no. 37220

Custom red shine foil stamped Bat Mitzvah invitations from Boxcar Press

designer: Alexandra Rogerson, Arobesque Design Studio  client: Mia Juneja

the stats:
foil stamping. Ebony Black Colorplan 540 gsm duplexed after foil stamping to create 1080 gsm.
2 foil colors (gold shine and red shine).
printed on our Kluge 14 x 22.

the piece.
the foil stamped Bat Mitzvah invitations (3.75″ x 9.25″). Alexandra worked with us in advance to make sure the custom design she was creating for Mia’s Bat Mitzvah would work well with foil stamping, and the adjustments she made really paid off. After we printed the invitations, we duplexed the 200# cover piece to create an ultra thick, 400# invitation that we finished with a red shine foil edge. Alexandra created a custom lined #10 envelope with coordinating postage stamps and wax seals to complete the set.

Custom red shine foil stamped Bat Mitzvah invitations from Boxcar PressCustom postage stamps to coordinate with custom Bat Mitzvah invitationsCustom red shine foil stamped Bat Mitzvah invitations from Boxcar PressCustom wax seals

no. 34334

Intricate letterpress and foil stamped wedding invitations.

designer: Brenda Fox client: Bella Figura NYC

the stats.
letterpress printing and foil stamping. Bella Cotton Ivory 1-ply + 2-ply paper.
1 letterpress ink (desert 7529u) + 1 foil color (gold matte).
printed on our Heidelberg Windmill 10 x 15 + our Kluge 14 x 22.

the pieces.
the custom illustrated wedding invitation (6.25″ X 8.375″). Bella Figura designer Brenda Fox created a custom illustration for Jessica and Claudio’s November wedding invitations. The intricate elements of the custom artwork were reminiscent of the stained glass windows in the Basilica where the wedding ceremony was held, and intertwined fine letterpress and foil stamped details. A corresponding reply card (3.5″ X 4.875″) and reception card (4.625″ X 6.25″) were also printed to match. The invitation envelopes were lined with metallic gold leaf text weight paper, with a letterpress printed return address and digitally printed guest addresses finishing off the set.

Intricate letterpress and foil stamped wedding invitations.Intricate letterpress and foil stamped wedding invitations.

no. 35669

Two-tone rose gold foil stamped Bat Mitzvah invitations from Boxcar Press + Bella Figura

designer: Racheal Bumbolo for Bella Figuraclient: Paper Pigeon

the stats.
foil stamping. Bella Smooth Cotton 1-ply + 2-ply paper in white.
2 foil colors (rose gold shine + pink shine).
printed on our Kluge 14 x 22.

the pieces. 
We foil stamped Danielle’s feminine Bat Mitzvah invitations in rose gold and pink shine foils on Bella Figura’s Bella Smooth Cotton paper. The invitation (6.25″ x 8.375″) featured both foil colors, while the foil stamped reply card and party card (both (3.5″ x 4.875″) featured the rose gold shine on its own. A polka dotted foil stamped envelope liner in rose gold shine added a sweet finishing touch.

Two-tone rose gold foil stamped Bat Mitzvah invitations from Boxcar Press + Bella Figura Two-tone rose gold foil stamped Bat Mitzvah invitations from Boxcar Press + Bella FiguraTwo-tone rose gold foil stamped Bat Mitzvah invitations from Boxcar Press + Bella Figura

no. 34167

Circus poster inspired letterpress Bat Mitzvah invitations

designer: Alex and Mima client: Remi Levitt

the stats.letterpress printing.
2 letterpress inks (Rhodamine Red and Black).
Crane Lettra 220# Fluorescent White Cover. The invitation (9″ x 9″) was duplexed after being printed to make 440#, then edge painted in Rhodamine Red. Coordinating transportation cards (8″ x 3″) were printed on Crane Lettra 110# Fluorescent White Cover.
Printed on our Heidelberg cylinder press.

the letterpress bat mitzvah invitations. How do you design an invitation that screams fun and is upscale and chic? This was the problem Alex and Jasmina of Alex&Mima were asked to solve. “It was a process, we held countless meetings with our clients to get the design just right. We wanted to create a fun invitation that Remi would be proud to send out and also an invitation her mom Keri Levitt would love as well,” said Alex Kneselac, head designer and partner at Alex&Mima.

The idea was to give a nod to the circus without it looking like a typical circus invitation. The design was inspired by old posters and signs, it was oversized (9″ x 9″) and Alex and Jasmina wanted to use every bit of space making it fun and interactive. Jasmina Stojanovic, partner at Alex&Mima said, “When it comes to design, we get inspired by everything around us. And we found inspiration in old books, great black and white photography and film. But we never stop there. Our designs don’t end with the design of the invitation we believe that great design is in the details and so we went a step further and created a custom envelope and liner to add to the invitations impact from the moment it is in the recipient’s hands.” Alex added “At the end, we found a great partner with Boxcar Press who did an amazing job in letterpressing our design adding an additional layer to and helping make the invitation even more impactful.”

Circus poster inspired letterpress Bat Mitzvah invitations   Circus poster inspired letterpress Bat Mitzvah invitations Circus poster inspired letterpress Bat Mitzvah invitations Circus poster inspired letterpress Bat Mitzvah invitations

no. 34789

Letterpress wedding invitations from Boxcar Press

 designer: Emily Sheridan / A Day in May Event Planning

the stats.
Letterpress printing and foil stamping.
Crane’s Lettra 220# and 110# Cover in fluorescent white. Customer supplied Lapis envelopes from Envelopments.
Pantone 289u Navy and blind deboss printed on our Heidelberg Windmill 10 x 15.

the letterpress wedding invitations. Emily designed this nautical inspired suite for a celebratory cruise on the Straits of Mackinaw. The theme was certainly nautical in nature and was inspired by the most basic of nautical elements: white, blue, stripes and waves. The invite (5.25″ x 7.25″) has a blind debossed wave pattern, while the details card (4″ x 6″) has a great seersucker stripe. The reply card (4.875″ x 3.25″) looked stunning paired with the blue reply card envelopes, which featured white foil stamping. This suite definitely set the mood for a festive evening on the water.

Letterpress wedding invitations from Boxcar Press

no. #33574

Letterpress wedding invitations by Boxcar Press

designer: Rietje Becker client: Emily Becker

the stats.
Letterpress and digital offset printing. Crane’s Lettra 220# and 110# cover (invitations and inserts) and envelopes in fluorescent white. Mohawk Superfine Ultra White Smooth 80# text with i-Tone (envelope liners).
Neutral Black and Cool Gray 8 letterpress inks printed on our Heidelberg Windmill 10 x 15 + CMYK digital offset printed on our HP Indigo 5600.

the invitation suite: We worked with Rietje to print this invitation suite for Emily and Sasha’s summer wedding. We love the way she used a CMYK floral pattern and edge painting to add pops of color to the mostly letterpress suite. The invitations (4.5 x 6.25) featured 2 letterpress inks on 220# Lettra and edge painting in a pretty pale pink. The reply and flat thank you cards (3.5 x 4.875) were letterpressed in 2 colors on 110# Lettra. Rietje added a CMYK digital border to the weekend details card (also 3.5 x 4.875 and 2 color letterpress). The same CMYK floral pattern lined the A6 envelopes.

Letterpress wedding invitations by Boxcar Press Letterpress wedding invitations by Boxcar Press Letterpress wedding invitations by Boxcar Press Letterpress wedding invitations by Boxcar Press

no. 35424

2-color letterpress art prints from Boxcar Press

designer: Joseph Holmes & Julian Bennett Holmes client: Joseph O Holmes Photography

the stats: letterpress printing. Moab Entrada Rag Natural 300 (white).
2 letterpress inks (bright red + black).
printed on our Heidelberg SBB.

the piece: We were tasked with helping to immortalize a Lower East Side Factory by letterpress printing these large art prints (16 x 20). These amazing prints were done in 2 color letterpress and were sent to Joe to put the finishing touch with the addition of a digital photograph. It was such a pleasure to be a part of this project to memorialize the Streit’s family’s hard work and great history.

2-color letterpress art prints from Boxcar Pressletterpress art prints from Boxcar Press2-color letterpress art prints from Boxcar Press

no. 33093

Blue + gold foil stamped art prints printed by Boxcar Press for Ophelia's Place

designer: Racheal Bumbolo client: Ophelia’s Place

the stats.
foil stamping + digital offset printing.
Crane Lettra 110 Cover, fluorescent white (treated to be compatible with our Indigo press).
CMYK + gold matte foil.
Printed on our HP Indigo 5600 + our Kluge 14×22.

the pieces: we created this series of gold foil stamped art prints (8″ x 10″) for Ophelia’s Place, a local organization here in Syracuse, New York that offers support groups and treatment for individuals experiencing eating disorders and disordered eating, as well as for their friends and family. Two of the three art prints pair digital offset printing with gold foil stamping, while the third features foil only. The art prints are available for sale through the Circles of Change market, and proceeds from every purchase go directly to support the mission of Ophelia’s Place.

Pink + gold foil stamped art prints printed by Boxcar Press for Ophelia's Place Gold foil stamped art prints printed by Boxcar Press for Ophelia's Place

no. 34003

Digitally printed and gold foil stamped marketing cards created for Whiskey & White Events by Boxcar Press

designer: One + Only Paper client: Whiskey & White Events

the stats: 
Foil stamping and digital offset printing.
Crane Lettra 110 Cover, fluorescent white. Waste Not Paper envelopes in slate.
CMYK + gold shine foil.
Printed on our HP Indigo 5600 + our Kluge 14×22.

the piece: we created a folded marketing piece (8.5″ x 18″) featuring a series of portfolio images for Emily at Whiskey & White events. The interior of the piece showcases three large panels with full color digital offset printing, while the exterior shows off the company logo and intricate patterning in gold shine foil. In addition to the cards, we foil stamped slate gray Waste Not Paper envelopes with the business logo and address to keep the look consistent.

Digitally printed and gold foil stamped marketing cards created for Whiskey & White Events by Boxcar PressDigitally printed and gold foil stamped marketing cards created for Whiskey & White Events by Boxcar PressDigitally printed and gold foil stamped marketing cards created for Whiskey & White Events by Boxcar Press

no. 34101

Letterpress + blind embossed custom wedding invitations from Bella Figura

designer: Andrea Streeter client: Letterheads

the stats.
letterpress printing and blind embossing. 2-ply Bella Cotton white.
1 letterpress ink (cool gray 11).
printed on our Heidelberg Windmill 10×15 and our Kluge 14×22.

the piece.
We created a custom design for Blair and Corey’s letterpress wedding invitations (6.125 X 8.125″). Their statement-making invitations featured an oversized, blind embossed monogram along with silver shine foil edging. We letterpress printed an events card (4.625 X 6.25″) and a reply card (3.5 X 4.875″) to accompany the main invitation, adding a second blind embossed design element to make the “RSVP” stand out.

Letterpress + blind embossed custom wedding invitations from Bella FiguraLetterpress + blind embossed custom wedding invitations from Bella Figura Letterpress + blind embossed custom wedding invitation reply cards from Bella Figura

no. 28174 + no. 26919

Die-cut, letterpress + gold foil stamped wedding invitation suite

designer: Cheryl Hark

the stats.
letterpress, foil stamping, and digital printing. Crane Lettra 220# and 110# cover on fluorescent white and Mohawk Superfine 100# in white.
1 letterpress ink (540) + gold matte foil.
printed on our Heidelberg Windmill 10 x 15, our Kluge EHD 14 x 22, and our HP Indigo 5600.

the letterpress wedding suite:
We worked with Cheryl to print an entire stationery suite for her client’s September wedding, starting with letterpress save the dates (5″ x 7″) and informational website cards (3.5″ x 5″). The elaborate die-cut wedding invitations (5.5″ x 8.5″) featured letterpress printing and foil stamping, and were accompanied by an assortment of insert cards that, when assembled, showed the varying intricate patterns used throughout the suite. An ultra-wide, digitally printed bellyband (12″ x 4.625″) wrapped around the set, with a gold foil stamped monogram on the front of the band echoing the shape of the invitation. Cobalt blue ColorPlan envelopes were hand-lined with digitally printed envelope liners to match. Folded letterpress thank you notes were also printed as a final coordinating piece.

A11A1989-Letterpress + gold foil stamped wedding invitations A11A1977-Letterpress + gold foil stamped wedding invitation suiteLetterpress thank you notes

no. 33574 + no. 33808

Holographic foil Paper Party invitations

designer: collaboration between Nole Garey and Ashley Buzzy Lettering & Press client: Oh So Beautiful Paper

the stats.
digital printing and foil stamping. Printed on Bella Figura’s 1-ply Bella Smooth white cotton paper + 50 point Coaster stock.
CMYK + Micro Glitter Shine foil + Spectrum holographic shine foil.
printed on our HP Indigo 5600 + our Kluge 14×22.

the piece.
Nole approached us to print her 2016 Paper Party invitations with the goal of incorporating a holographic foil to match her iridescent rainbow disco party theme. We created a party invitation (5.25″ x 7.25″) on smooth white cotton paper that incorporated digitally printed, hand painted watercolors with shimmering Spectrum holographic shine foil. Digitally printed envelope liners were created to match, and we also printed holographic foil stamped coasters for the actual event (this time using Micro Glitter Shine foil).

Holographic foil Paper Party invitationsHolographic foil Paper Party invitations   Holographic foil Paper Party invitationsHolographic foil stamped coastersHolographic foil stamped coasters 

no. 27766

Letterpress wedding invitations from Boxcar Press

designer: Rebecca Ashby, The Pink Orange client: Katherine Mitchell

the stats.
letterpress printing. Crane Lettra 220# cover in fluorescent white.
4 letterpress inks (541u, 5435u, 7485u, 562u)
printed on our Heidelberg Windmill 10 x 15.

the piece.
the letterpress wedding invitation (8.75” x 5.75”). We printed Rebecca’s intricate 3-color letterpress wedding invitation design with coordinating invitation envelopes for Katherine and José’s June wedding. Multiple press runs were required on the invitation envelopes in order to properly align the return address on the back and design elements on the front.

Letterpress wedding invitations from Boxcar PressLetterpress wedding invitations from Boxcar Press   Letterpress wedding invitations from Boxcar Press

no. 28239

Black on black foil stamped invitations from Boxcar Press

designer & clientFinesse

the stats.
foil stamping. Color Plan 260# + 100# cover in ebony.
2 foil color (printed in black shine foil, foil edged in apple foil).
printed on our Kluge 14 x 22.

the piece.
the letterpress invitation (5” x 7”). We printed these black foil stamped invitations for CellWorld, a conference focused entirely on innovations in bio-processing. Inspired by the occasion, the invitations and jackets featured a geometric, cell-like motif and a bold, modern font. The design was finished with a bright, apple green foil edge.

Black on black foil stamped invitations from Boxcar Press Black on black foil stamped invitations from Boxcar Press  Custom green foil edging

no. 29076

Custom letterpress + foil stamped wedding invitations by Hello Tenfold

designer: Ellie Snow of Hello Tenfold client: Erin Hisey

the stats.
Crane Lettra 110# cover in ecru.
letterpress printing + foil stamping.
3 letterpress inks (349u + 201u + 255u) + copper shine foil.
printed on our Heidelberg Windmill 10 x 15 + our Kluge.

the piece.
the letterpress wedding invitation (5” x 7”) and reply cards (3.5″ x 4.875″_ Erin and Matt love old books, and wanted their invitations to be reminiscent of illustrations seen on a book by Proust. For color inspiration, Erin brought in a beautifully ornate, jewel-toned living room photo from Veranda magazine. In other words, a dream client! Erin and Matt’s save the dates featured a green and navy marbled pattern like on the endpages of their favorite novels, with copper foil lettering, and for their invitation, we worked with vintage-styled copper foil flowers framing the text. We played with lots of different illustrations and layouts, and settled on this one for its lush garden-like feel.

Custom letterpress + foil stamped wedding invitations by Hello Tenfold

Custom letterpress + foil stamped wedding invitations by Hello Tenfold

no. 28196

Honolulu Museum of Art letterpress event invitations for Contempo

designer: Jared Stone clientHonolulu Museum of Art 

the stats.
letterpress printing. Rising Museum Board 4-ply white.
2 letterpress inks (810u + black)
printed on our Heidelberg Windmill 10 x 15.

the piece.
letterpress event invitations (9.25 x 5.75). Contempo #ArtShop is the Honolulu Museum of Art’s annual spring benefit. Proceeds from #ArtShop support museum programming, such as art classes, exhibitions, and educational outreach. The designer chose to letterpress print the heavy invitation with a fluorescent PMS color to give the signal this won’t be your grandma’s gallery sale. Rather, an exciting, innovative nine days of free art programs where visitors can see new work by local and international up-and-comers, mid-career trailblazers, and established masters.

Honolulu Museum of Art letterpress event invitations for Contempo Honolulu Museum of Art letterpress event invitations for Contempo

no. 29122

Gold foil stamped Love Wins art print by Sarah Hanna for Smock

designer: Sarah Hanna client: Smock.

the stats.
foil stamping. Smock 1-ply white bamboo.
gold matte foil.
printed on our Kluge 14 x 22

the piece.
Featuring hand calligraphy by Sarah Hanna, Smock’s Love Wins art print was sustainably printed in gold matte foil in celebration of marriage equality. The art print features a portion of Justice Anthony Kennedy’s opinion from the historic Supreme Court ruling on June 26, 2015, and reads:
“No union is more profound than marriage, for it embodies the highest ideals of love, fidelity, devotion, sacrifice, and family. In forming a marital union, two people come something greater than once they were.”

Gold foil stamped Love Wins art print by Sarah Hanna for Smock

no. 25755

Custom azure letterpress wedding invitation pocketfold

designer: Brenda Fox client: By Invitation Only

the stats.
letterpress printing. Smock white 1-ply bamboo paper.
1 letterpress ink (azure 072u)
printed on our Heidelberg Windmill 10 x 15.

the piece.
the letterpress wedding suite. Honor and Jay wanted their custom invitation suite to mimic their Chinoiserie style porcelain. Brenda Fox illustrated an elaborate, self-closing pocketfold (8.25 x 5.625) to which we adhered the invitation (5.125 x 7.75). The pocketfold’s hand-drawn illustrations included nods to the wedding venue, and several of the motifs from the main invitation were repeated on the website card, reply card, brunch card, map card, and rehearsal dinner invitation. Prior to printing the invitation suite, we also printed save the dates in the same hand-illustrated style, with floral patterned envelope liners to match. The intricate details featured throughout the set translated beautifully for letterpress printing.

Chinoiserie inspired letterpress wedding invitation pocketfold suiteChinoiserie inspired letterpress wedding invitations  Custom azure letterpress wedding invitation suiteCustom letterpress return address envelopeCustom azure letterpress wedding mapCustom azure letterpress save the datesPatterned envelope liners from Smock Custom letterpress save the dates

no. 26600

Custom gold foil stamped wedding invitations

 

designer: Sarah Gluchacki + hand calligraphy by Nicole Black
client: Creative Parties

the stats.
letterpress printing + foil stamping. Bella white 1-ply + 2-ply cotton paper.
1 letterpress run (blind deboss) + 1 foil color (tawny matte).
printed on our Heidelberg Windmill 10 x 15 + our Kluge 14 x 22.

the piece.
the foil stamped wedding invitation (5.875″ x 8″), reply card, welcome card, rehearsal dinner invitation, pocketfold (custom die cut), outer envelope. We foil stamped Sondra and Michael’s hand calligraphed monogram and design elements from their invitations on the back of their invitation pocketfolds. The invitations, reply cards, and rehearsal dinner invitations included matching calligraphy accents as well. Blind debossed palm trees added a beautiful, subtle texture to the background of these elegant wedding invitations.

Custom calligraphy weddding invitations  Custom calligraphy weddding invitationsCustom calligraphy weddding invitationsCustom calligraphy weddding invitations

no. 24571

Letterpress art print by Boxcar Press

designer: Scott Sylvia client: East Bay School for Boys

the stats.
letterpress + offset printing. Crane Lettra 110# cover in fluorescent white.
1 letterpress run (blind deboss) + 1 offset ink (cool gray 11).
printed on our Heidelberg Windmill + our Heidelberg GTO.

the piece.
the letterpress art print (5” x 7”). We worked with David Clifford, a founding member of the East Bay School for Boys, to create a beautifully designed, crafted and tangible thank you card to express the school’s gratitude to anyone who supported EBSB, anywhere from a kind word to a generous monetary gift. The piece was offset printed first, then blind debossed to add a level of texture to the intricate piece. The image conjures up symbols of revolution, agency, social justice and above all, the courage to empower the thoughtful, courageous and engaged men of tomorrow – fitting perfectly inline with the school’s mission.

Letterpress art print by Boxcar Press Letterpress art print by Boxcar Press

no. 26808

Letterpress birth announcements from Boxcar Press

designer: Mandy Kaiser client: Sixth and Berry

the stats.
letterpress printing. Crane Lettra 220#C Fluorescent White
2 letterpress inks (Pantone 151 + blind deboss)
printed on our Heidelberg Windmill 10 x 15

the piece.
the letterpress birth announcement (3.875″ x 9.25″). This particular piece used blind deboss strategically to not only create the ocean-like waves, but also used the negative space to incorporate additional marine life.

Letterpress birth announcements from Boxcar Press Letterpress birth announcements from Boxcar Press

no. 22078

Custom wedding invitations from Smock

designer: invitations: Andrea Streeter; map: supplied. client: Arabesque

the stats.
letterpress and digital printing. Smock white 1-ply bamboo paper.
2 letterpress inks (cherry 032u and royale 285u) and CMYK process

the piece.
We worked with Arabesque to create these colorful barn wedding invitations for Danna and Michael’s casual 4th of July weekend wedding. We digitally printed the folio (die cut, with double-sided digital printing), and adhered a colorful, custom map (5.125″ x 7.75″) to the folio interior. The invitations (4.5″ x 6.75″) were letterpress printed, then tucked neatly inside of the folio’s pocket.

Custom wedding invitations from SmockCustom wedding invitations from Smock Custom wedding invitations from Smock

no. 24038

Digitally printed + gold foil stamped floral wedding invitations by Umama, printed by Boxcar Press

designer: Nicole Roura at Umama Invitations and Stationery
client: Robin Dahan

the stats.
Crane Lettra 110# cover in fluorescent white.
digital cmyk printing with gold shine foil stamping.
printed on our kluge press by Bob.

the piece.
We digitally printed the invitations (5 x 7) and reply card (approximately 3.75 x 6.125) before foil stamping these floral wedding invitations with gold shine foil. The reply card was personalized with a gorgeous die-cut shape, while the website card (3.5 x 4.875) stayed simple and elegant in gold shine foil.

Digitally printed + gold foil stamped floral wedding invitations by Umama, printed by Boxcar Press

Digitally printed + gold foil stamped floral wedding invitations by Umama, printed by Boxcar Press Digitally printed + gold foil stamped floral wedding invitations by Umama, printed by Boxcar Press Digitally printed + gold foil stamped floral wedding invitations by Umama, printed by Boxcar Press

no. 23018

chalkboard inspired cocktail party invitations

designer + client: Fresh Ink

the stats.
foil stamping + digital printing. Smock bamboo 1-ply ivory.
1 foil color (silver matte) + CMYK process.
printed on our Kluge 14 x 22.

the piece.
We worked with Elizabeth Upchurch at Fresh Ink to create these chalkboard inspired cocktail party invitations (#10) for Bethany and Lucien’s wedding weekend kickoff. The invitations were double-sided, with a digitally printed, striped pattern on the back and chalkboard artwork on the front. The invitation text and artwork were printed in silver matte foil, which coordinated with the platinum metallic envelope liners. Corner rounding added a nice finishing touch to this playful piece.

chalkboard inspired cocktail party invitations chalkboard inspired cocktail party invitations

no. 24358

Letterpress Lighthouse Poster - design by Norman Ibarra, printing by Boxcar Press

designer + client: Norman Ibarra, Design is the Norm

the stats.
letterpress printing. Crane Lettra 110# cover in pearl white.
1 letterpress ink (black).
printed by Jimmy on our Heidelberg Cylinder.

the piece.
Lighthouses of the Hudson River is a substantial 13.5 inch x 19.5 inch poster with drawings and descriptions of seven lighthouses situated on the river between Hudson and New York City. A map of the river showing the location of each lighthouse runs down the center of the poster. We love the nautical theme and the clean crisp lines – perfect for letterpress! Norm tells us that he was inspired to create the poster when he stayed at the Saugerties Lighthouse. That trip got him interested in lighthouses and their history in relation to the Hudson River.

Letterpress lighthouse poster - Lighthouses of the Hudson River, designed by Norman Ibarra + printed by Boxcar Press Letterpress lighthouse poster - Lighthouses of the Hudson River, designed by Norman Ibarra + printed by Boxcar Press Letterpress lighthouse poster - Lighthouses of the Hudson River, designed by Norman Ibarra + printed by Boxcar Press

no. 20387

Modern, foil stamped Bar Mitzvah Invitations

designer: Tara Hogan clientSmudge Designs 

the stats.
foil stamping. Bella white 1-ply + 2-ply cotton paper.
blue shine + silver matte foil.
printed on our our Kluge EHD 14 x 22

the pieces.
modern foil stamped Bar Mitzvah invitation (6.25 X 8.375), reply card + envelope, outer invitation envelope.

Modern, foil stamped Bar Mitzvah Invitations

Modern, foil stamped Bar Mitzvah Invitations

no. 17718

Contempo Letterpress Invitations for the Honolulu Museum of Art

designerJared Stone client: Honolulu Museum of Art

the stats.
letterpress printing. Crane Lettra 110# Ecru Cover, 3 color letterpress on 1 side (152u, 193u, 2735u).
printed on our Heidelberg Windmill by Lou.

the piece.
the letterpress invitation (5” x 7”). ConTempo is the Honolulu Museum of Art’s annual spring benefit. Proceeds from ConTempo support museum programming, such as art classes, exhibitions, and educational outreach. ConTempo’s theme in 2013 was an early-20th-century circus, with sideshow stars and curious entertainments. We created a three-piece invitation set, which included a fold-out poster with general event information, envelope, and an insert for the premium dinner portion of the evening, which had its own special tent. While the poster and envelope were printed digitally elsewhere, the event coordinators chose to letterpress the dinner card insert because the tactile quality of letterpress printing and its history paired perfectly with the design language, historical typefaces, strongman, and circus barker slang.

Contempo letterpress invitations

Contempo letterpress invitations

 

no. 16738

Custom letterpress holiday cards designed and letterpress printed by Boxcar Press

designer: Racheal Bumbolo client: Alexandra Ammar

the stats.
letterpress printing. Crane Lettra 110# cover in pearl white.
3 letterpress inks (357u, 201u and black u)
printed on our Heidelberg Windmill.

the piece.
letterpress holiday cards (5″ x 7″) and lined envelopes. Alexandra asked us to create a year-in-review holiday card for her family. Alexandra, her mother and sister lead fun, active, interesting lives and Racheal captured that spirit perfectly in her design.

Theses sophisticated letterpress holiday cards were designed and printed by Boxcar Press

Letterpress holiday cards from Boxcar Press

Custom letterpress holiday cards by Boxcar Press

no. 17693

Letterpress and foil stamped wedding invitations from Boxcar Press

designer: Angela Leung client: Angela Leung

the stats.
letterpress printing and foil stamping. Opalescent Pearl 81lb cover weight sheets, silk finish.
2 letterpress inks (7610 + 7423) plus gold matte foil.
printed on our Heidelberg and Kluge presses.

the piece.
the letterpress wedding invitation (4.5” x 6.5”). Angela decided to create her own letterpress wedding invitations and went for a contemporary, Asian-inspired look. The wooden lattice windows from the gardens in Suzhou helped inspire the invitation design, which included double happiness characters (traditional to include on Chinese invitations) framed by cherry blossom tree branches.

Custom letterpress wedding invitations from Boxcar Press  Custom letterpress wedding invitations printed by Boxcar Press Custom letterpress wedding invitations, printed by Boxcar Press Contemporary letterpress wedding invitations, printed by Boxcar Press

no. 16409

Letterpress printed business cards from Boxcar Press

designer: collaboration between client Alison Romano and in-house designer Rachael Bumbolo client: Alison Romano

the stats.
letterpress printing. Crane Lettra 110# cover in pearl white.
3 letterpress inks (cool gray 11u + 7473u + 7405u)
printed on our Heidelberg Windmill

the pieces.
the letterpress identity suite. Alison wanted unique letterpress business cards (3″ x 3″) and letterpress postcards (4″ x 6″) to distribute at local farmer’s markets and community events to spread the word about Meru’s Moon, a Community Supported Agriculture Farm & Homestead. After starting out with an impressive hand-drawn sketch (on tracing paper!), Rachael worked with Alison to finalize the design elements and Jake printed the suite.

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no. 18165

Boxcar Press letterpress printed these custom letterpress wedding invitations

designer: Jay Harlow  client: Jay Harlow

the stats.
letterpress printing. Crane Lettra 220# cover in pearl white.
4 letterpress inks (4625u + 5513u + 320u + 381u).
printed on our Heidelberg Windmill 10 x 15

the piece.
the letterpress wedding invitation (4.5” x 6.25”). Brett and Jay created this invitation for their intimate, at-home wedding celebration in Connecticut. Jimmy was up to the challenge of printing 4 letterpress colors in a way that truly added a sense of depth and perspective.

Boxcar Press created these custom letterpress wedding invitations

Letterpress wedding invitations printed by Boxcar Press

Custom letterpress invitations printed by Boxcar Press

no. 16054

Letterpress Poster

designer: Lindsy Talaricoclient: Carol Padberg and family

the stats.
letterpress printing. Crane Lettra 110#C Ecru paper.
1 letterpress ink (Black).
printed on our Heidelberg Cylinder SBA 22.5 x 32.25

the piece.
letterpress broadside (11 x 17)
Printed on the occasion of the Mildred Complex(ity) at MoMA Studio: Common Senses, October 2012.

no. 6381

Letterpress Invitation

designer: Danielle Lyons. client: Loveleigh Invitations.

the stats.
letterpress printing. Crane’s Lettra 110# cover, pearl white.
2 letterpress inks (128u and 405u).
printed on our Heidelberg Windmill 10 x 15.

the piece.
letterpress invitation (5 x 7). the idea was the brainstorm of a gentleman who wanted a really impressive invitation for a special date.

Letterpress Invitation
Letterpress Invitation

no. 1422

Letterpress Poster
designer: Harold Kyle. illustration: Jason Yoh. client: Boxcar Press.

the stats.
letterpress printing. French Speckletone Cement Green paper.
3 letterpress inks (black, red 032, opaque white).
printed on our Vandercook Universal I hand.

the pieces.
8 x 10 letterpress poster / invitation to our first open house . we were able to use the talents of one of our initial pressman Jason Yoh to illustrate a giant ape hurtling a Pearl #11 Improved treadle platen press (circa 1898). turnout was great. the giant ape, unfortunately, was a no-show.

Letterpress Poster
Letterpress Poster

no. 10101

Letterpress Art

designer: David Huyck created this letterpress collection with help from six other talented artists: Natasha Allegri, Sam Bosma, Emily Carroll, Michael DeForge, Michael Slack and Steve Wolfhard. client: Cloudy Collection.

the stats.
2 letterpress inks (black and PMS 7485u)
printed on our Heidelberg Windmill 10×15

the pieces.
8 letterpress prints (5 x 7 prints). seven of the prints are part of this collection; the witch print is actually a promo piece for a book scheduled to be published in 2013. we don’t usually run screen tints on letterpress but our friend David likes to challenge us. for some of the prints we had to create two black plates, one for the screens and one for the solids. these prints are for sale at the Cloudy Collection’s web site.
Letterpress Art
Letterpress Art
Letterpress Art
Letterpress Art
Letterpress Art
Letterpress Art
Letterpress Art

no. 10344

no-10344-letterpress-birth-announcement

designer: Marilynn Connell. client: Marilynn Connell Graphic Design.

the stats.
letterpress and offset printing. Crane Lettra Pearl White 220# cover and 110# cover; plus client-supplied aquamarine envelope.
3 letterpress inks (485u, 311u, 151u), 2 offset inks (311u, warm red u)
printed on our Heidelberg Windmill 10 x 15 and our Heidelberg GTO 52.

the pieces.
birth announcement (edge painted, corner rounded, 5.25” x 7.25”) with envelope, thank you note with envelope. baby announcements are always fun to work on and this set in particular has fun written all over it. we love the slightly distressed look Marilynn incorporated into her graphics and text while keeping the colors vibrant and cheerful. the most challenging thing about this set was the envelopes. It took a long time to figure out which color red we should print on the aquamarine envelope to come up with a bright red result. we started with the PMS 485 used on the rest of the pieces and even when we printed over white ink it still looked more brown than red. we ended up using the warm red directly on the blue envelope.

no-10344-letterpress-birth-announcement
no-10344-letterpress-birth-announcement
no-10344-letterpress-birth-announcement

no. 15254

Royal Wedding Invitation

designer: Where’s the Party. client: Where’s the Party, Costa Mesa, CA

the stats.
letterpress printing and foil stamping. Smock 2-ply + 1-ply ivory bamboo paper.
1 letterpress ink (papaya 486u) plus gold shine foil.
printed on our Heidelberg Windmill 10 x 15 and our Kluge EHD 14×22

the pieces.
letterpress wedding invitation (7” square), reply card + envelope, outer envelope.

Royal Wedding Invitation

no. 12462

no-12462-letterpress-cards-3

designer: Amy Graham Stigler. client: Smock.

the stats.
letterpress and foil stamping. Smock 1-ply bamboo paper.
2 letterpress inks (489U and 573U) + gold foil.
printed on our Heidelberg Windmill 10×15 and our Kluge EHD 14×22

the pieces.
10 folded cards (3.4375 x 5.3125), including thank you notes and assorted greeting cards (happy birthday, sympathy, baby and wedding shower), scored and folded.

no-12462-letterpress-cards-2
no-12462-letterpress-cards-1

no. 12396

no-12396-letterpress-invitation

designer: Amy Graham Stigler. client: By Invitation Only, New York, New York

the stats.
letterpress and offset printing. Smock ivory 2-ply + 1-ply bamboo paper.
2 letterpress inks (cherry 32U + 238U), 1 offset ink (238U).
printed on our Heidelberg Windmill 10 x 15, our Heidelberg GTO 52, and our Vandercook Universal I

the pieces.
bat mitzvah invitation (offset patterning on back, rounded corners, edge painted), reply card + envelope, party card, dinner card, folded social note + envelope, lined outer envelope, sleeve (custom die cut). the invite is 5.4375” x 8.0625”. sleeve: 5.7345×8.3125)

no-12396-letterpress-invitation
no-12396-letterpress-invitation
no-12396-letterpress-invitation

no. 12371

no-12371-foil-stamped-wedding-invitation

designer: Kyle Laatsch & Sarah Gluchacki.

client: Village Invites 2, New York City.

the stats.
letterpress printing and foil stamping. Bella ivory 1-ply cotton paper.
1 letterpress ink (cherry 32U) plus gold matte foil.
printed on our Heidelberg Windmill 10 x 15 and our Kluge EHD 14 x 22.

the pieces.
wedding invitation (5.88” x 8”), reply card + envelope, reception card, pocketfold (custom die cut), outer envelope.

no-12371-foil-stamped-wedding-invitation
no-12371-foil-stamped-wedding-invitation

no. 12206

no-12206-bar-mitzvah-invitation

designer: joyCards. client: joyCards, Princeton, New Jersey.

the stats.
letterpress and offset printing. Smock white 2-ply bamboo + Stardream paper.
1 letterpress ink (navy 294U), 1 offset ink (silver 422U).
printed on our Heidelberg Windmill 10 x 15 and our Heidelberg GTO 52.

the pieces.
the bar mitzvah Invitation (7” square). duplexed 2-ply bamboo paper and Stardream metallic paper. edge painted in metallic silver.

no-12206-bar-mitzvah-invitation
no-12206-bar-mitzvah-invitation

no. 12198

no-12198-gold-wedding-invitation

designer: Kamal. client: Urbanic Paper Boutique, Venice, California

the stats.
foil stamping. Bella white 2-ply cotton.
gold matte foil.
printed on our Kluge EHD 14 x 22

the pieces.
wedding invitation (6.25 x 6.25) + outer envelope.

no-12198-gold-wedding-invitation
no-12198-gold-wedding-invitation

no. 12165

no-12165-modern-wedding-invitation

designer: Jessica Tierney. client: Wedding Company, Hong Kong

the stats.
letterpress and foil stamping. Bella white 1-ply + 2-ply cotton.
1 letterpress ink (prussian blue 2767U) plus gold shine.
printed on our Heidelberg Windmill 10 x 15 and our Kluge EHD 14 x 22

the pieces.
this bilingual wedding invitation suite included the double-sided invitation (English on front, Chinese on the back, foil edged in gold), ceremony card, English reply card, Chinese reply card, after party card + envelope, thank you card + envelope, and lined outer envelope. the invitation is sized 6.25 x 8.38.

no-12165-modern-wedding-invitation
no-12165-modern-wedding-invitation
no-12165-modern-wedding-invitation

no. 11964

no-11964-custom-wedding-invitation

designer: Sarah Gluchacki. client: Judy Paulen JAM, Tenafly, New Jersey

the stats.
letterpress, foil stamping, and offset printing. Smock ivory 1-ply + 2-ply bamboo paper.
2 letterpress inks (276U + gold 466U), 2 offset inks (276U + gold 466u), plus gold matte foil.
printed on our Heidelberg Windmill 10 x 15, our Heidelberg GTO 52, and our Kluge EHD 14 x 22.

the pieces.
bells and whistles: custom design, Chesapeake diecut, metallic gold edge painting, 2 color offset backing, foil stamped envelope liner, corner rounding. see this suite’s wedding program with moon.

no-11964-custom-wedding-invitation
no-11964-custom-wedding-invitation
no-11964-custom-wedding-invitation

no. 11724

no-11724-letterpress-wedding-invitation

designer: Amy Graham Stigler and Sarah Gluchacki. client: Chirps & Cheers, Edmond, Oklahoma.

the stats.
letterpress and offset printing. Smock white 1-ply + 2-ply bamboo
2 letterpress inks (black and blind deboss) and 2 offset inks (black and lime 583U)
printed on our Heidelberg Windmill 10 x 15 and our Heidelberg GTO 52

the pieces.
the letterpress wedding invitation (custom die cut, edge painted, offset printing on back), reply card + reply envelope, accommodation card, social note + envelope, offset printed sleeve (custom die cut), and lined outer envelope. the invite is 5.7345” x 8.1325”.

no-11724-letterpress-wedding-invitation
no-11724-letterpress-wedding-invitation
no-11724-letterpress-wedding-invitation
no-11724-letterpress-wedding-invitation

no. 11187

no-11187-corporate-invitation

designer: Alphagraphics. client: Alphagraphics, Chicago, Illinois

the stats.
letterpress and offset printing. Smock ivory 1-ply + 2-ply bamboo paper.
2 letterpress inks (espresso 476U + gold 466U) and 1 offset ink (gold 466U).
bells and whistles: Metallic liner, letterpress exterior/offset interior on folio
printed on our Heidelberg Windmill 10 x 15, our Heidelberg GTO 52, and our Vandercook Universal I.

the pieces.
letterpress invitation (5.125 x 7.75), custom folio (die cut, double-sided letterpress printing), lined outer envelope.

no-11187-corporate-invitation
no-11187-corporate-invitation

no. 10903

no-10903-letterpress-calendar

designer: Tara Hogan. client: Ink + Wit (Fayetteville, New York)

the stats.
letterpress printing. Crane Lettra 110# cover (fluorescent white)
4 letterpress inks. PMS 7531u appears on every page in combination with one or two of the following: PMS 5523u, PMS 606u and PMS 9182u.
printed on our KSBA Heidelberg Cylinder

the pieces.
seven panels (6” x 11”): a cover plus six calendar pages, each containing two months. this was Tara’s fourth annual wall calendar and she sold out of the limited edition of 125 calendars we printed for her. each letterpress calendar page included a drill hole for easy hanging.

no-10903-letterpress-calendar
no-10903-letterpress-calendar
no-10903-letterpress-calendar

no. 11469

no-11469-bat-mitzvah-invitation

designer: Amy Graham Stigler and Racheal Bumbolo. client: Jenny’s Paper, Ink, Atlanta, Georgia.

the stats.
letterpress and offset printing. Smock white 1-ply + 2-ply bamboo paper.
3 letterpress inks (black, blind deboss, robin’s egg 311U) plus 2 offset inks (robin’s egg 311U + black).
printed on our Heidelberg Windmill 10 x 15, our Heidelberg GTO 52, and our KSBA Heidelberg Cylinder.

the pieces.
bat mitzvah invitation (5.4375 x 8.0625), party card, 3 versions of reply card, weekend card, lined outer envelope, sleeve (custom die-cut).

no-11469-bat-mitzvah-invitation

no. 10720

no-10720-letterpress-save-the date

designer: Amy Graham Stigler and Sarah Gluchacki. client: Arabesque, Naples, Florida.

the stats.
letterpress and digital printing. Smock white 1-ply bamboo paper.
2 letterpress inks (orchid 254U + yolk 108U).
printed on our Vandercook Universal I.

the pieces.
letterpress save the date (tri-fold, 4.5” x 6.75” when folded), outer envelope.

no-10720-letterpress-save-the date
no-10720-letterpress-save-the date
no-10720-letterpress-save-the date
no-10720-letterpress-save-the date

no. 8455

no-8455-calligraphy-wedding-invitation

designer: Amy Graham Stigler and Lindsy Talarico. client: Aileen Invitations, Miami Beach, Florida.

the stats.
letterpress printing. Smock white 2-ply + 1-ply bamboo paper.
2 letterpress inks (pewter CG11U + blind deboss).
printed on our Heidelberg Windmill 10 x 15 and our KSBA Heidelberg Cylinder.

the pieces.
two versions of the letterpress invitations (5.625 x 8.125), a reply card, two versions of inner envelopes, a custom folder (die cut), reply envelopes, outer mailing envelopes. this job combined invitations for two events – a June wedding in Miami Beach, Florida and a July brunch celebration in Richland, Washington. the invitations were slipped into letterpressed envelopes that were then displayed side by side in a custom designed, letterpress printed folder.

no-8455-calligraphy-wedding-invitation
no-8455-calligraphy-wedding-invitation
no-8455-calligraphy-wedding-invitation

no. 7729

no-7729-letterpress-wedding-booklet

designer: Sarah Gluchacki. client: Artika Sulaiman

the stats.
letterpress printed. Bella white 1-ply cotton.
2 letterpress inks: cream (transparent white) + 618U
printed on our Heidelberg Windmill 10 x 15 and our KSBA Heidelberg Cylinder

the pieces.
7 page booklet including front and back cover (4.625” x 6.375”). interior cards are double-sided. hole drilled and grommetted.

no-7729-letterpress-wedding-booklet
no-7729-letterpress-wedding-booklet
no-7729-letterpress-wedding-booklet

no. 13103

no-13103-elegant-wedding-invitation

designer: Amy Graham Stigler and Racheal Bumbolo. client: Allure Invitations, Framingham, Massachusetts.

the stats.
letterpress and offset printing. Smock white 1-ply + 2-ply bamboo paper.
2 letterpress inks (black + blind deboss), 1 offset ink (black).
printed on our Heidelberg Windmill 10 x 15 and our KSBA Heidelberg Cylinder.

the pieces.
letterpress invitation (5.125 x 7.75), reply card + envelope, website card, tags, custom folio with ribbon, letterpress monogram tag, lined outer envelopes.

no-13103-elegant-wedding-invitation
no-13103-elegant-wedding-invitation
no-13103-elegant-wedding-invitation

no. 12857

no-12857-destination-wedding-invitation

designer: Elizabeth Whelan. client: Elizabeth Whelan, illustrator.

the stats.
letterpress printing. Crane Lettra 220# Cover in fluorescent white.
4 letterpress inks (cool gray 10u, 1205u, 290u, 1575u).
printed on our Heidelberg Windmill 10 x 15.

the pieces.
letterpress wedding invitation (5” x 7”), reply card, outer envelope and reply card envelope. four color printing is somewhat unusual for letterpress but thanks to careful attention to detail and tender loving care from Dave, our lead pressman, the results are stunning.

no-12857-destination-wedding-invitation
no-12857-destination-wedding-invitation

no. 12800

no-12800-letterpress-bat-mitzvah-invitation

designer: Simply Put by Ashley Woodman. client: Simply Put, Atlanta, Georgia

the stats.
letterpress printing. Smock white 1-ply + 2-ply bamboo paper.
2 letterpress inks (bavy 294U + 806U)
printed on our Heidelberg Windmill 10 x 15 and our Vandercook Universal I.

the pieces.
monogram bat mitzvah Invitation (5.4375×8.0625), reply card + envelope, insert card, sleeve (custom die cut), outer envelope.

no-12800-letterpress-bat-mitzvah-invitation
no-12800-letterpress-bat-mitzvah-invitation
no-12800-letterpress-bat-mitzvah-invitation

no. 13698

Gold Letterpress Invitations

designer: Kamal. client: Urbanic Paper Boutique (Venice, California).

the stats.
letterpress printed and foil stamped. Bella white 1-ply cotton.
1 letterpress ink (black) plus gold matte foil stamping.
printed on our Heidelberg Windmill 10 x 15 + our Kluge EHD 14 x 22

the pieces.
peacock invitations, reply cards, lined outer gold envelopes (invite: 6.25” x 8.38”)

Gold Letterpress Invitations

Gold Letterpress Invitations

no. 12625

National Stationery Show letterpress invitations

designer: Amy Graham Stigler, Ditto Paper and Jessica Tierney. client: Smock and Bella Figura.

the stats.
letterpress, foil, and offset printing. Bella white 1-ply cotton and Smock white 1-ply bamboo.
the pieces used a combination of letterpress inks (573U, hot pink 806U, dove CG1U); offset inks (dove CG1U) and foil stamping (gold matte).
printed on our Heidelberg Windmill 10×15, Kluge EHD 14×22, and our KSBA Heidelberg Cylinder.

the pieces.
3 invitations (with offset back patterning and edge painting). 1 sleeve enclosure (custom die cut). custom converted outer envelope with patterning on the interior. (invitations are 8” x 5.375”). these lavish invitations helped launch the National Stationery Show releases of Boxcar Press’s sub brands (Smock and Bella Figura).

National Stationery Show letterpress invitations
National Stationery Show letterpress invitations
National Stationery Show letterpress invitations
National Stationery Show letterpress invitations

no. 2137

no-2137-letterpress-poster

designer: Harold Kyle. client: Vandercook.

the stats.
letterpress printing. Bella white 1 ply cotton paper.
2 letterpress inks (cool gray 11u and cool gray 1u).
printed on our Vandercook Universal I automatic.

the piece.
8.5” x 11” poster. printed in honor of Vandercook’s Centenary celebration. This was one of a set of 100 letterpress prints by 100 different printers.

no-2137-letterpress-poster

no. 14231

no-14231-summer-wedding-invitation

designer: Letterheads. client: Letterheads, Miami, Florida

the stats.
letterpress printing. Crane Lettra white 1-ply + 2-ply paper.
2 letterpress inks (black and Day-glo neon 811U).
printed on our Heidelberg Windmill 10 x 15.

the pieces.
letterpress invitation (double sided), reply card + envelope, direction card, registry card, lined outer envelope. the invite is 6.75” square.

no-14231-summer-wedding-invitation
no-14231-summer-wedding-invitation
no-14231-summer-wedding-invitation

no. 14068

no-14068-letterpress-save-the-date

designer: Amy Graham Stigler and Racheal Bumbolo. client: Aileen Invitations, Miami Beach, Florida.

the stats.
letterpress, foil stamping, and offset printing. Smock white 1-ply + 2-ply bamboo paper.
1 letterpress ink (pewter CG11U), 1 offset ink (dove CG1U), plus gold shine foil.
printed on our Heidelberg Windmill 10 x 15, our Heidelberg GTO 52, our Kluge EHD 14 x 22, and our Vandercook Universal I.

the pieces.
save the date card (custom die cut, offset patterning on back, edge painting), accommodation card, sleeve (custom die cut) and lined outer envelope. the save the date is 5.4375” x 8.0625”

no-14068-letterpress-save-the-date
no-14068-letterpress-save-the-date

no. 13861

no-13861-vintage-wedding-invitation

designer: Patricia Mumau & Sarah Gluchacki. client: Elizabeth Grace (Chicago, Illinois)

the stats.
letterpress printing. Bella white 1-ply + 2-ply cotton
4 letterpress inks: clover 578U, british rose 700U, shell 489U, olive 4485U.
printed on our Heidelberg Windmill 10 x 15

the pieces.
invite (6.25” x 8.38”), reply card, reply card envelope, rehearsal dinner card, brunch card, and lined outer envelope. the invitation features hand calligraphy from Debi Zeinert.

no-13861-vintage-wedding-invitation
no-13861-vintage-wedding-invitation

no. 13593

no-13593-engagement-invitation

designer: Amy Graham Stigler. client: Write Stuff, Tampa, Florida.

the stats.
letterpress and offset printing. Smock white 2-ply bamboo paper.
3 letterpress inks (black, dove CG1U, tangerine 715U), 1 offset ink (tangerine 715U).
printed on our Heidelberg Windmill 10 x 15, our Heidelberg GTO 52, and our Vandercook Universal I.

the pieces.
letterpress invitation (5.4375” x 8.0625”), accommodations card, lined outer envelope, sleeve (custom die cut).

no-13593-engagement-invitation
no-13593-engagement-invitation
no-13593-engagement-invitation
no-13593-engagement-invitation

no. 13566

no-13566-foil-and-letterpress-calendar

designer: Amy Graham Stigler. client: Smock

the stats.
letterpress printed and foil stamped. Smock 2-ply bamboo paper.
each calendar is 3 colors. letterpress ink 404U appears on every calendar along with two of the following inks or foils: 573U, matte gold, 489U, 7478U, 3245U, 547U, and 581U.
printed on our KSBA Heidelberg Cylinder and our Kluge EHD 14×22

the pieces.
four art print calendars (8 x 10). each single panel calendar contains all 12 months.

no-13566-letterpress-calendar
no-13566-letterpress-calendar

no. 13291

no-13291-unique-wedding-invitation

designer: Sarah Gluchacki. client: Lion in the Sun, Brooklyn, New York.

the stats.
letterpress printing and foil stamping. Bella white 1-ply + 2-ply cotton.
1 letterpress ink (papaya 486U) plus gold shine foil.
printed on our Heidelberg Windmill 10 x 15 and our Kluge EHD 14 x 22.

the pieces.
letterpress wedding invitation (6.25 x 8.38), reply card, rehearsal dinner card, and outer envelope

no-13291-unique-wedding-invitation
no-13291-unique-wedding-invitation

no. 13287

no-13287-modern-wedding-invitation

designer: Gay Diller. client: Salutations, Charlotte, North Carolina

the stats.
letterpress and offset printing. Smock white 1-ply + 2-ply bamboo
2 letterpress inks (cherry 32U and azure 72U) plus two offset inks (cherry 32U and azure 72U)
press used: Heidelberg Windmill 10×15 + Heidelberg GTO 52

the pieces.
the letterpress Invitation (edge painted), 2 versions of the reply postcard, rehearsal dinner card, offset printed sleeve (custom die cut), lined outer envelope. the invite is 5.4375 x 8.0625.

no-13287-modern-wedding-invitation
no-13287-modern-wedding-invitation
no-13287-modern-wedding-invitation