From micrometers, press galley beds and gauges… the lucky .918 lurks all around the shop here at Boxcar Press. Have a favorite one in your own shop? Send us a photo or reply in the comments below!
From micrometers, press galley beds and gauges… the lucky .918 lurks all around the shop here at Boxcar Press. Have a favorite one in your own shop? Send us a photo or reply in the comments below!
Keeping letterpress alive in practice and demonstration is at the heart of The .918 Club. We shop talked with Ken Kulakowsky on how The Club got its start, and the sharing of the tradition of letterpress by providing hands-on learning experiences, educating the public through their museum efforts, and the cool happenings at their recent September Printer’s Fair. Come check out a nifty “walk-through” video of the Fair on their Instagram account!
The .918 Club in Lancaster, Pennsylvania was founded to preserve and teach the art of letterpress printing. The Club is an all-volunteer 501(c)3 non-profit group of educators, printers, and the general public which has as its goal keeping the craft of letterpress printing alive. The .918 Club is named after the standardized height of printing type in the United States. Letterpress was the predominant method of printing until the 1950s but it still has widespread applications and avid followers today. Printers today produce posters and short-run books, and all kinds of personal printing. The .918 Club’s goals are to educate about the history and process of letterpress printing and to provide opportunities for letterpress printing by students and the general public.
People can enjoy hands on experiences with presses that the .918 Club/Heritage Press Museum has collected and stored since it’s beginning. There are plans for future expansion of its programs through the Heritage Press Education Center so finding and preserving the tools of the trade are a focus.
The .918 Club began with a partnership in 2004 with the Lancaster Heritage Museum, establishing a working print shop at 5 W. King Street to help meet their first goal of education. After the Heritage Museum closed in 2009, The .918 Club found a new home at the warehouse marketplace known as Building Character on North Queen Street in Lancaster. The museum program was restored, but there is no space for classes and hands-on printing.
In 2014 the Thaddeus Stevens College of Technology offered space for presses and classes. Because this successful program has already outgrown the available space, Thaddeus Stevens College of Technology offered The .918 Club the unused Naval Reserve Training Center building at its nearby Branch campus. This 3000 square foot building is directly across the street from the current facilities. It would greatly expand the educational and work space available while the museum will continue to operate at the North Queen Street location.
The .918 Club has offered workshops and programs attractive to a wide range of ages and interests. Some visitors have the museum as their destination while others encounter the displays while shopping inside Building Character.
The largest group making scheduled visits to the museum are public school students from elementary through high school, homeschool students, and attendees of summer activities such as the YWCA Empowerment program. Visitors to the museum get the opportunity to hear a presentation, see a variety of printing presses, and have the chance to print a keepsake.
At the Thaddeus Stevens College of Technology site, all graphic arts students from neighboring Millersville University, The Pennsylvania College of Art and Design and Thaddeus Stephens College of Technology take a class taught by The .918 Club to learn the history and contributions of their future profession. They greatly enjoy setting type and printing on antique iron hand presses.
Lancaster County Boy Scouts can attend a workshop to earn their Graphic Arts Merit Badge and they are joined by Scouts from as far away as New York, Virginia and Texas. Most of the time there is a waiting list for this popular workshop. Limited workshops are also held for the general public. The .918 Club provides speakers for programs at libraries and for various groups, such as schools, clubs, and retirement homes. There is usually an opportunity for participants in these programs to letterpress print a bookmark or other ephemera.
For the past 5 years, The .918 Club has held an annual Printer’s Fair in downtown Lancaster to demonstrate letterpress printing and acquaint the greater community at large with The .918 Club/Heritage Press Museum and its activities.
We enjoy hearing from wonderful members of the letterpress community on how the printing tradition has inspired them to their true calling. Aurora, NY-based Rob LoMascolo of The Press of Rob LoMascolo shares with us on why he is smitten with the printing tradition.
Why do I love letterpress? Letterpress appeals to me on many levels, but I think it is the tactility of it that appeals foremost to many of us. You can feel and see the difference. When looking at crisply printed type with just a slight bite into the paper one gets the sense that each and every letter is a physical thing, not a digital recreation of a thing, but every letter is a real actual thing that is very much part of that printed sheet.
My mom likes to tell people that in first grade we kiddos were all asked what we wanted to do when we grew up. Most of my classmates wanted to be athletes, firefighters or follow in their parent’s footsteps, but I wanted to own my own museum!
Yup, visitors always say my shop is like a working museum. Letterpress combines my loves of history, art, design, books, old machines, and above all, it has a realness about it that is lacking from so much of our digital world.
As much as I love letterpress for all those reasons, the reason I do it is simply because I have not found any better way.
Braiding her cross-disciplines of graphic design, web programming, psychology and a love for minimalistic & organic design, Giorgia Katerina of PRESSDD creates beautiful letterpress pieces with panache. Having come by letterpress from a curiosity to know more about the printing tradition, Giorgia has woven into her bespoke creations a love of floral motifs, her great eye for detail, and welcoming warmth. We talk shop on her next adventures into a custom line, the joys of finding zen in her press room, and the exciting feeling of accomplishment when an ink run lines up just perfectly on the press.
RENAISSANCE WOMAN Obtaining a degree in psychology, I originally envisioned pursuing something in this field. Shortly thereafter, I came to the realization my love for design was stronger than that of psychology. As a result, four years ago I started out as a freelance graphic designer and web programmer. Now, I specialize in bespoke wedding stationery.
GETTING HOOKED ON LETTERPRESS My journey into letterpress was very unconventional. With a background in graphic design, letterpress was the last thing on my mind. Always looking for design inspiration, I started noticing beautifully printed pieces. Curious by nature, I became eager to learn how to make stationery pieces. As a result, I became hooked on letterpress!
PEACEFUL PRINTSHOP My press room is my personal oasis, complete with no distractions … just me and my press. First and foremost, the accessibility of my press room is second to none. Connected to my home studio, this gives me the flexibility to print at any given time. In this room, you will find a Chandler and Price 12×18 press. In addition, I have a Kensol 27T (which is not part of my studio). Complete with no distractions, just me and my press!
BEAUTY IN THE BUCKEYE STATE I’m based in Rocky River, a suburb of Cleveland, Ohio. A picturesque little town where coffee shops and restaurants are all within walking distance.
FINDING THE CREATIVE VEIN As a self-taught printer, with no true print mentor I find my design inspiration comes from minimalism and organic elements. With a passion for exploring various textural elements, I love how letterpress can create a beautiful, deep blind impression.
PART TIME PRINTING, FULL-TIME FUN As a stationery designer, and a part-time printer I always look forward to press days … as it gets me up and moving, and away from the computer!
EFFECTIVE AND FLORAL INFUSED DESIGN As a designer, I like to keep things simple and modern with a touch of organic elements. I love working with florals. Whether it is scanning them to use as background images or sketching them for the press. Similarly, I like to incorporate elements of old-school romance in my work. My favorite period is the French Renaissance!
PRINTING FEATS My clients are second to none, and I absolutely love working with them and helping bring their vision to life. Simply put, there is no better feeling than being able to give my clients a bespoke letterpress wedding suite designed and pressed specifically for them.
PRESS HISTORY As a perfectionist, and having spent countless hours on any given project, my first print job was such a rush! I had just started as a full-time freelancer … and my first assignment was a wedding suite.
BOXCAR’S ROLE First and foremost, I want to give a shoutout to my girl Rebecca, who was a dream to work with! She and Boxcar Press have saved me quite a few times during the plate making stages. From helping me stock my studio with all the essentials (like everything in my shop … and outside of my C&P and type) to being an excellent printing resource in my times of need. Needless to say, I was lost without the help of Boxcar Press!
PRINTING TIPS My biggest frustrations is setting up a registration for a run. I have spent countless hours measuring, and remeasuring just to ensure the plate is in a perfect position. My advice, print a digital copy of the plate design using the same size sheet of paper you’ll press. Next, tape the plate over the print and transfer it to the base. This will help you save time, and will minimize the number of hours spent measuring (or remeasuring).
WHAT’S NEXT There are a couple big plans on the horizon for PRESSDD. Most recently, I’ve reintroduced greeting cards into my printing repertoire. In addition, I will also be looking to expand my wedding stationery and will be releasing a semi-custom collection.
We here at Boxcar Press would like to give a huge round of applause and thanks to Giorgia Katerina of PRESSDD! We’ll keep our eyes peeled for what she cooks up next in the print shop.
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Connecticut-based Lourdes Irizarry of Slackline Press balances printing life with outdoor adventures in her garage-turned-printing haven. With her Golding Jobber press (which she rescued from dust-covered days), Lourdes enjoys creating punchy, colorful designs and incorporating her love of travel into her work. In our chat with Lourdes, topics flow from selecting the perfect paper for large solid jobs, to the allure of letterpress and sketching out her future line of wedding invitations.
PRINTING PASSION My name is Lourdes. I’m a digital art director by day and run Slackline Press as a passion project for now. I was born and raised in Puerto Rico, lived in Orlando, Florida and now reside in Connecticut with my boyfriend and two dogs.
LOVE AT FIRST IMPRESSION I started my letterpress journey in 2013 as a creative outlet from my day job. As a designer, I had always been interested in letterpress but had never looked into what it would take to get set up. After researching different types of presses, I decided a Golding Jobber or Pearl would be the right size for my studio and the type of work I wanted to create. I started poking around online and found a Golding expert in my area that did workshops. It was love at first sight and I immediately became obsessed with building a letterpress studio.
CREATING IN CONNECTICUT My shop is in half of a detached garage behind our tiny cape on the CT shoreline. The detached garage was a selling point when we bought the house but it was in pretty rough shape. We hired a contractor who worked with my crazy vision of building a tiny loft in the crawlspace. It’s definitely my favorite thing about the space. It turned out way nicer than I ever would have imagined.
SURROUNDED BY ADVENTURE I love that I can bike to the beach in our town. There are also a number of outdoor adventure opportunities in the area. Rivers for water sports, plenty of forested trails for hiking and letting the dogs run around as well as a number of quaint town greens with farmers markets, shops and restaurants.
My favorite landmark is the shoreline trolley museum which renovates and runs old trolleys from East Haven to Branford. We’re also 1.5 hour train ride from New York City.
PRINTING MENTORS Yes! John Falstrom of Perennial Designs connected us with our first press and offered an incredible amount of knowledge on the best way to move and renovate our Jobber. Also John Barrett of Letterpress Things whom I acquired my other 2 presses from. His warehouse is packed with supplies and letterpress ephemera. They are both a huge wealth of knowledge and are just wonderful people to know.
Inspiration is everywhere in our surroundings but I’m particularly inspired by travel and culture. I am currently infatuated with Mediterranean patterns.
PART TIME PRINTING, FULL TIME FUN I have a day job so I work my printmaking schedule around that. I’m still working out my long term goals for my letterpress business and figuring out the balance between custom work and my own stationery line. But I would love to build relationships with other crafters and artisans who need branded stationery or packaging.
THE CREATIVE FLOW I always start with really rough thumbnail sketches on paper, on my iPad or just write down ideas. I then try to choose a few that I keep coming back to, develop the sketches a little further and then illustrate them in Adobe Illustrator. Lately I’ve been designing vector art on my iPad Pro to save time going from sketch to digital. I then send my designs to Boxcar Press to get plates made and then print in my studio. I love to photograph my travels and surroundings and often times I use that as inspiration or reference vs having to go online and look for visuals.
PRINTING FEATS I’d say my biggest accomplishment so far is just getting a dedicated space built to house my presses and that I can work in through the seasons. Having it separate from the house but still easily accessible is really convenient.
PRESS HISTORY A Golding Jobber 8×12 platen press that was cooped up in a tiny stone cottage in the mountains of Vermont and unused for 7 years.
BOXCAR’S ROLE First and foremost, Boxcar customer service is the best! They helped guide me when I got started, and are very quick to get on the phone when there’s something wrong with my order or if I have questions. A moment that stands out to me when Boxcar went above and beyond happened when I was having an inking problem. They worked with me for hours (some of which were after business hours) to help me solve my issue. Boxcar has a quick turnaround, convenient real-time uploading and proofing, and fast shipping. Overall, it’s been an affordable way for a small press like me to get started.
PRINTING TIPS The more I print, the more I realize how inking varies depending on the paper I use. If I design something with larger areas of solid color or want smoother inking, I try to print on smoother paper and tend to over-ink. If I have a design that has more fine lines or has a grungier style to it, I try to print on a more textured paper with less ink to add to the grunginess of the design. Also, the brighter white paper is less forgiving in terms of showing imperfections.
WHAT’S NEXT I’m growing my stationery line of greeting cards as well as adding more personalized options like wedding invitations. I would love to attend the National Stationery Show for the first time next year and am learning as much as I can in order to get me there.
Keeping sharp eye on the lookout for more cool things & intriguing “must-bookmark-this!” items, this week’s installment of the Inquisitive Printers Want to Know features a Wisconsin-based printer and bookmaker, a new specialized coating that is the “blackest of the blacks”, and a celebration for a book series that inspires one of our printers. Read on to learn more!
Cathy: I recently found a website with a blog that pleased me. It is called Letterpress Book Publishing and it belongs to Mike Coughlin of Superior Letterpress of Cornucopia Wisconsin. He calls himself a Printer and Book Maker and his blog reflects on his love of his profession. His posts are comfortable and friendly. He hasn’t posted since December 2017 so I am hoping some new visitors to his page will prompt him to give us something new to read.
He is at the tip of Wisconsin before it drops into Lake Superior so come “chat” with the rest of us, Mike, and let us know what is on your mind or on your press.
(Photography credit: Surrey Nanosystems)
Hailed as the “blackest of blacks”, this is borderline cartoonish-ly black coating is neither really a pigment nor paint per se. Instead, the specialized coating (made by Surrey Nanosystems) is made up of series of long, extremely tightly packed (and quite microscopically thin) carbon tubes. So dense is this “forest of carbon nanotubes” that any light shined onto it is immediately absorbed (99.96% to be exact).
The very precise need for those densely packed carbon nano tubes to be laid in a certain way limits how the coating can be applied. Currently in the works is a not-as-dark version in a spray variety aimed at the STEM community (and it will set you back a pretty penny).
Bonus: The “Vanta” in Vantablack stands for “Vertically Aligned Nanotube Array”.
Leanna: Happy Birthday, Harry (July 31st)! I have been a huge Harry Potter fan since it was introduced to me by my fourth grade teacher. It was subsequently banned from the school a couple months later, so I had to sneak it in my lunchbox to read during break. Over the years since last book and film were released, I took to mainly searching Pinterest for fan art and periodically listening to the audiobooks while I work in the shop (and people wonder why I’m tearing up at the press, it’s cause I’m listening to Snape die for the 100th time!).
Did you know that 2018 is one of the years in which the book ‘The Cursed Child’ takes place? According to the timeline, Harry’s first year at Hogwarts is 1991. The Battle of Hogwarts is in 1998 making the “19 years later” of the epilogue of ‘The Cursed Child’ to be in 2017. Weird right? Now imagine the movies taking place in the early 90’s instead of the 2000’s!
In honor of Harry’s and J.K. Rowling’s birthday today, here are a few of my favorite Harry Potter things to inspire a bit of “magic” for their next print project!
Artists to Check Out:
Wonderful Potter-related Articles and Exhibits:
Do you have a cool thing you’d like to share with us or see something that tickles your printing fancy? Email us at email@example.com as we’d love to hear from you! We’re always on the look-out for fun + wonderful things!
Most letterpress printers find a sense of home in the happy clinking & whirling of the press. Danny Rhoades of Creative Beasties Workshop is no exception. The IT-by-day and printer-by-night found the letterpress bug bit hard after planning his own wedding. Turning part of his garage into his printing mecca, Danny finds inspiration in exploring creative options with his clients, his supportive family, and letting the press provide valuable teaching moments. Since our last visit with Danny, he caught us up on new printing tricks, the feeling when registration is spot on, and the wonderful rhythms printing has played in his life.
PRINTING JAM SESSIONS + FAMILY LIFE I’m a 37 year old married father of 2 adorable twin girls (age 2). It’s mostly me by myself printing since my wife is usually dealing with the kids. I sometimes have creative friends come over for printing sessions but other than that it’s just me.
BLOSSOMING PRINTING LOVE When my wife and I were planning our own wedding we both got super interested in the invitation options out there and came across letterpress. I instantly fell in love and that eventually blossomed into Creative Beasties Workshop.
PRINTSHOP EFFICIENCY Our workshop is in the tandem portion of our garage. It’s only about 288 sq ft so it’s very limited. My favorite thing about it is the Heidelberg Windmill 10×15 press that brings it all together.
AT HOME PRINTING We’re in a pretty new constructed suburban neighborhood. The most interesting thing about our home is that it backs up to a 20 ft. sound wall for Highway 65.
PRINTING MENTORS One of the first people to teach me about letterpress was a gentleman I met on the Briarpress.org forums who goes by the handle, Inky. He taught both my wife and I the basics and helped us really understand the foundations of the process. I owe him a lot.
PART TIME PRINTING, FULL TIME FUN I wish I could print full time, but with a mortgage and budding family, I can’t afford to do that just yet. I work in IT and my day job pretty much supplements our workshop quite a bit.
DESIGN BROUGHT TO LIFE I don’t design as much as I’d like mostly due to time constraints, but when I do it’s usually after a lengthy conversation/meeting with the client to fully understand their motivation and inspiration so I can bring it to life and elevate it the best I can. One of my weaknesses is not knowing when to stop. This is something I am working on, and think I’m getting better … but I know it’s a flaw of mine.
PRINTING FEATS One of my proudest moments occurred when I was able to produce a 3 color work, shortly after having trained only for three days on the press. The registration was perfect and the colors were spot on.
PRESS HISTORY I learned on a C&P old style, but when I bought my own I went straight for the kill and got a Heidelberg Windmill 10×15. I didn’t even know how to use it! I was super scared at first and had to take a three day training to understand how to work it.
BOXCAR’S ROLE Anytime I need any advice … or help with a job I can always count on Boxcar to be there to walk me through it.
PRINTING TIPS For just starting out, don’t blame yourself too much. I blamed my inexperience a lot before I realized there was an actual problem with the press that needed to be fixed. The same thing happened with rollers. Once I changed to a different supplier things worked out much better. Sometimes, it is actually the equipment.
WHAT’S NEXT I hope to continue printing and eventually build a client base that can support me printing full time.
A big, huge Windmill-size round of thanks out to Danny of Creative Beasties Press! We look forward to seeing what cool, new projects come his way.
From cool printing events happening in central New York and across the border into Canada (as well as a nifty pitstop for an unusual store in Alabama), we focus in on amazing things happening that captured our attention this week. We hope you enjoy this latest edition of things that caught our eye (and maybe jump-start some new project or travel destination plans!)
Madeline Bartley: Outside of working in the Boxcar printshop, I play with other forms of printmaking. Such as carving a woodblock. Like a really big 4 foot by 4 foot block. I really enjoy working with large scale imagery. The making of this woodblock is leading up to an outdoor event called the Big Ol’ Steamrollin’ Print Invitational.
Instead of a large printing press, you rent a steamroller to apply the pressure to transfer ink onto fabric. This will be my third year participating in the Big Ol’ Steamrollin’ Print Invitational and overall my sixth time I have been involved with steamrolled prints.
The Big Ol’ Steamrollin’ Print Invitational will be taking place on Friday, June 29th during the 2018 MWPAI Arts Fest. It is free and open to the public.
PrattMWP Gallery is located in the Munson-Williams-Proctor Arts Institute, Museum of Art
at 310 Genesee Street, Utica, New York.
Cathy Smith: I have been emailing with a gentleman from Canada who bought a press last year – a Heidelberg Wiindmill 10×15 – and he says it’s part of his retirement program! He also enjoys a little public speaking and wood engraving. Why buy the press? He started a Butterfly Conservatory in Cambridge, Ontario 18 years ago and it’s time to embrace a new challenge. Check out the Butterfly Conservatory as it is beyond impressive in terms of programs, exhibits, and gardens. I love when customers share cool things with me!
Rebecca Miller: For your next trip to the library or bookstore, we heartily recommend checking out “Daily Rituals: How Artists Work” by Mason Currey. A delightful book that logs the daily routines and anecdotes of famous creatives from Charles Dickens to Benjamin Franklin (a fellow printer, we might add). This delightful book is a page-turner for the trivia-enthusiast as well as the creative artist or printer seeking inspiration for organizing their day-to-day workflow.
Ever wonder where some of unclaimed luggage goes to? Although we can’t say whether the Unclaimed Baggage Store in Scottsboro, Alabama has a container of pied type or a case of vintage lead type, we love the notion that there is a “catch all” brick-and-mortar store for those bags that are never claimed.
Never fear, the items & luggage that are in this store go through a rigorous 3-month tracing period by the airlines. Once the all-clear is given, the Unclaimed Baggage Store buys the items before putting anything on the shelves for sale. If something cannot be sold but is still in good condition, the store then donates them to those in need.
Do you have a cool thing you’d like to share with us, an awesome printing event coming up that you’d like to give a shout-out to, or see something cool that catches your eye? Email us at firstname.lastname@example.org as we’d love to hear from you! We’re always on the look-out for wonderful + fun things!
West of the Sierra Nevada Mountain range and northeast of Sacramento is the beautiful city of Lincoln, California. It’s home to the Creative Beasties Workshop and printing abode of Danny Rhoades. The garage-turned-printing haven features the thrum of a Heidelberg Windmill on which Danny creates his latest colorful creations. Danny throws open the doors to give us a tour of his studio.
EVERCHANGING WORKSPACE The workshop is in the tandem portion of our garage. I had a bunch of fluorescent tube lights installed to give better lighting. Other than that it’s pretty sparse. We tried to finish it with some texture and paint but we didn’t know what we were doing and made a mess. Then we decided just to leave it half done because we ran out of time and had to stop for equipment delivery.
THE HEART OF THE SHOP My favorite thing in the shop is my Heidelberg Windmill. It’s the heart of our workshop and is what makes all of our letterpress projects happen.
SIZE OF PRINT SHOP It’s right around 288 square feet. 14’8″ x 19’8″
CALIFORNIA NEIGHBORHOOD Our house backs up to a highway, so our backyard view is a 20 foot sound wall. We’re in a recently developed suburban family neighborhood.
TYPE OF SHOP I’d actually really like to open my shop up to community printers and let them use my equipment to allow budding printers get started. However, I don’t know how to make that happen yet since I’m worried about the legality of it and if it creates any liabilities or risk which I’m sure it does.
THE PRESSES We rely on our Heidelberg Windmill 10×15 press from the late 70s to print all out letterpress projects. We also have some digital printers, a hobby laser cutter, vinyl cutter, and a heat press.
MOST VALUABLE SHOP TOOL There’s so many things I rely on heavily, but if I had to pick one, I’d go with my oil can. It really makes maintenance a breeze.
FAVORITE INK Van Son Rubber base inks are what we use. Current favorite ink color is probably Orange. I used it in a split fountain test run along with Purple and it really took me by surprise how nice of a color it is.
SOLVENT OF CHOICE We took Boxcar’s advice and use California wash. It seems to do the best job overall. We’ve also use odorless mineral spirits from time to time along with a roller wash we got from a local distributor, but usually come back to California wash again due to its reliability.
PLATE AND BASE OF CHOICE We use a Boxcar Base system, of course, along with KF95 and KF152 plates depending on the job. We’ve been using this system since inception in 2014.
OIL OF CHOICE We use Mobile DTE Oil Heavy.
WHAT TYPE OF RAG DO YOU CLEAN UP WITH We use Scott shop towels and white cotton rags that we cut from t-shirts.
PIED TYPE No type, we do everything on photopolymer.
ORGANIZATION ADVICE I keep all my packing materials in a drawer pre-sorted by weight for easy setup. I do the same with pretty much all my materials, but that’s the best example.
PRINTING ADVICE Spend the time to line up your plates on the Base. If you’re careful, you can save a ton of time on press.
From being your Queen Bee to the one who knows whether you like the crust cut off your sandwiches (or not!), we rally up the 20 of ’18 of the most beautiful, humorous, and heartfelt Mother’s Day letterpress gifts to show Mom who’s tops. See a gorgeous must-have that we missed? Let us know in the comments below!
1. Therapist-Approved Mother’s Day card by Shed Letterpress | 2. Wine Bottle Tags for Mom by Chez Gagne | 3. What I Learned From My Mother Broadside by Campbell Raw Press | 4. Mom Yelling – I Love You card by Ladyfingers Letterpress | 5. Super Mom card by Hello Lucky
6. Mom’s Recipe card by Blackbird Letterpress | 7. Super Mom card by The Fingersmith Press | 8. Mother-Daughter Timeline letterpress card from Chez Gagne | 9. Orange Bouquet card by Sesame Letterpress | 10. Needlepoint Mother’s Day card by Greenwich Letterpress
14. Tip-top Mother’s Day card by Anemone Letterpress | 15. Mothers day specialty letterbox from sky of blue cards | 16. Gal Who Fixes Everything card by Igloo Letterpress | 17. Beautiful Letterpress Coasters by Haute Papier (pick a fun one for mom!) | 18. Fun and colorful letterpress notebooks from Hammerpress | 19. Letterpress Flower coasters by Ruby Press | 20. Boxcar Baby T-shirts from Boxcar Press (for moms-to-be)