to match Peyton’s descriptions. 

And finally, the fifth and final pass was the poem itself, laying on top of the entire picture so it would stand out. I felt the colors and layers of the elements looked nice and hopefully reflected Peyton’s words! 

Sarah Kulfan

This is my seventh year participating in the Seattle Children’s broadside project. I was so happy to join in on its 10th year anniversary! This year, I printed a poem that was written by 16 year old Darren Lagbao, titled ‘My Mom And I’. This poem is a loving tribute to his mom and his words honor her strength, patience and attentiveness, whether she is making adobo with pork sauce and boiled eggs or reading him to sleep.

From an imagery stand point, there is so much in Darren’s poem to inspire. I chose to illustrate the lines where he talks about his mom’s patience in teaching him to care for the family’s 5 dogs. This is something that I have in common as my extended family includes 5 dogs as well.

The image is printed from a reduction cut, or a lino-block that is carved away in between each color layer. I started with a thick paintbrush to paint directly onto the lino-block and then carved around all the little detailed edges to get the dynamic brush strokes in the blue background layer. Then I carved and printed two more layers of brown ink for the mom and the group of dogs.

There is so much in this project to be grateful for, especially this year which was fraught with challenges. I’m grateful to have been able to print Darrens’ words; to work alongside a group of amazingly talented printers; to have so much support in this project from WITS,  the School of Visual Concepts (now Partners in Print) and Seattle Children’s Hospital.

Our leadership team is 100% behind this project every year as they guide our team of printers and our sponsor partners encourage us.  For more behind-the-scenes, check out Sarah’s blog article about the project here.

Did you miss Part 1 of the 2020 Children’s Broadsides project?  Read more and visit Partners in Print to see previous years efforts and news on the 2021 Project. A thousand heartfelt thanks go out to all the printers, young poets & their families, and organizers who continue to make this Broadside collection special every year.