2018 Paper Giveaway to Local CNY Teachers Inspires Creativity

We here at Boxcar Press love supporting our local community & recycling and we have found a great way to do both and give back to Central New York.  We rolled up our doors this past Tuesday, October 16th to local Central New York art teachers for our annual Art Paper Giveaway.

2018 Paper Giveaway for Local Central New York Teachers Adds More Art Materials to the classroom.

Excited and energetic teachers from around and beyond the greater Syracuse area were thrilled to load up their cars, vans, and arms with boxes and bags full of brilliantly colored envelopes, papers, offcuts, boxes, and goodies galore.

2018 Paper Giveaway for Local Central New York Teachers Adds More Art Materials to the classroom.

With tightened budgets for school art programs on the rise, the Paper Giveaway for art teachers is a fantastic way for teachers to add more creative materials for students in their current classes. Many teachers come back year-after-year with smiles and a keen eye on the look-out for the next “something” for their kids to use in an upcoming art project.

2018 Paper Giveaway for Local Central New York Teachers Adds More Art Materials to the classroom.

2018 Paper Giveaway for Local Central New York Teachers Adds More Art Materials to the classroom.

Art teachers who are are interested in next year’s Paper Giveaway for Teachers event can contact us at info@boxcarpress.com. Picking up paper is on a first come, first served basis and questions can be directed to Boxcar Press at 315-473-0930.

Graham Judd: A New Zealand Printing Gem

Cozied in the north shore of New Zealand is Birkenhead – a suburb of Auckland that offers gorgeous beaches, picturesque vistas, and the hidden gem that is GTO Printers.  Graham Judd was able to take a minute to talk shop with us about his trip to the Ladies of Letterpress last year, falling for printing on day one, his cozy (but efficient!) garage-turned-shop, and gearing up to create more workshops to spread the love of letterpress in New Zealand.

FAMILY AND PRINTING LIFE I grew up in a small country town in New Zealand, had a happy family life, the middle child of five. My dad was the local radio station manager and mum sang a lot in local operatic shows, so we were brought up with music and social activities in our home. We were sent to the local Baptist church and there I made a decision to follow Christ at age 17. This has influenced my journey in life ever since. I moved to Auckland with my wife in 1975, and we are still here. We now have three adult children. They all love what I do, but all have their own careers outside of printing.

FALLING FOR LETTERPRESS I left school with few qualifications and no idea of a career, but a friend who was a compositor in a local printing company suggested I look at an apprenticeship in the printing trade, which I did. And I loved printing from day one. My apprenticeship was as a letterpress machinist, training on Heidelbergs mainly, platens and cylinders. I later retrained on offset as letterpress was phased out.

NEW ZEALAND WONDERS Up until January 2018 I have been leasing a small building in the local area where we live, and I think my ‘apprentice’ Christina kept our local coffee shop in business with her mocha purchases. The situation changed and it was the time to move the business home. So now I have a small (one car garage size) area that houses most of my equipment. I’m allowed a bit of extra space in the real garage for paper stock, and I have my old Albion press at the local library. My print shop is typical, with the Heidelberg 10×15 platen and Polar guillotine taking most space, then a small stone, galley rack, ink stand, work bench, a type cabinet with my wood type, and that leaves enough room to take one step to get to anything! It works well, I can’t buy any more stuff, which is probably good!

MENTORS + INSPIRATION My basic training was done a long time ago, I’m now at the stage of life where I’m passing on my bad habits to others. But people who come to mind that impress me with their work are Jenn at Starshaped Press, the lettering of Jessica Hische, and the work of local printer Tara McLeod who would be New Zealand’s most experimental letterpress printer. In my trips to USA the things that really stand out have been visits to Hamilton Wood Museum, the International Printing Museum in Carson, Edes and Gill Printing Office in Boston, the Crane Printing Plant, and of course our visit to John at Letterpress Things in Chicopee.

DESIGNED FOR PRINT I am really a printer only, very dependent on artwork being supplied by clients. This possibly means I miss out on some jobs that won’t get past the designer/printer shops, but it does mean the job is ready to print when it gets to me, so the decisions that can make a job hard work are all done. It does mean that designers that have pushed the limits of what letterpress can do in their design, give me challenges on the press.

FULL TIME FUN I have run my business full time for nearly 35 years, that included offset and later digital machines. I was fortunate to go through the period between letterpress and digital, when offset ruled, and there was a lot work for a small commercial printer. Now that I am nearing the end of my professional career, I am ok that work is slowing a little, but I still love inking up the press whenever I can.

PRINTING FEATS In 2014 I printed a set of art prints for a client, which won me the supreme award in the Pride in Print Awards in New Zealand, the best of the best printing for that year, beating all the big offset and digital boys in the country. I thought it should get some recognition when I entered it, but was delighted and amazed that the judges put it at the top. That was pretty cool. I have trained up two ladies who have both set up successful letterpress businesses in New Zealand. I am very proud of both of them, and proud to think I had a small hand in their success. I feel the printing trade has been good to me, and am happy to give back as I can.

PRESS HISTORY The first press I purchased was an AM Multi 1250, a small offset press, back in about 1982. By 1987 I had replaced it with other offset presses, and got me a brand new Heidelberg TOK that year. My first letterpress machine was an Adana 8×5, purchased in about 1995 I think. That was about when I got a desire to dabble in letterpress after a 20 year break. I purchased my Heidelberg Platen in 2008, and that’s when I got serious about commercial letterpress again.

BOXCAR’S ROLE Living in New Zealand means I have had little to do with Boxcar Press, only seeing the name pop up regularly on google searches for letterpress stuff. Meeting the boss and Maddie and others at the Ladies of Letterpress convention in 2017 was great. I was most impressed that Maddie was willing to dive into the press to pull out all the rubbish deep inside! Getting the ink into your blood is a prerequisite of a dedicated letterpress printer!

SHOP TIPS My experience is mostly with Heidelbergs, so one thing I reinforce is, for new operators, set up and get the feeder running consistently before inking up the press. If it’s not feeding well it’s just adding to the battle of getting a good job done.

WHAT’S NEXT There are opportunities to run more workshops, both beginner letterpress and Heidelberg platen workshops. I have a plan to set up a mobile printshop, visiting schools, libraries, and events where I can share the letterpress experience. I’m on the lookout for an ex-ambulance or similar. And for a while yet continue to run my little print shop as a profitable and happy place!

A world of thanks to Graham of GTO Printers for letting us take a sneak peek into his New Zealand printing world!

Inquisitive Printers Want to Know: More Extra Things That Caught Our Eye

Keeping our eagle eyes on the look-out for intriguing and cool things, this month’s installment of the Inquisitive Printers Want to Know highlights Lori Schneider (a woman with Multiple Sclerosis who has scaled  the “Seven Summits”), the wealth of information at letterpresscommons.com,  as well as a very beautiful look at global weather patterns. Read on to learn more!

From Cathy: Recently, I was fortunate enough to hear a talk by Lori Schneider, the first woman with Multiple Sclerosis to climb the “Seven Summits” of the world.  Here she is in a Ted Talk at TedXGrandRapids.

The Seven Summits are the highest peaks of the seven continents.

Listening to her describe her Mount Everest climb sparked a strong curiosity about this particular mountain and sent me searching for all sorts of information.  What I learned was equal parts awe-inspiring, eye-opening and a little beyond belief.  You can Google and find hundreds of articles but this How Stuff Works article is a good introduction to how daunting it is.

Next, I paid a recent visit to Letterpress Commons, specifically to view any of the new videos added since my last look (and to view some of the others again).  There is a wealth of info shared by others on “The Commons”, so it’s highly recommended that folks putter around at the site every few months to see what treasures have been added.  And if you have a tidbit or more to share, check out how to be a contributor.

From Rebecca Taking global weather pattern views to a whole new level is the Earth.Nullschool.net website. This handy website displays in real time the current wind, temperature, and CO2 levels. You can zoom in and twirl the globe to different locations worldwide to see how different weather patterns are moving.

It’s very fascinating (and beautiful!) to see how the Earth’s oceans and landforms effect one another.

Have something nifty or cool that you’d like to share with us? Let us know what it is in the comments below!

Sharing Letterpress In Pennsylvania: The .918 Club

Keeping letterpress alive in practice and demonstration is at the heart of The .918 Club. We shop talked with Ken Kulakowsky on how The Club got its start, and the sharing of the tradition of letterpress by providing hands-on learning experiences, educating the public through their museum efforts, and the cool happenings at their recent September Printer’s Fair. Come check out a nifty “walk-through” video of the Fair on their Instagram account!

The .918 Club in Lancaster, Pennsylvania was founded to preserve and teach the art of letterpress printing. The Club is an all-volunteer 501(c)3 non-profit group of educators, printers, and the general public which has as its goal keeping the craft of letterpress printing alive. The .918 Club is named after the standardized height of printing type in the United States. Letterpress was the predominant method of printing until the 1950s but it still has widespread applications and avid followers today.  Printers today produce posters and short-run books, and all kinds of personal printing. The .918 Club’s goals are to educate about the history and process of letterpress printing and to provide opportunities for letterpress printing by students and the general public.

People can enjoy hands on experiences with presses that the .918 Club/Heritage Press Museum has collected and stored since it’s beginning.  There are plans for future expansion of its programs through the Heritage Press Education Center so finding and preserving the tools of the trade are a focus.

The .918 Club began with a partnership in 2004 with the Lancaster Heritage Museum, establishing a working print shop at 5 W. King Street to help meet their first goal of education. After the Heritage Museum closed in 2009, The .918 Club found a new home at the warehouse marketplace known as Building Character on North Queen Street in Lancaster. The museum program was restored, but there is no space for classes and hands-on printing.

In 2014 the Thaddeus Stevens College of Technology offered space for presses and classes. Because this successful program has already outgrown the available space, Thaddeus Stevens College of Technology offered The .918 Club the unused Naval Reserve Training Center building at its nearby Branch campus. This 3000 square foot building is directly across the street from the current facilities. It would greatly expand the educational and work space available while the museum will continue to operate at the North Queen Street location.

The .918 Club has offered workshops and programs attractive to a wide range of ages and interests. Some visitors have the museum as their destination while others encounter the displays while shopping inside Building Character.

The largest group making scheduled visits to the museum are public school students from elementary through high school, homeschool students, and attendees of summer activities such as the YWCA Empowerment program. Visitors to the museum get the opportunity to hear a presentation, see a variety of printing presses, and have the chance to print a keepsake.

At the Thaddeus Stevens College of Technology site, all graphic arts students from neighboring Millersville University, The Pennsylvania College of Art and Design and Thaddeus Stephens College of Technology take a class taught by The .918 Club to learn the history and contributions of their future profession.  They greatly enjoy setting type and printing on antique iron hand presses. 

Lancaster County Boy Scouts can attend a workshop to earn their Graphic Arts Merit Badge and they are joined by Scouts from as far away as New York, Virginia and Texas. Most of the time there is a waiting list for this popular workshop. Limited workshops are also held for the general public. The .918 Club provides speakers for programs at libraries and for various groups, such as schools, clubs, and retirement homes. There is usually an opportunity for participants in these programs to letterpress print a bookmark or other ephemera.

For the past 5 years, The .918 Club has held an annual Printer’s Fair in downtown Lancaster to demonstrate letterpress printing and acquaint the greater community at large with The .918 Club/Heritage Press Museum and its activities.

Flourishing Creativity with PRESSDD

Braiding her cross-disciplines of graphic design, web programming, psychology and a love for minimalistic & organic design, Giorgia Katerina of PRESSDD creates beautiful letterpress pieces with panache. Having come by letterpress from a curiosity to know more about the printing tradition, Giorgia has woven into her bespoke creations a love of floral motifs, her great eye for detail, and welcoming warmth. We talk shop on her next adventures into a custom line, the joys of finding zen in her press room, and the exciting feeling of accomplishment when an ink run lines up just perfectly on the press.

RENAISSANCE WOMAN Obtaining a degree in psychology, I originally envisioned pursuing something in this field. Shortly thereafter, I came to the realization my love for design was stronger than that of psychology. As a result, four years ago I started out as a freelance graphic designer and web programmer. Now, I specialize in bespoke wedding stationery. 

GETTING HOOKED ON LETTERPRESS  My journey into letterpress was very unconventional. With a background in graphic design, letterpress was the last thing on my mind. Always looking for design inspiration, I started noticing beautifully printed pieces. Curious by nature, I became eager to learn how to make stationery pieces. As a result, I became hooked on letterpress!

PEACEFUL PRINTSHOP My press room is my personal oasis, complete with no distractions … just me and my press. First and foremost, the accessibility of my press room is second to none. Connected to my home studio, this gives me the flexibility to print at any given time. In this room, you will find a Chandler and Price 12×18 press. In addition, I have a Kensol 27T (which is not part of my studio). Complete with no distractions, just me and my press!

BEAUTY IN THE BUCKEYE STATE I’m based in Rocky River, a suburb of Cleveland, Ohio. A picturesque little town where coffee shops and restaurants are all within walking distance.

FINDING THE CREATIVE VEIN As a self-taught printer, with no true print mentor I find my design inspiration comes from minimalism and organic elements. With a passion for exploring various textural elements, I love how letterpress can create a beautiful, deep blind impression.

PART TIME PRINTING, FULL-TIME FUN As a stationery designer, and a part-time printer I always look forward to press days … as it gets me up and moving, and away from the computer! 

EFFECTIVE AND FLORAL INFUSED DESIGN  As a designer, I like to keep things simple and modern with a touch of organic elements. I love working with florals. Whether it is scanning them to use as background images or sketching them for the press. Similarly, I like to incorporate elements of old-school romance in my work. My favorite period is the French Renaissance!  

PRINTING FEATS My clients are second to none, and I absolutely love working with them and helping bring their vision to life. Simply put, there is no better feeling than being able to give my clients a bespoke letterpress wedding suite designed and pressed specifically for them.

PRESS HISTORY As a perfectionist, and having spent countless hours on any given project, my first print job was such a rush! I had just started as a full-time freelancer … and my first assignment was a wedding suite.

BOXCAR’S ROLE First and foremost, I want to give a shoutout to my girl Rebecca, who was a dream to work with! She and Boxcar Press have saved me quite a few times during the plate making stages. From helping me stock my studio with all the essentials (like everything in my shop … and outside of my C&P and type) to being an excellent printing resource in my times of need. Needless to say, I was lost without the help of Boxcar Press!

PRINTING TIPS My biggest frustrations is setting up a registration for a run. I have spent countless hours measuring, and remeasuring just to ensure the plate is in a perfect position. My advice, print a digital copy of the plate design using the same size sheet of paper you’ll press. Next, tape the plate over the print and transfer it to the base. This will help you save time, and will minimize the number of hours spent measuring (or remeasuring).

WHAT’S NEXT There are a couple big plans on the horizon for PRESSDD. Most recently, I’ve reintroduced greeting cards into my printing repertoire. In addition, I will also be looking to expand my wedding stationery and will be releasing a semi-custom collection.

We here at Boxcar Press would like to give a huge round of applause and thanks to Giorgia Katerina of PRESSDD! We’ll keep our eyes peeled for what she cooks up next in the print shop.

If you would like to be one of Boxcar Press’ featured printers, please complete the Printers Profile questionnaire.

Tight Registration with Slackline Press

Connecticut-based Lourdes Irizarry of Slackline Press balances printing life with outdoor adventures in her garage-turned-printing haven. With her Golding Jobber press (which she rescued from dust-covered days), Lourdes enjoys creating punchy, colorful designs and incorporating her love of travel into her work.   In our chat with Lourdes, topics flow from selecting the perfect paper for large solid jobs, to the allure of letterpress and sketching out her future line of wedding invitations.

PRINTING PASSION  My name is Lourdes. I’m a digital art director by day and run Slackline Press as a passion project for now. I was born and raised in Puerto Rico, lived in Orlando, Florida and now reside in Connecticut with my boyfriend and two dogs.

LOVE AT FIRST IMPRESSION I started my letterpress journey in 2013 as a creative outlet from my day job. As a designer, I had always been interested in letterpress but had never looked into what it would take to get set up. After researching different types of presses, I decided a Golding Jobber or Pearl would be the right size for my studio and the type of work I wanted to create. I started poking around online and found a Golding expert in my area that did workshops. It was love at first sight and I immediately became obsessed with building a letterpress studio.

CREATING IN CONNECTICUT My shop is in half of a detached garage behind our tiny cape on the CT shoreline. The detached garage was a selling point when we bought the house but it was in pretty rough shape. We hired a contractor who worked with my crazy vision of building a tiny loft in the crawlspace. It’s definitely my favorite thing about the space. It turned out way nicer than I ever would have imagined.

SURROUNDED BY ADVENTURE I love that I can bike to the beach in our town. There are also a number of outdoor adventure opportunities in the area. Rivers for water sports, plenty of forested trails for hiking and letting the dogs run around as well as a number of quaint town greens with farmers markets, shops and restaurants.

My favorite landmark is the shoreline trolley museum which renovates and runs old trolleys from East Haven to Branford. We’re also 1.5 hour train ride from New York City.

PRINTING MENTORS Yes! John Falstrom of Perennial Designs connected us with our first press and offered an incredible amount of knowledge on the best way to move and renovate our Jobber. Also John Barrett of Letterpress Things whom I acquired my other 2 presses from. His warehouse is packed with supplies and letterpress ephemera. They are both a huge wealth of knowledge and are just wonderful people to know.

Inspiration is everywhere in our surroundings but I’m particularly inspired by travel and culture. I am currently infatuated with Mediterranean patterns.

PART TIME PRINTING, FULL TIME FUN I have a day job so I work my printmaking schedule around that. I’m still working out my long term goals for my letterpress business and figuring out the balance between custom work and my own stationery line. But I would love to build relationships with other crafters and artisans who need branded stationery or packaging.

THE CREATIVE FLOW I always start with really rough thumbnail sketches on paper, on my iPad or just write down ideas. I then try to choose a few that I keep coming back to, develop the sketches a little further and then illustrate them in Adobe Illustrator. Lately I’ve been designing vector art on my iPad Pro to save time going from sketch to digital. I then send my designs to Boxcar Press to get plates made and then print in my studio. I love to photograph my travels and surroundings and often times I use that as inspiration or reference vs having to go online and look for visuals.

PRINTING FEATS I’d say my biggest accomplishment so far is just getting a dedicated space built to house my presses and that I can work in through the seasons. Having it separate from the house but still easily accessible is really convenient.

PRESS HISTORY A Golding Jobber 8×12 platen press that was cooped up in a tiny stone cottage in the mountains of Vermont and unused for 7 years.

BOXCAR’S ROLE First and foremost, Boxcar customer service is the best! They helped guide me when I got started, and are very quick to get on the phone when there’s something wrong with my order or if I have questions. A moment that stands out to me when Boxcar went above and beyond happened when I was having an inking problem. They worked with me for hours (some of which were after business hours) to help me solve my issue. Boxcar has a quick turnaround, convenient real-time uploading and proofing, and fast shipping. Overall, it’s been an affordable way for a small press like me to get started.

PRINTING TIPS The more I print, the more I realize how inking varies depending on the paper I use. If I design something with larger areas of solid color or want smoother inking, I try to print on smoother paper and tend to over-ink. If I have a design that has more fine lines or has a grungier style to it, I try to print on a more textured paper with less ink to add to the grunginess of the design. Also, the brighter white paper is less forgiving in terms of showing imperfections.

WHAT’S NEXT I’m growing my stationery line of greeting cards as well as adding more personalized options like wedding invitations. I would love to attend the National Stationery Show for the first time next year and am learning as much as I can in order to get me there.

Letterpress Passions with Puro Papel

Join Boxcar Press on this “adventure of a lifetime,” as we get a first-hand look at Miami based printer, Catalina Rojas of Puro Papel and find out how she brings the heat when it comes to passionate letterpress printing. Best known for her vibrantly colored projects (both printing and non-printing) discover how Catalina’s worldly travels inspire her work, creativity and how she shares this printing tradition with her local community.

Catalina Rojas sets up her Pilot Press for a new letterpress print project.

LIFE’S ADVENTURES & LETTERPRESS  We all have a starting point, an origin. In many cases, they shape and determine the type of person you become. I was born in an area that was rooted in the Catholic faith and traditions. While this was my origin, the dialogue I have with myself, I believe I don’t come from a place … more so, I come from a way of life that was instilled by my parents.

My parents were travelers and never ceased to seek the zest for adventure. With two kids on the hip and a Great Dane, they were never deterred by what others might think and managed to stay true to their “hippie-chic” ways. At one point, my aunt and her boyfriend joined our entourage and many people would confuse our family for a circus troupe.

Catalina Rojas of Puro Papel prints on her Pilot Press.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.

During my first five years, we traveled through South America. Quite literally, through the roads less traveled by. Zigzagging through cities, towns, forests, plains, deserts, and jungles. However, there was one significant life trip that would determine how I would experience life, my sense of self and ultimately my creative process.

All the details and memories of this trip come rushing back … like having bananas for breakfast, or crossing rivers in long wooden canoes and sleeping in hammocks. I remember feeling the heat from the bonfire and seeing the ashes flying and floating like dragonflies. I remember hearing the speaking drums and the chanting.

All of these things on the trip seemed to me like a lifetime and an irrevocable art of me … despite the fact that neither my parents seem to remember it in full detail (and color) as I. They would even go as far as saying that trip was rather uneventful. This trip shaped how I look at life – I live in adventure and in meaningfulness.

My work is an inextricable part of my life. I take every assignment as an adventure, in which I try to discover essence, textures, tones, colors and other delicacies. To later bring together these elements and materialize them in a simple design, or concept.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.
(Project Notes: Norton Box- Vineyard in Mendoza. I did a limited edition of 30 boxes to send to  30 journalists  with a bottle of wine, some postcards of the winery (belly band is letterpress), a wooden note from the president of the company (letterpress), a leather notebook, and the press kit).)

Every project, I take the challenge of telling a story by communicating its purpose through design and artisanal ways of printing. I believe life is an experience made of a small act, where the beauty of small details grounds us and turns each moment in a unique ritual.

THE PRINTING BUG  I took a class in Parsons, and my teacher was a typography designer and a letterpress printer. After several trips to his studio I was bit by the letterpress printing bug. I fell in love with the technique of letterpress printing and how this could take printing to a higher level.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.
(Project Notes: Leather Book (covers are letterpressed), Accordion book – A family gift for a Portuguese grandmother! )

MIAMI MARVELS  I have a tiny studio, with more windows than walls, located on a sunny corner of Miami Ironside in a bucolic garden. When I first saw this space, I knew it was “the one,” due to all the natural light coming in during the afternoon, I felt this space was going to illuminate me. WIth the natural light and the abundance of windows … I feel like the garden is part of my studio. Behind the studio are train tracks, and several times a day, I can hear the train pass through. Next to the studio, is MiMo (AKA: Miami Modern) a neighborhood that is bringing to life the Art Deco hotels and restaurants of the great era of the Magic City!

Catalina Rojas sets up her Pilot Press for a new letterpress print project.

PRINTING INSPIRATION Although he probably doesn’t know this … my first inspiration was Peter Kruty, my professor at Parsons because he taught me how to respect typography.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.

FULL TIME PRINTER I became a full-time printer in 2004 after I bought my first letterpress.

THE CREATIVE PROCESS  My creative process starts with a conversation with my clients, so I can understand the essence of the message. With each project, I design every aspect and incorporate elements and details of the message into their piece. I like to think of what will surprise me … because it will most likely surprise my audience, and will help keep it innovative and fun!

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.
Project Note: Don Perignon Party invitation- all digital and lots of assembly! This gentleman was turning 80 and celebrating in style  with family and friends in his hacienda in Argentina. The cork top part opens to reveal a message)

PRINTING FEATS When a project evokes magic, emotions and becomes a conversation piece, I feel accomplished. When I’m at a moment that it feels close to my soul, that is when I know I’ve achieved “good-design.”

A beloved Pilot Press awaits for the next printing adventure in the Puro Papel studio.

PRESS HISTORY  I still have my first press(!) which is a C&P Pilot press.

BOXCAR’S ROLE  When I find a good vendor, I stick to it! Throughout my years of printing, Boxcar Press has come to my rescue. Whenever I have a rush job, they are always availble to help and save me. There is a sense of loyalty to one another, and I feel they are a part of my team. 

PRINTING TIP  When you don’t know something, ask your colleagues! And if they are not around, don’t be shy to experiment!

SHOP TIP Mmm, I don’t have any particular one, I just know that when it gets very frustrating and it doesn’t work out, I let it rest and start again a few hours later.

WHAT’S NEXT  I want to focus more on doing limited editions and special packaging.

I also love to give back by sharing my passion and expertise with paper. This year I’m involved with missionaries in the desert of Peru who train people in disadvantaged communities on how to make handmade cotton paper. This wonderful community and its artisanal workshop, Papelera Don Bosco, has a letterpress machine, so I will be teaching them all I know about letterpress and box-making so they can fly high!

An immense round of appreciative applause out to Catalina for letting us get a sneak peek at the magic behind Puro Papel!

The Call of the Press at Creative Beasties Workshop

Most letterpress printers find a sense of home in the happy clinking & whirling of the press. Danny Rhoades of Creative Beasties Workshop is no exception. The IT-by-day and printer-by-night found the letterpress bug bit hard after planning his own wedding. Turning part of his garage into his printing mecca, Danny finds inspiration in exploring creative options with his clients, his supportive family, and letting the press provide valuable teaching moments. Since our last visit with Danny, he caught us up on new printing tricks, the feeling when registration is spot on, and the wonderful rhythms printing has played in his life.

PRINTING JAM SESSIONS + FAMILY LIFE I’m a 37 year old married father of 2 adorable twin girls (age 2). It’s mostly me by myself printing since my wife is usually dealing with the kids. I sometimes have creative friends come over for printing sessions but other than that it’s just me.

BLOSSOMING PRINTING LOVE When my wife and I were planning our own wedding we both got super interested in the invitation options out there and came across letterpress. I instantly fell in love and that eventually blossomed into Creative Beasties Workshop.

PRINTSHOP EFFICIENCY Our workshop is in the tandem portion of our garage. It’s only about 288 sq ft so it’s very limited. My favorite thing about it is the Heidelberg Windmill 10×15 press that brings it all together.

AT HOME PRINTING  We’re in a pretty new constructed suburban neighborhood. The most interesting thing about our home is that it backs up to a 20 ft. sound wall for Highway 65.

PRINTING MENTORS One of the first people to teach me about letterpress was a gentleman I met on the Briarpress.org forums who goes by the handle, Inky. He taught both my wife and I the basics and helped us really understand the foundations of the process. I owe him a lot.

PART TIME PRINTING, FULL TIME FUN I wish I could print full time, but with a mortgage and budding family, I can’t afford to do that just yet. I work in IT and my day job pretty much supplements our workshop quite a bit.

DESIGN BROUGHT TO LIFE I don’t design as much as I’d like mostly due to time constraints, but when I do it’s usually after a lengthy conversation/meeting with the client to fully understand their motivation and inspiration so I can bring it to life and elevate it the best I can. One of my weaknesses is not knowing when to stop. This is something I am working on, and think I’m getting better … but I know it’s a flaw of mine.

PRINTING FEATS One of my proudest moments occurred when I was able to produce a 3 color work, shortly after having trained only for three days on the press. The registration was perfect and the colors were spot on.

PRESS HISTORY I learned on a C&P old style, but when I bought my own I went straight for the kill and got a Heidelberg Windmill 10×15. I didn’t even know how to use it! I was super scared at first and had to take a three day training to understand how to work it.

BOXCAR’S ROLE Anytime I need any advice … or help with a job I can always count on Boxcar to be there to walk me through it.

PRINTING TIPS For just starting out, don’t blame yourself too much. I blamed my inexperience a lot before I realized there was an actual problem with the press that needed to be fixed. The same thing happened with rollers. Once I changed to a different supplier things worked out much better. Sometimes, it is actually the equipment.

WHAT’S NEXT I hope to continue printing and eventually build a client base that can support me printing full time.

A big, huge Windmill-size round of thanks out to Danny of Creative Beasties Press! We look forward to seeing what cool, new projects come his way.

Shop Tour With Lourdes Irizarry

East Haven, Connecticut hugs the shoreline of Long Island Sound and is home to Lourdes Irizarry of Slackline Press. Lourdes’ self-proclaimed printing hideaway has cool tunes playing in the background, a loft nook above the main printing floor, and a treasure of letterpress tools collected over the years. Stepping back from her platen presses, Lourdes gives us a tour of where the printing magic happens, thanks in part to the support she has found in the New England letterpress community.

MINIMALIST PRINTSHOP Our shop is small so I like to keep it light and tidy. It has neutral, recessed lighting throughout and natural light from two windows and a sliding barn door that opens to the outside. The floor is a sturdy but affordable, wood textured linoleum over a leveled cement floor that I don’t have to worry about damaging. We built shelving from old wood we salvaged from the renovation, as well as a 7 ft. workbench with storage for large sheets of paper.

MOST PRIZED POSSESSION My favorite thing about our shop is a small crawl space in the rafters that was converted into a tiny loft for storage. I outfitted it with an old letterpress tray table I made. It’s a great space to hide with my laptop or sketchbook when I need quiet time to design. My prized possession is my first press – a Golding Jobber #6 named Brumhilda.

SHOP SIZE The entire space is approximately 300 sq ft.

CONNECTICUT SPLENDOR Our shop is a half of a detached garage that was drywalled and insulated to be functional throughout the seasons. It’s located behind our tiny cape on the Connecticut shoreline close to New Haven. It’s a short bike ride away from the town beach and town green where the library and farmer’s market is.

TYPE OF SHOP Our garage turned studio is in a residential neighborhood, on the border of a commercial part of town.

PRESS FAMILY I have 3 platen presses – a Golding Jobber #6 8×12, Golding Pearl #11 7×11 and a Sigwalt Nonpareil 6×9 tabletop press.

MOST VALUABLE SHOP TOOL  It sounds silly, but I can’t live without my pocket ruler, to help center or square artwork while printing.

INK OF CHOICE I print with Van Son rubber-based inks. My favorite is rubine red. It never gets tacky, is easy to mix and looks lovely by itself.

SOLVENT OF CHOICE I find mineral spirits work best for me. Easy Street, which was recommended by someone at Boxcar, is a huge help when switching colors, cleaning up dark ink or if ink has been on the rollers for more than a few hours.

BASE SYSTEM I’ve had the Standard Boxcar Base for the 5 years I’ve been printing. I started with KF95 plates then switched to 94CHFB but I can’t decide if I like one more than the other.

OIL OF CHOICE I use 3-in-1 oil.

PREFERRED CLEAN-UP RAG just use old t-shirts that I collect from anyone getting rid of them!

PIED TYPE I don’t have a lot of metal type but what I do have came nicely sorted, so I don’t think I have any lying around.

KEEPING IT ORGANIZED Clean as you go! Everything in my studio has a home, and if I didn’t put things back in their place I either wouldn’t find them when I need them or I wouldn’t have enough space to work. I think my favorite organizational solution is plastic shoebox size bins to store printed cards. They’re stackable, easy to see what’s inside and keep dust out.

SHOP TIPS I feel like I will always be learning. I did notice very early on, how friendly and eager the letterpress community is to share advice. I think acquiring presses that needed some elbow grease and restoration helped to get to know the ins and outs of my presses. They all have their own unique quirks. It takes time and patience but I think it’s a really valuable way to learn.