Ali Norman: All In The Details

Crafted with care, hypnotically delicate, and dizzyingly detailed are what instantly come to mind when viewing Ali Norman’s body of printed work. A traditional printmaker by nature, Ali enjoys expressing her vivid concepts through silkscreen, etchings, and now letterpress. The Florida-based printer shares with us the joys of learning new techniques, infusing nature motifs into her work, and pushing the limits of her art.

ALL AROUND LOVE FOR PRINTING

I’m a printmaker with a huge passion for etching, but I also love to dabble in other processes (such as letterpress!). I first learned about it from the amazing Eileen Wallace during my MFA. She helped spark my interest and encouraged me to push the limits of my polymer ideas. Learning from her was an incredible privilege!

HOME IS WHERE THE PRESS IS

Currently, I have access to etching presses at home and at work (the University of Tampa), but no real letterpress access. I’ve been lucky enough to make friends with Sarah and Phil Holt, who have the cutest little letterpress shop at home!

They were very kind to let me use their beautiful orange Vandercook to print my most recent polymer creation. I’m hoping to work with them more in the new year! You can check out Sarah’s letterpress work on instagram at @monpetitpaperco.

PRINTING MENTORS

I am really inspired by and thankful for the amazing printmaking community that has popped up on Instagram. I have “met” so many amazing artists and learned some cool techniques just from the internet. On a more personal note, I pay close attention to my dreams and am strongly attracted to old engravings, magical texts, and tattoo linework.

PART TIME PRINTER, FULL TIME FUN

I am not currently printing full time. Having just finished my MFA in the spring of 2018, I’ve been teaching part time at the University of Tampa. This gives me a good amount of free time to work on making and selling art on the side! So far I am finding it to be a really healthy and rewarding balance. Although I grew up here [in Florida], I haven’t been back for quite a while! I’m still currently exploring the area.

THE CREATIVE PROCESS

I absolutely LOVE designing for photopolymer!! I’ve found that drawing the key layer first on tracing paper allows me to then flip-flop my ideas, scan them, and easily draw color layers. I’ve tried working more digitally, but always go back to the tracing paper!


ALL IN THE DETAILS

Works take me anywhere from a week to two months to complete before printing, but I’m always working on a few things at once. I try to keep it slow and steady, drawing at least a little every day until I am satisfied. I also often work back in to images, so that can end up dragging things out… as goes printmaking!

FAVORITE PRINTING TECHNIQUE

Intaglio will always be my go-to process, but it’s not always very practical! I like to change things up, especially with quicker processes like letterpress or lithography. It is so satisfying to see a trapped layer lock perfectly in to place each time, and to feel like one with a machine. I also really enjoy how the design process for each technique is so different – it keeps me on my toes!

PRINTING FEATS

At this point in my career, I am just very proud and grateful to have made it this far! I’ve been working hard to make my passions a reality and am really seeing that come back to me lately.

PRESS HISTORY

I currently have a little tabletop Conrad E12 etching press that was found by a friend of mine at a thrift store! After some heavy cleaning, I now use it almost constantly. I’m hoping to also have a letterpress to call my own some day. Floridian printers – hook me up please!

BOXCAR PRESS’ ROLE

I had my polymer plates for my most recent print made by Boxcar Press! I was a little nervous about someone else making my matrices, and they turned out perfectly. I’m really grateful for this service.

PRINTING TIPS

I’m still quite the beginner at letterpress, but I manage to learn something new every time I print. I even managed to smash my fingers in the Vandercook once (oops!).

WHAT’S COMING NEXT

Lots more printing!!

Hidden Treasures at Type High Letterpress

Right down the highway from Syracuse, New York, is Rochester’s very own Type High Letterpress. At the helm of this cozy, treasure-packed print shop is Tony Zanni. From wood & metal type goodies to presses that shine, Tony gives us a tour of this hidden gem tucked away in upstate New York.

Tony Zanni Type High Letterpress IMG 1
Tony Zanni Type High Letterpress IMG 4

PRESSES AND WOODCUTS AND TYPE, OH MY!

Our shop is located on the second floor of an old candy factory in downtown Rochester, NY called the Hungerford Building. It houses around 40 other artisans of varying crafts. We occupy a 1,200 sq. ft. space that is long and narrow.

At the front of the shop is a small retail area. The rest of the shop is packed to the gills with over 700 cases of wood and metal type, and over 150 galleys of dingbats and cuts. At the back we have our 4 large presses:  a Damon & Peets 8×12, Heidelberg Windmill (with factory foil stamping attachment), a Vandercook No. 3 Proof press and a giant Wesel Iron Handpress. We also have a fun collection of small table top presses hiding around the shop as well.

The space in and of itself isn’t really interesting, however, what it’s filled with captures imaginations and inspires creativity. There are all sorts of letterpress goodies to look at. We have originals of Adobe’s Wood Type Ornaments typeface, old wood cuts from various shops around the western NY area, slug cutters, miterers… The Hell Bucket. There’s a lot of stuff to look at if you ever visit.

MOST PRIZED POSSESSIONS

This is going to sound funny but my favorite thing about the shop is that it’s heat included. Our original location was a bit better but boy was it cold in the Upstate winters. The new space… Toasty!

As for fun things / prized possessions, there’s a couple. First would have to be my Vandercook, Izzy. Yeah, I named her Isabelle or Izzy for short. I found her thanks to Shelly at French Press. I asked Shelly to visit this estate sale (because I couldn’t attend) and had her look for Vandy’s. She called and said there was a Vandy in the garage, mostly complete.  I said great, put me on the phone with the seller, offered $500 sight unseen. They said yes and I picked it up two days later. I honestly think this was the last $500 Vandercook to be had and this was back in 2009.

This past summer I acquired another nifty item: a Lufkin 6 ft. tape measure with inches and Pica rules on it. Maybe not super practical, but pretty cool.

One more super cool thing I have is an original plate of the very first Photographic image printed in a magazine. It is “A Scene in Shantytown, New York”  that appeared in the March 4, 1880 issue of New York Daily Graphic – the first halftone photograph ever printed by a newspaper. Yes, we have a pretty cool collection.

SHOP SIZE

I jokingly refer to my shop as the “train car”. It’s about 15′ wide by 65′ long and has 3 windows in the back and a double door up front. With any luck we’ll be moving down the hall later this year a space that is 1500 square feet. I’m not looking forward to moving all this again.

PRINTING IN THE EMPIRE STATE

We are in the Hungerford Building. surrounded by many other creative artists.  On the first Friday and second Saturday of every month we host events. We are the northern border of an area called the Neighborhood of the Arts.  About 3 blocks away are the Memorial Art Gallery, Anderson Alley Arts building, plus a host of other galleries & public art pieces.

TYPE OF SHOP

Type High is a commercial letterpress print shop specializing in hand set typography and design for letterpress printing. Obviously, I use Boxcar Press for our plates when the need arises. We teach letterpress workshops in our space, how to set type properly and print an edition. In addition, I also teach a semester long letterpress design class for the Rochester Institute of Technology.

PRESS FAMILY

The long list of things currently in the shop from largest to smallest…

  • Wesel Iron Handpress
  • Sheet 18×24 printable 16×22
  • Vandercook No. 3 Proof press
  • Sheet 14×20 Printable 13.5ish x 18.5ish
  • Heidelberg Windmill 10 x 13 with Foil
  • Damon & Peets 8 x12
  • Nolan Proof press 12 x 18 galley proof press
  • Showcard Press 14 x 20ish
  • Old style Pilot Press 7 x10
  • Craftsman 5×8
  • Golding 4×6
  • Kelsey 3×5
  • Sigwalt 2×3 toy press
  • Challenge 26.5″ cutter

MOST VALUABLE TOOL

The most valuable tool in my shop is my line gauge, Pica Stick, ruler… whatever you want to call it. My favorite one is a Gaebel 612H-12 with inches, Picas, Points and millimeters. Not only is it great for measuring and drawing straight lines, but it’s also great for opening ink cans, cutting open packages, getting things out from under the press. Not to mention, slicing pizza, and cutting cookie cake on those special occasions.

GETTING INKY

My favorite inks are from the old cans we pull out of shops that we buy out. The older the ink, the better the coverage. Plus it’s usually free and we’re saving it from going to the landfill. When we have to buy new stuff, it’s usually Van Son due to ease of ordering with our local supplier.

SOLVENT OF CHOICE

Don’t tell anyone, I order California Type Wash. It’s an older solvent, that’s probably not as good for the environment as some of the newer stuff but it’s by far the best i’ve ever used. It cleans quick, dries fast, and will take 100 years of ink off in only a few wipes. I like to challenge myself when cleaning up the Vandercook to do it only using one or 2 rags at the most.

BASE SYSTEM

For most jobs I need plates for, I use the Boxcar Base and polymer plates. My base is beat up, but it still does the trick. To be honest, I hate printing with polymer plates. It’s been my experience that the ink does not carry well, and they can be finicky at times with the amount of ink on the roller and the roller height. Since we go in between hand-set type and plates, it is challenging at times for make-ready.

OIL OF CHOICE  

You’re supposed to oil these things? Honestly, I just use the same oil I use for my race car. If it’s good enough to run at 6000 RPM for an hour in a race car it’s good enough for a press.

PREFERRED CLEAN-UP RAG

I’m cheap… I use Scotts Rags in a box… but only the ones from small mom and pops hardware stores, because they are different from the ones at Home Depot.

PIED TYPE

I just recycled a 91 lb. bucket of pied worn out old metal type. However, there’s still standing forms from shops we cleaned out years ago. Some of the type from those shops may have been sold or dumped at this point but the standing forms are still in our galley storage. There are also 5 drawers of miscellaneous wood type hiding in the shop. I need a few more hours in the day to handle pied type.

ORGANIZATION SECRET

I guess the only secret I have is a Sharpie. I have a pretty photographic memory for where my type is, what it is, and to where that random Cap L needs to go.  When I take something out to use, I write in Sharpie the cabinet and drawer number on the back of it. Other than that, as long as I put it away I know right where it is. When I don’t,  well let’s just say I swear a lot until I find it.

SHOP TIPS

Things I wish I knew from day one: How to price my work for lines of type setting, vs pricing a computer-aided design. And pricing for press time vs make-ready time vs finishing time. That probably needs to evolve for each person. As a one man shop, it’s tough to figure all that out. If anyone has a magic button for that, let me know.

Tony Zanni Type High Letterpress IMG 4
Tony Zanni Type High Letterpress IMG 1


Printing Reality with Lauren Emeritz of Abstract Orange

Graphic designer & printer Lauren Emeritz creates brilliantly colored fine artists books & punchy prints. Lauren talks about teaching printing at an area Community Art Center, creating artists books, and introducing many to letterpress at events in the Capitol area.

FOR THE LOVE OF LETTERPRESS  

I am a graphic designer, letterpress printer, and book artist in Washington, DC and have always loved type and printing. While attending the University of Delaware, they were beginning to set up a print shop. I was fortunate enough to have the opportunity to print. Now Pyramid Atlantic Art Center is my go-to print place.

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

(Letterpress Demo at the Smithsonian Solstice Saturday Event)

PRINT FOR THE COMMUNITY

I print at the amazing community art center – Pyramid Atlantic Art Center (PAAC). Unique to the DC-area, PAAC offers workshops on how to learn to print, and the rental of presses to print on your own. I discovered PAAC at their Biennial Book Arts Fair. This fair is home to beautiful art made by hand. But ultimately, this created a spark in me to reconnect with making art by hand. 

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

ART ON THE HILL

I live in DC, so there is lots of cool artsy stuff. I love the Smithsonian Art Museums, the National Gallery of Art, the Library of Congress — they have so much amazing art and printed pieces! The Library of Congress was on my bucket list for a number of years. I finally made it there for an American Printing History Association (APHA) event. It was awesome and now I try to go back every couple of months. 

PRINTING MENTORS

Ray and Jill at Lead Graffiti do cool work and love to share their knowledge. Vince Frost is a graphic designer who used a lot of wood type in his designs. When I teach at Pyramid I get inspired by the people in class. I get to share my passion for letterpress: type, ink, paper, and printing with people who may love it too or may not have done it before. It is always fun to see new ideas and the directions people explore.

I did an internship at Hatch Show Print in December 2017 and it was wonderful to have access to so much wood type — one of the first things that I loved about letterpress. The people were so creative and friendly and the shop was AMAZING – I highly recommend a journey there! I would love to go back for an artist residency sometime. 

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.
Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

PART TIME PRINTER, FULL TIME FUN

My primary job is as a graphic designer for my company Abstract Orange. I enjoy printing and I do it mostly for fun. While I would love to do it full-time, I am concerned that if I printed commercially it might lose the satisfaction. Teaching at Pyramid keeps me fresh and experimenting. When I letterpress now, I use a combination of techniques. For small text and logos I usually use polymer. For hand-drawn type I usually carve linoleum or wood blocks. Each process has it advantages and I try to be intentional in my process, using the one that will best suit my goals for the project.

PRINTING FEATS

I made a Hand-Carved Alphabet book that I sold to the Library of Congress. At one of the APHA events, I sold my book to their special collections. It was one of the most exciting and validating events in my life. I started the project several years earlier without any particular goals or directions. Through a series of events, the book ended up in a show on a table next to works by Edward Gorey and Frederic Goudy! As a type nerd, Goudy has a special place in my heart!

I picked-up my bookmaking skills from a number of places along the way.  I started with different portfolio books at University of Delaware; workshops at Hamilton Wayzgoose; Ladies of Letterpress conferences, New York Center for the Book, GW Corcoran, and AIGA DC. The bookbinding associates at PAAC are always amazing and helpful.

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

(This is the artist book I carved, printed, bound and sold to the Library of Congress. (uses polymer for the colophon page)

PRESS HISTORY

My first press was probably my hands. I loved making rubbings. I own a Vandercook 99 (that is one without an inking system). My Vandercook 99 lives in my basement. I print on it sometimes, usually small runs or irregular things you couldn’t print on a larger Vandercook, such as round coasters. I have also used it for printing demos/workshops at the Smithsonian American Art Museum, Renwick Gallery, and Shop Made in DC. Because it is smaller and only 110 lbs, it is fairly portable for demos.

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

BOXCAR PRESS’ ROLE

Boxcar Press really revolutionized letterpress printing. I realized at some point that things were being letterpress printed using fonts that were more modern than lead type. Next, I figured there had to be a way to print modern computer designs on the letterpress — and I found Boxcar Press! I love the merging of old and new technology and combining my computer design skills with hands-on printing techniques. I tell my students who are interested in polymer to check out Boxcar Press because they “invented the system” we use to print polymer.

FAVORITE INK COLOR

At the moment, I have been printing some neon orange lately. It is lots of fun!

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

WHAT’S NEXT

Very recently, I did a letterpress printing demo with the Smithsonian American Art Museum to celebrate the Solstice. I’ve also taught a Hand-Carved Type Workshop at the Ladies of Letterpress Conference in October 2018.

I am not sure where 2019 will take me, but I am excited about the possibilities! 

Making the Leap Into Letterpress: Lauren Rolph

 

Newly fledged full-time architect-turned printer, Lauren Ralph of Helen Edna letterpress shares with us her printing journey so far. From being inspired by the vivid color palettes of Van Gogh and Kandinsky to taking up printing lessons at the International Printing Museum in Carson, CA, Lauren’s bright and clean designs reflect her dedication to the printing tradition.

TACTILE ARTIST

I began my career as an architect. Shortly thereafter, I came to the realization I missed working with my hands. The summer of 2018, I embarked on a new journey and opened my letterpress stationery studio, Helen Edna.

Lauren Rolph letterpress

I took printing lessons at the International Printing Museum in Carson. My favorite part was learning the printing process and being able to print my hand-drawn designs and turning them into cards. As a result of the printing lessons, I bought a Golding Pearl. Next, I made the leap to start Helen Edna!

LOVE AT FIRST PRINT

Letterpress cards in boutiques are something that I have admired. Being able to design and print my own cards for people to enjoy is something that brings me great joy. 

Lauren Rolph letterpress

CALIFORNIA COOL

I live a really neat area in California that is close to just about everything. My house is near the Headlands Conservation Area, Dana Point Harbor … and next to Strands Beach in Dana Point.

All the design work and order fulfillment takes place at my home in Dana Point. While all the printing happens at my husband’s grandmother’s home (which is nearby).

PRINTING MENTORS

One of my printing mentors would be Mark Barbor, the International Printing Museum Director. Not only did he give my husband and I a printing lesson at the museum. Even more, he has been helpful in getting me started. In addition to Mark as a printing mentor, artists such as Van Gogh and Kandinsky are inspirational.

Lauren Rolph letterpress

FULL TIME FUN

Over the last several months, I have been printing full-time. It is a true pleasure in seeing my designs come to life!

CREATIVE PROCESS

How does the creative process begin? First, I begin drawing thumbnail sketches in pen and ink. Next, I take a photo of the design is uploaded in Adobe Draw. From here, I use the Apple Pencil to create the illustration. After this, I export the drawing into Adobe Illustrator and adjust the Pantone colors. Finally, I prepare the design file to send to Boxcar Press. The design file includes adding registration for the designs that are full-bleed.

Lauren Rolph letterpress

PRINTING FEATS

One of my biggest printing feats is opening Helen Edna. Opening this store is something I have dreamed about for years. 

FIRST PRESS

A Golding Improved Pearl No. 11, which I bought from the International Printing Museum in Carson, CA.

BOXCAR PRESS’ ROLE

Boxcar Press’ customer service is impressive. They have a really fast turnaround, are always very polite, and willing to help with any questions you may have.

Lauren Rolph letterpress

PRINTING TIPS

I have three pieces of printing tips. My first, If you are looking to save time … for card designs that are not a full bleed (and have a good margin around the design) I order precut and folded A2 Crane Lettra, from Astro.

My second tip, to achieve the perfect registration try overlaying your design with the printed design on vellum.

The final printing tip, if you are looking for Pantone ink colors to be spot on, and able to apply directly from the tube onto the disk, check out Southern Ink.

WHAT’S NEXT

I’m hoping to exhibit at the National Stationery Show for the first time! I also plan on doing more craft fairs and continue to play with designs for my line.

Immensely large round of thanks + appreciation out to Lauren of Helen Edna!

Graham Judd: A New Zealand Printing Gem

Cozied in the north shore of New Zealand is Birkenhead – a suburb of Auckland that offers gorgeous beaches, picturesque vistas, and the hidden gem that is GTO Printers.  Graham Judd was able to take a minute to talk shop with us about his trip to the Ladies of Letterpress last year, falling for printing on day one, his cozy (but efficient!) garage-turned-shop, and gearing up to create more workshops to spread the love of letterpress in New Zealand.

FAMILY AND PRINTING LIFE I grew up in a small country town in New Zealand, had a happy family life, the middle child of five. My dad was the local radio station manager and mum sang a lot in local operatic shows, so we were brought up with music and social activities in our home. We were sent to the local Baptist church and there I made a decision to follow Christ at age 17. This has influenced my journey in life ever since. I moved to Auckland with my wife in 1975, and we are still here. We now have three adult children. They all love what I do, but all have their own careers outside of printing.

FALLING FOR LETTERPRESS I left school with few qualifications and no idea of a career, but a friend who was a compositor in a local printing company suggested I look at an apprenticeship in the printing trade, which I did. And I loved printing from day one. My apprenticeship was as a letterpress machinist, training on Heidelbergs mainly, platens and cylinders. I later retrained on offset as letterpress was phased out.

NEW ZEALAND WONDERS Up until January 2018 I have been leasing a small building in the local area where we live, and I think my ‘apprentice’ Christina kept our local coffee shop in business with her mocha purchases. The situation changed and it was the time to move the business home. So now I have a small (one car garage size) area that houses most of my equipment. I’m allowed a bit of extra space in the real garage for paper stock, and I have my old Albion press at the local library. My print shop is typical, with the Heidelberg 10×15 platen and Polar guillotine taking most space, then a small stone, galley rack, ink stand, work bench, a type cabinet with my wood type, and that leaves enough room to take one step to get to anything! It works well, I can’t buy any more stuff, which is probably good!

MENTORS + INSPIRATION My basic training was done a long time ago, I’m now at the stage of life where I’m passing on my bad habits to others. But people who come to mind that impress me with their work are Jenn at Starshaped Press, the lettering of Jessica Hische, and the work of local printer Tara McLeod who would be New Zealand’s most experimental letterpress printer. In my trips to USA the things that really stand out have been visits to Hamilton Wood Museum, the International Printing Museum in Carson, Edes and Gill Printing Office in Boston, the Crane Printing Plant, and of course our visit to John at Letterpress Things in Chicopee.

DESIGNED FOR PRINT I am really a printer only, very dependent on artwork being supplied by clients. This possibly means I miss out on some jobs that won’t get past the designer/printer shops, but it does mean the job is ready to print when it gets to me, so the decisions that can make a job hard work are all done. It does mean that designers that have pushed the limits of what letterpress can do in their design, give me challenges on the press.

FULL TIME FUN I have run my business full time for nearly 35 years, that included offset and later digital machines. I was fortunate to go through the period between letterpress and digital, when offset ruled, and there was a lot work for a small commercial printer. Now that I am nearing the end of my professional career, I am ok that work is slowing a little, but I still love inking up the press whenever I can.

PRINTING FEATS In 2014 I printed a set of art prints for a client, which won me the supreme award in the Pride in Print Awards in New Zealand, the best of the best printing for that year, beating all the big offset and digital boys in the country. I thought it should get some recognition when I entered it, but was delighted and amazed that the judges put it at the top. That was pretty cool. I have trained up two ladies who have both set up successful letterpress businesses in New Zealand. I am very proud of both of them, and proud to think I had a small hand in their success. I feel the printing trade has been good to me, and am happy to give back as I can.

PRESS HISTORY The first press I purchased was an AM Multi 1250, a small offset press, back in about 1982. By 1987 I had replaced it with other offset presses, and got me a brand new Heidelberg TOK that year. My first letterpress machine was an Adana 8×5, purchased in about 1995 I think. That was about when I got a desire to dabble in letterpress after a 20 year break. I purchased my Heidelberg Platen in 2008, and that’s when I got serious about commercial letterpress again.

BOXCAR’S ROLE Living in New Zealand means I have had little to do with Boxcar Press, only seeing the name pop up regularly on google searches for letterpress stuff. Meeting the boss and Maddie and others at the Ladies of Letterpress convention in 2017 was great. I was most impressed that Maddie was willing to dive into the press to pull out all the rubbish deep inside! Getting the ink into your blood is a prerequisite of a dedicated letterpress printer!

SHOP TIPS My experience is mostly with Heidelbergs, so one thing I reinforce is, for new operators, set up and get the feeder running consistently before inking up the press. If it’s not feeding well it’s just adding to the battle of getting a good job done.

WHAT’S NEXT There are opportunities to run more workshops, both beginner letterpress and Heidelberg platen workshops. I have a plan to set up a mobile printshop, visiting schools, libraries, and events where I can share the letterpress experience. I’m on the lookout for an ex-ambulance or similar. And for a while yet continue to run my little print shop as a profitable and happy place!

A world of thanks to Graham of GTO Printers for letting us take a sneak peek into his New Zealand printing world!

Flourishing Creativity with PRESSDD

Braiding her cross-disciplines of graphic design, web programming, psychology and a love for minimalistic & organic design, Giorgia Katerina of PRESSDD creates beautiful letterpress pieces with panache. Having come by letterpress from a curiosity to know more about the printing tradition, Giorgia has woven into her bespoke creations a love of floral motifs, her great eye for detail, and welcoming warmth. We talk shop on her next adventures into a custom line, the joys of finding zen in her press room, and the exciting feeling of accomplishment when an ink run lines up just perfectly on the press.

RENAISSANCE WOMAN Obtaining a degree in psychology, I originally envisioned pursuing something in this field. Shortly thereafter, I came to the realization my love for design was stronger than that of psychology. As a result, four years ago I started out as a freelance graphic designer and web programmer. Now, I specialize in bespoke wedding stationery. 

GETTING HOOKED ON LETTERPRESS  My journey into letterpress was very unconventional. With a background in graphic design, letterpress was the last thing on my mind. Always looking for design inspiration, I started noticing beautifully printed pieces. Curious by nature, I became eager to learn how to make stationery pieces. As a result, I became hooked on letterpress!

PEACEFUL PRINTSHOP My press room is my personal oasis, complete with no distractions … just me and my press. First and foremost, the accessibility of my press room is second to none. Connected to my home studio, this gives me the flexibility to print at any given time. In this room, you will find a Chandler and Price 12×18 press. In addition, I have a Kensol 27T (which is not part of my studio). Complete with no distractions, just me and my press!

BEAUTY IN THE BUCKEYE STATE I’m based in Rocky River, a suburb of Cleveland, Ohio. A picturesque little town where coffee shops and restaurants are all within walking distance.

FINDING THE CREATIVE VEIN As a self-taught printer, with no true print mentor I find my design inspiration comes from minimalism and organic elements. With a passion for exploring various textural elements, I love how letterpress can create a beautiful, deep blind impression.

PART TIME PRINTING, FULL-TIME FUN As a stationery designer, and a part-time printer I always look forward to press days … as it gets me up and moving, and away from the computer! 

EFFECTIVE AND FLORAL INFUSED DESIGN  As a designer, I like to keep things simple and modern with a touch of organic elements. I love working with florals. Whether it is scanning them to use as background images or sketching them for the press. Similarly, I like to incorporate elements of old-school romance in my work. My favorite period is the French Renaissance!  

PRINTING FEATS My clients are second to none, and I absolutely love working with them and helping bring their vision to life. Simply put, there is no better feeling than being able to give my clients a bespoke letterpress wedding suite designed and pressed specifically for them.

PRESS HISTORY As a perfectionist, and having spent countless hours on any given project, my first print job was such a rush! I had just started as a full-time freelancer … and my first assignment was a wedding suite.

BOXCAR’S ROLE First and foremost, I want to give a shoutout to my girl Rebecca, who was a dream to work with! She and Boxcar Press have saved me quite a few times during the plate making stages. From helping me stock my studio with all the essentials (like everything in my shop … and outside of my C&P and type) to being an excellent printing resource in my times of need. Needless to say, I was lost without the help of Boxcar Press!

PRINTING TIPS My biggest frustrations is setting up a registration for a run. I have spent countless hours measuring, and remeasuring just to ensure the plate is in a perfect position. My advice, print a digital copy of the plate design using the same size sheet of paper you’ll press. Next, tape the plate over the print and transfer it to the base. This will help you save time, and will minimize the number of hours spent measuring (or remeasuring).

WHAT’S NEXT There are a couple big plans on the horizon for PRESSDD. Most recently, I’ve reintroduced greeting cards into my printing repertoire. In addition, I will also be looking to expand my wedding stationery and will be releasing a semi-custom collection.

We here at Boxcar Press would like to give a huge round of applause and thanks to Giorgia Katerina of PRESSDD! We’ll keep our eyes peeled for what she cooks up next in the print shop.

If you would like to be one of Boxcar Press’ featured printers, please complete the Printers Profile questionnaire.

Tight Registration with Slackline Press

Connecticut-based Lourdes Irizarry of Slackline Press balances printing life with outdoor adventures in her garage-turned-printing haven. With her Golding Jobber press (which she rescued from dust-covered days), Lourdes enjoys creating punchy, colorful designs and incorporating her love of travel into her work.   In our chat with Lourdes, topics flow from selecting the perfect paper for large solid jobs, to the allure of letterpress and sketching out her future line of wedding invitations.

PRINTING PASSION  My name is Lourdes. I’m a digital art director by day and run Slackline Press as a passion project for now. I was born and raised in Puerto Rico, lived in Orlando, Florida and now reside in Connecticut with my boyfriend and two dogs.

LOVE AT FIRST IMPRESSION I started my letterpress journey in 2013 as a creative outlet from my day job. As a designer, I had always been interested in letterpress but had never looked into what it would take to get set up. After researching different types of presses, I decided a Golding Jobber or Pearl would be the right size for my studio and the type of work I wanted to create. I started poking around online and found a Golding expert in my area that did workshops. It was love at first sight and I immediately became obsessed with building a letterpress studio.

CREATING IN CONNECTICUT My shop is in half of a detached garage behind our tiny cape on the CT shoreline. The detached garage was a selling point when we bought the house but it was in pretty rough shape. We hired a contractor who worked with my crazy vision of building a tiny loft in the crawlspace. It’s definitely my favorite thing about the space. It turned out way nicer than I ever would have imagined.

SURROUNDED BY ADVENTURE I love that I can bike to the beach in our town. There are also a number of outdoor adventure opportunities in the area. Rivers for water sports, plenty of forested trails for hiking and letting the dogs run around as well as a number of quaint town greens with farmers markets, shops and restaurants.

My favorite landmark is the shoreline trolley museum which renovates and runs old trolleys from East Haven to Branford. We’re also 1.5 hour train ride from New York City.

PRINTING MENTORS Yes! John Falstrom of Perennial Designs connected us with our first press and offered an incredible amount of knowledge on the best way to move and renovate our Jobber. Also John Barrett of Letterpress Things whom I acquired my other 2 presses from. His warehouse is packed with supplies and letterpress ephemera. They are both a huge wealth of knowledge and are just wonderful people to know.

Inspiration is everywhere in our surroundings but I’m particularly inspired by travel and culture. I am currently infatuated with Mediterranean patterns.

PART TIME PRINTING, FULL TIME FUN I have a day job so I work my printmaking schedule around that. I’m still working out my long term goals for my letterpress business and figuring out the balance between custom work and my own stationery line. But I would love to build relationships with other crafters and artisans who need branded stationery or packaging.

THE CREATIVE FLOW I always start with really rough thumbnail sketches on paper, on my iPad or just write down ideas. I then try to choose a few that I keep coming back to, develop the sketches a little further and then illustrate them in Adobe Illustrator. Lately I’ve been designing vector art on my iPad Pro to save time going from sketch to digital. I then send my designs to Boxcar Press to get plates made and then print in my studio. I love to photograph my travels and surroundings and often times I use that as inspiration or reference vs having to go online and look for visuals.

PRINTING FEATS I’d say my biggest accomplishment so far is just getting a dedicated space built to house my presses and that I can work in through the seasons. Having it separate from the house but still easily accessible is really convenient.

PRESS HISTORY A Golding Jobber 8×12 platen press that was cooped up in a tiny stone cottage in the mountains of Vermont and unused for 7 years.

BOXCAR’S ROLE First and foremost, Boxcar customer service is the best! They helped guide me when I got started, and are very quick to get on the phone when there’s something wrong with my order or if I have questions. A moment that stands out to me when Boxcar went above and beyond happened when I was having an inking problem. They worked with me for hours (some of which were after business hours) to help me solve my issue. Boxcar has a quick turnaround, convenient real-time uploading and proofing, and fast shipping. Overall, it’s been an affordable way for a small press like me to get started.

PRINTING TIPS The more I print, the more I realize how inking varies depending on the paper I use. If I design something with larger areas of solid color or want smoother inking, I try to print on smoother paper and tend to over-ink. If I have a design that has more fine lines or has a grungier style to it, I try to print on a more textured paper with less ink to add to the grunginess of the design. Also, the brighter white paper is less forgiving in terms of showing imperfections.

WHAT’S NEXT I’m growing my stationery line of greeting cards as well as adding more personalized options like wedding invitations. I would love to attend the National Stationery Show for the first time next year and am learning as much as I can in order to get me there.

Letterpress Passions with Puro Papel

Join Boxcar Press on this “adventure of a lifetime,” as we get a first-hand look at Miami based printer, Catalina Rojas of Puro Papel and find out how she brings the heat when it comes to passionate letterpress printing. Best known for her vibrantly colored projects (both printing and non-printing) discover how Catalina’s worldly travels inspire her work, creativity and how she shares this printing tradition with her local community.

Catalina Rojas sets up her Pilot Press for a new letterpress print project.

LIFE’S ADVENTURES & LETTERPRESS  We all have a starting point, an origin. In many cases, they shape and determine the type of person you become. I was born in an area that was rooted in the Catholic faith and traditions. While this was my origin, the dialogue I have with myself, I believe I don’t come from a place … more so, I come from a way of life that was instilled by my parents.

My parents were travelers and never ceased to seek the zest for adventure. With two kids on the hip and a Great Dane, they were never deterred by what others might think and managed to stay true to their “hippie-chic” ways. At one point, my aunt and her boyfriend joined our entourage and many people would confuse our family for a circus troupe.

Catalina Rojas of Puro Papel prints on her Pilot Press.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.

During my first five years, we traveled through South America. Quite literally, through the roads less traveled by. Zigzagging through cities, towns, forests, plains, deserts, and jungles. However, there was one significant life trip that would determine how I would experience life, my sense of self and ultimately my creative process.

All the details and memories of this trip come rushing back … like having bananas for breakfast, or crossing rivers in long wooden canoes and sleeping in hammocks. I remember feeling the heat from the bonfire and seeing the ashes flying and floating like dragonflies. I remember hearing the speaking drums and the chanting.

All of these things on the trip seemed to me like a lifetime and an irrevocable art of me … despite the fact that neither my parents seem to remember it in full detail (and color) as I. They would even go as far as saying that trip was rather uneventful. This trip shaped how I look at life – I live in adventure and in meaningfulness.

My work is an inextricable part of my life. I take every assignment as an adventure, in which I try to discover essence, textures, tones, colors and other delicacies. To later bring together these elements and materialize them in a simple design, or concept.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.
(Project Notes: Norton Box- Vineyard in Mendoza. I did a limited edition of 30 boxes to send to  30 journalists  with a bottle of wine, some postcards of the winery (belly band is letterpress), a wooden note from the president of the company (letterpress), a leather notebook, and the press kit).)

Every project, I take the challenge of telling a story by communicating its purpose through design and artisanal ways of printing. I believe life is an experience made of a small act, where the beauty of small details grounds us and turns each moment in a unique ritual.

THE PRINTING BUG  I took a class in Parsons, and my teacher was a typography designer and a letterpress printer. After several trips to his studio I was bit by the letterpress printing bug. I fell in love with the technique of letterpress printing and how this could take printing to a higher level.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.
(Project Notes: Leather Book (covers are letterpressed), Accordion book – A family gift for a Portuguese grandmother! )

MIAMI MARVELS  I have a tiny studio, with more windows than walls, located on a sunny corner of Miami Ironside in a bucolic garden. When I first saw this space, I knew it was “the one,” due to all the natural light coming in during the afternoon, I felt this space was going to illuminate me. WIth the natural light and the abundance of windows … I feel like the garden is part of my studio. Behind the studio are train tracks, and several times a day, I can hear the train pass through. Next to the studio, is MiMo (AKA: Miami Modern) a neighborhood that is bringing to life the Art Deco hotels and restaurants of the great era of the Magic City!

Catalina Rojas sets up her Pilot Press for a new letterpress print project.

PRINTING INSPIRATION Although he probably doesn’t know this … my first inspiration was Peter Kruty, my professor at Parsons because he taught me how to respect typography.

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.

FULL TIME PRINTER I became a full-time printer in 2004 after I bought my first letterpress.

THE CREATIVE PROCESS  My creative process starts with a conversation with my clients, so I can understand the essence of the message. With each project, I design every aspect and incorporate elements and details of the message into their piece. I like to think of what will surprise me … because it will most likely surprise my audience, and will help keep it innovative and fun!

Book arts and fine press printing by letterpress printer, Catalina Rojas of Puro Papel.
Project Note: Don Perignon Party invitation- all digital and lots of assembly! This gentleman was turning 80 and celebrating in style  with family and friends in his hacienda in Argentina. The cork top part opens to reveal a message)

PRINTING FEATS When a project evokes magic, emotions and becomes a conversation piece, I feel accomplished. When I’m at a moment that it feels close to my soul, that is when I know I’ve achieved “good-design.”

A beloved Pilot Press awaits for the next printing adventure in the Puro Papel studio.

PRESS HISTORY  I still have my first press(!) which is a C&P Pilot press.

BOXCAR’S ROLE  When I find a good vendor, I stick to it! Throughout my years of printing, Boxcar Press has come to my rescue. Whenever I have a rush job, they are always availble to help and save me. There is a sense of loyalty to one another, and I feel they are a part of my team. 

PRINTING TIP  When you don’t know something, ask your colleagues! And if they are not around, don’t be shy to experiment!

SHOP TIP Mmm, I don’t have any particular one, I just know that when it gets very frustrating and it doesn’t work out, I let it rest and start again a few hours later.

WHAT’S NEXT  I want to focus more on doing limited editions and special packaging.

I also love to give back by sharing my passion and expertise with paper. This year I’m involved with missionaries in the desert of Peru who train people in disadvantaged communities on how to make handmade cotton paper. This wonderful community and its artisanal workshop, Papelera Don Bosco, has a letterpress machine, so I will be teaching them all I know about letterpress and box-making so they can fly high!

An immense round of appreciative applause out to Catalina for letting us get a sneak peek at the magic behind Puro Papel!

The Call of the Press at Creative Beasties Workshop

Most letterpress printers find a sense of home in the happy clinking & whirling of the press. Danny Rhoades of Creative Beasties Workshop is no exception. The IT-by-day and printer-by-night found the letterpress bug bit hard after planning his own wedding. Turning part of his garage into his printing mecca, Danny finds inspiration in exploring creative options with his clients, his supportive family, and letting the press provide valuable teaching moments. Since our last visit with Danny, he caught us up on new printing tricks, the feeling when registration is spot on, and the wonderful rhythms printing has played in his life.

PRINTING JAM SESSIONS + FAMILY LIFE I’m a 37 year old married father of 2 adorable twin girls (age 2). It’s mostly me by myself printing since my wife is usually dealing with the kids. I sometimes have creative friends come over for printing sessions but other than that it’s just me.

BLOSSOMING PRINTING LOVE When my wife and I were planning our own wedding we both got super interested in the invitation options out there and came across letterpress. I instantly fell in love and that eventually blossomed into Creative Beasties Workshop.

PRINTSHOP EFFICIENCY Our workshop is in the tandem portion of our garage. It’s only about 288 sq ft so it’s very limited. My favorite thing about it is the Heidelberg Windmill 10×15 press that brings it all together.

AT HOME PRINTING  We’re in a pretty new constructed suburban neighborhood. The most interesting thing about our home is that it backs up to a 20 ft. sound wall for Highway 65.

PRINTING MENTORS One of the first people to teach me about letterpress was a gentleman I met on the Briarpress.org forums who goes by the handle, Inky. He taught both my wife and I the basics and helped us really understand the foundations of the process. I owe him a lot.

PART TIME PRINTING, FULL TIME FUN I wish I could print full time, but with a mortgage and budding family, I can’t afford to do that just yet. I work in IT and my day job pretty much supplements our workshop quite a bit.

DESIGN BROUGHT TO LIFE I don’t design as much as I’d like mostly due to time constraints, but when I do it’s usually after a lengthy conversation/meeting with the client to fully understand their motivation and inspiration so I can bring it to life and elevate it the best I can. One of my weaknesses is not knowing when to stop. This is something I am working on, and think I’m getting better … but I know it’s a flaw of mine.

PRINTING FEATS One of my proudest moments occurred when I was able to produce a 3 color work, shortly after having trained only for three days on the press. The registration was perfect and the colors were spot on.

PRESS HISTORY I learned on a C&P old style, but when I bought my own I went straight for the kill and got a Heidelberg Windmill 10×15. I didn’t even know how to use it! I was super scared at first and had to take a three day training to understand how to work it.

BOXCAR’S ROLE Anytime I need any advice … or help with a job I can always count on Boxcar to be there to walk me through it.

PRINTING TIPS For just starting out, don’t blame yourself too much. I blamed my inexperience a lot before I realized there was an actual problem with the press that needed to be fixed. The same thing happened with rollers. Once I changed to a different supplier things worked out much better. Sometimes, it is actually the equipment.

WHAT’S NEXT I hope to continue printing and eventually build a client base that can support me printing full time.

A big, huge Windmill-size round of thanks out to Danny of Creative Beasties Press! We look forward to seeing what cool, new projects come his way.

Shop Tour With Lourdes Irizarry

East Haven, Connecticut hugs the shoreline of Long Island Sound and is home to Lourdes Irizarry of Slackline Press. Lourdes’ self-proclaimed printing hideaway has cool tunes playing in the background, a loft nook above the main printing floor, and a treasure of letterpress tools collected over the years. Stepping back from her platen presses, Lourdes gives us a tour of where the printing magic happens, thanks in part to the support she has found in the New England letterpress community.

MINIMALIST PRINTSHOP Our shop is small so I like to keep it light and tidy. It has neutral, recessed lighting throughout and natural light from two windows and a sliding barn door that opens to the outside. The floor is a sturdy but affordable, wood textured linoleum over a leveled cement floor that I don’t have to worry about damaging. We built shelving from old wood we salvaged from the renovation, as well as a 7 ft. workbench with storage for large sheets of paper.

MOST PRIZED POSSESSION My favorite thing about our shop is a small crawl space in the rafters that was converted into a tiny loft for storage. I outfitted it with an old letterpress tray table I made. It’s a great space to hide with my laptop or sketchbook when I need quiet time to design. My prized possession is my first press – a Golding Jobber #6 named Brumhilda.

SHOP SIZE The entire space is approximately 300 sq ft.

CONNECTICUT SPLENDOR Our shop is a half of a detached garage that was drywalled and insulated to be functional throughout the seasons. It’s located behind our tiny cape on the Connecticut shoreline close to New Haven. It’s a short bike ride away from the town beach and town green where the library and farmer’s market is.

TYPE OF SHOP Our garage turned studio is in a residential neighborhood, on the border of a commercial part of town.

PRESS FAMILY I have 3 platen presses – a Golding Jobber #6 8×12, Golding Pearl #11 7×11 and a Sigwalt Nonpareil 6×9 tabletop press.

MOST VALUABLE SHOP TOOL  It sounds silly, but I can’t live without my pocket ruler, to help center or square artwork while printing.

INK OF CHOICE I print with Van Son rubber-based inks. My favorite is rubine red. It never gets tacky, is easy to mix and looks lovely by itself.

SOLVENT OF CHOICE I find mineral spirits work best for me. Easy Street, which was recommended by someone at Boxcar, is a huge help when switching colors, cleaning up dark ink or if ink has been on the rollers for more than a few hours.

BASE SYSTEM I’ve had the Standard Boxcar Base for the 5 years I’ve been printing. I started with KF95 plates then switched to 94CHFB but I can’t decide if I like one more than the other.

OIL OF CHOICE I use 3-in-1 oil.

PREFERRED CLEAN-UP RAG just use old t-shirts that I collect from anyone getting rid of them!

PIED TYPE I don’t have a lot of metal type but what I do have came nicely sorted, so I don’t think I have any lying around.

KEEPING IT ORGANIZED Clean as you go! Everything in my studio has a home, and if I didn’t put things back in their place I either wouldn’t find them when I need them or I wouldn’t have enough space to work. I think my favorite organizational solution is plastic shoebox size bins to store printed cards. They’re stackable, easy to see what’s inside and keep dust out.

SHOP TIPS I feel like I will always be learning. I did notice very early on, how friendly and eager the letterpress community is to share advice. I think acquiring presses that needed some elbow grease and restoration helped to get to know the ins and outs of my presses. They all have their own unique quirks. It takes time and patience but I think it’s a really valuable way to learn.