Printing Reality with Lauren Emeritz of Abstract Orange

Graphic designer & printer Lauren Emeritz creates brilliantly colored fine artists books & punchy prints. Lauren talks about teaching printing at an area Community Art Center, creating artists books, and introducing many to letterpress at events in the Capitol area.

FOR THE LOVE OF LETTERPRESS  

I am a graphic designer, letterpress printer, and book artist in Washington, DC and have always loved type and printing. While attending the University of Delaware, they were beginning to set up a print shop. I was fortunate enough to have the opportunity to print. Now Pyramid Atlantic Art Center is my go-to print place.

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

(Letterpress Demo at the Smithsonian Solstice Saturday Event)

PRINT FOR THE COMMUNITY

I print at the amazing community art center – Pyramid Atlantic Art Center (PAAC). Unique to the DC-area, PAAC offers workshops on how to learn to print, and the rental of presses to print on your own. I discovered PAAC at their Biennial Book Arts Fair. This fair is home to beautiful art made by hand. But ultimately, this created a spark in me to reconnect with making art by hand. 

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

ART ON THE HILL

I live in DC, so there is lots of cool artsy stuff. I love the Smithsonian Art Museums, the National Gallery of Art, the Library of Congress — they have so much amazing art and printed pieces! The Library of Congress was on my bucket list for a number of years. I finally made it there for an American Printing History Association (APHA) event. It was awesome and now I try to go back every couple of months. 

PRINTING MENTORS

Ray and Jill at Lead Graffiti do cool work and love to share their knowledge. Vince Frost is a graphic designer who used a lot of wood type in his designs. When I teach at Pyramid I get inspired by the people in class. I get to share my passion for letterpress: type, ink, paper, and printing with people who may love it too or may not have done it before. It is always fun to see new ideas and the directions people explore.

I did an internship at Hatch Show Print in December 2017 and it was wonderful to have access to so much wood type — one of the first things that I loved about letterpress. The people were so creative and friendly and the shop was AMAZING – I highly recommend a journey there! I would love to go back for an artist residency sometime. 

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.
Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

PART TIME PRINTER, FULL TIME FUN

My primary job is as a graphic designer for my company Abstract Orange. I enjoy printing and I do it mostly for fun. While I would love to do it full-time, I am concerned that if I printed commercially it might lose the satisfaction. Teaching at Pyramid keeps me fresh and experimenting. When I letterpress now, I use a combination of techniques. For small text and logos I usually use polymer. For hand-drawn type I usually carve linoleum or wood blocks. Each process has it advantages and I try to be intentional in my process, using the one that will best suit my goals for the project.

PRINTING FEATS

I made a Hand-Carved Alphabet book that I sold to the Library of Congress. At one of the APHA events, I sold my book to their special collections. It was one of the most exciting and validating events in my life. I started the project several years earlier without any particular goals or directions. Through a series of events, the book ended up in a show on a table next to works by Edward Gorey and Frederic Goudy! As a type nerd, Goudy has a special place in my heart!

I picked-up my bookmaking skills from a number of places along the way.  I started with different portfolio books at University of Delaware; workshops at Hamilton Wayzgoose; Ladies of Letterpress conferences, New York Center for the Book, GW Corcoran, and AIGA DC. The bookbinding associates at PAAC are always amazing and helpful.

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

(This is the artist book I carved, printed, bound and sold to the Library of Congress. (uses polymer for the colophon page)

PRESS HISTORY

My first press was probably my hands. I loved making rubbings. I own a Vandercook 99 (that is one without an inking system). My Vandercook 99 lives in my basement. I print on it sometimes, usually small runs or irregular things you couldn’t print on a larger Vandercook, such as round coasters. I have also used it for printing demos/workshops at the Smithsonian American Art Museum, Renwick Gallery, and Shop Made in DC. Because it is smaller and only 110 lbs, it is fairly portable for demos.

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

BOXCAR PRESS’ ROLE

Boxcar Press really revolutionized letterpress printing. I realized at some point that things were being letterpress printed using fonts that were more modern than lead type. Next, I figured there had to be a way to print modern computer designs on the letterpress — and I found Boxcar Press! I love the merging of old and new technology and combining my computer design skills with hands-on printing techniques. I tell my students who are interested in polymer to check out Boxcar Press because they “invented the system” we use to print polymer.

FAVORITE INK COLOR

At the moment, I have been printing some neon orange lately. It is lots of fun!

Emeritz Lauren ( Washington, D.C. ) letterpress prints beautiful hand-crafted fine editions artists books.

WHAT’S NEXT

Very recently, I did a letterpress printing demo with the Smithsonian American Art Museum to celebrate the Solstice. I’ve also taught a Hand-Carved Type Workshop at the Ladies of Letterpress Conference in October 2018.

I am not sure where 2019 will take me, but I am excited about the possibilities! 

Making the Leap Into Letterpress: Lauren Rolph

 

Newly fledged full-time architect-turned printer, Lauren Ralph of Helen Edna letterpress shares with us her printing journey so far. From being inspired by the vivid color palettes of Van Gogh and Kandinsky to taking up printing lessons at the International Printing Museum in Carson, CA, Lauren’s bright and clean designs reflect her dedication to the printing tradition.

TACTILE ARTIST

I began my career as an architect. Shortly thereafter, I came to the realization I missed working with my hands. The summer of 2018, I embarked on a new journey and opened my letterpress stationery studio, Helen Edna.

Lauren Rolph letterpress

I took printing lessons at the International Printing Museum in Carson. My favorite part was learning the printing process and being able to print my hand-drawn designs and turning them into cards. As a result of the printing lessons, I bought a Golding Pearl. Next, I made the leap to start Helen Edna!

LOVE AT FIRST PRINT

Letterpress cards in boutiques are something that I have admired. Being able to design and print my own cards for people to enjoy is something that brings me great joy. 

Lauren Rolph letterpress

CALIFORNIA COOL

I live a really neat area in California that is close to just about everything. My house is near the Headlands Conservation Area, Dana Point Harbor … and next to Strands Beach in Dana Point.

All the design work and order fulfillment takes place at my home in Dana Point. While all the printing happens at my husband’s grandmother’s home (which is nearby).

PRINTING MENTORS

One of my printing mentors would be Mark Barbor, the International Printing Museum Director. Not only did he give my husband and I a printing lesson at the museum. Even more, he has been helpful in getting me started. In addition to Mark as a printing mentor, artists such as Van Gogh and Kandinsky are inspirational.

Lauren Rolph letterpress

FULL TIME FUN

Over the last several months, I have been printing full-time. It is a true pleasure in seeing my designs come to life!

CREATIVE PROCESS

How does the creative process begin? First, I begin drawing thumbnail sketches in pen and ink. Next, I take a photo of the design is uploaded in Adobe Draw. From here, I use the Apple Pencil to create the illustration. After this, I export the drawing into Adobe Illustrator and adjust the Pantone colors. Finally, I prepare the design file to send to Boxcar Press. The design file includes adding registration for the designs that are full-bleed.

Lauren Rolph letterpress

PRINTING FEATS

One of my biggest printing feats is opening Helen Edna. Opening this store is something I have dreamed about for years. 

FIRST PRESS

A Golding Improved Pearl No. 11, which I bought from the International Printing Museum in Carson, CA.

BOXCAR PRESS’ ROLE

Boxcar Press’ customer service is impressive. They have a really fast turnaround, are always very polite, and willing to help with any questions you may have.

Lauren Rolph letterpress

PRINTING TIPS

I have three pieces of printing tips. My first, If you are looking to save time … for card designs that are not a full bleed (and have a good margin around the design) I order precut and folded A2 Crane Lettra, from Astro.

My second tip, to achieve the perfect registration try overlaying your design with the printed design on vellum.

The final printing tip, if you are looking for Pantone ink colors to be spot on, and able to apply directly from the tube onto the disk, check out Southern Ink.

WHAT’S NEXT

I’m hoping to exhibit at the National Stationery Show for the first time! I also plan on doing more craft fairs and continue to play with designs for my line.

Immensely large round of thanks + appreciation out to Lauren of Helen Edna!

Graham Judd: A New Zealand Printing Gem

Cozied in the north shore of New Zealand is Birkenhead – a suburb of Auckland that offers gorgeous beaches, picturesque vistas, and the hidden gem that is GTO Printers.  Graham Judd was able to take a minute to talk shop with us about his trip to the Ladies of Letterpress last year, falling for printing on day one, his cozy (but efficient!) garage-turned-shop, and gearing up to create more workshops to spread the love of letterpress in New Zealand.

FAMILY AND PRINTING LIFE I grew up in a small country town in New Zealand, had a happy family life, the middle child of five. My dad was the local radio station manager and mum sang a lot in local operatic shows, so we were brought up with music and social activities in our home. We were sent to the local Baptist church and there I made a decision to follow Christ at age 17. This has influenced my journey in life ever since. I moved to Auckland with my wife in 1975, and we are still here. We now have three adult children. They all love what I do, but all have their own careers outside of printing.

FALLING FOR LETTERPRESS I left school with few qualifications and no idea of a career, but a friend who was a compositor in a local printing company suggested I look at an apprenticeship in the printing trade, which I did. And I loved printing from day one. My apprenticeship was as a letterpress machinist, training on Heidelbergs mainly, platens and cylinders. I later retrained on offset as letterpress was phased out.

NEW ZEALAND WONDERS Up until January 2018 I have been leasing a small building in the local area where we live, and I think my ‘apprentice’ Christina kept our local coffee shop in business with her mocha purchases. The situation changed and it was the time to move the business home. So now I have a small (one car garage size) area that houses most of my equipment. I’m allowed a bit of extra space in the real garage for paper stock, and I have my old Albion press at the local library. My print shop is typical, with the Heidelberg 10×15 platen and Polar guillotine taking most space, then a small stone, galley rack, ink stand, work bench, a type cabinet with my wood type, and that leaves enough room to take one step to get to anything! It works well, I can’t buy any more stuff, which is probably good!

MENTORS + INSPIRATION My basic training was done a long time ago, I’m now at the stage of life where I’m passing on my bad habits to others. But people who come to mind that impress me with their work are Jenn at Starshaped Press, the lettering of Jessica Hische, and the work of local printer Tara McLeod who would be New Zealand’s most experimental letterpress printer. In my trips to USA the things that really stand out have been visits to Hamilton Wood Museum, the International Printing Museum in Carson, Edes and Gill Printing Office in Boston, the Crane Printing Plant, and of course our visit to John at Letterpress Things in Chicopee.

DESIGNED FOR PRINT I am really a printer only, very dependent on artwork being supplied by clients. This possibly means I miss out on some jobs that won’t get past the designer/printer shops, but it does mean the job is ready to print when it gets to me, so the decisions that can make a job hard work are all done. It does mean that designers that have pushed the limits of what letterpress can do in their design, give me challenges on the press.

FULL TIME FUN I have run my business full time for nearly 35 years, that included offset and later digital machines. I was fortunate to go through the period between letterpress and digital, when offset ruled, and there was a lot work for a small commercial printer. Now that I am nearing the end of my professional career, I am ok that work is slowing a little, but I still love inking up the press whenever I can.

PRINTING FEATS In 2014 I printed a set of art prints for a client, which won me the supreme award in the Pride in Print Awards in New Zealand, the best of the best printing for that year, beating all the big offset and digital boys in the country. I thought it should get some recognition when I entered it, but was delighted and amazed that the judges put it at the top. That was pretty cool. I have trained up two ladies who have both set up successful letterpress businesses in New Zealand. I am very proud of both of them, and proud to think I had a small hand in their success. I feel the printing trade has been good to me, and am happy to give back as I can.

PRESS HISTORY The first press I purchased was an AM Multi 1250, a small offset press, back in about 1982. By 1987 I had replaced it with other offset presses, and got me a brand new Heidelberg TOK that year. My first letterpress machine was an Adana 8×5, purchased in about 1995 I think. That was about when I got a desire to dabble in letterpress after a 20 year break. I purchased my Heidelberg Platen in 2008, and that’s when I got serious about commercial letterpress again.

BOXCAR’S ROLE Living in New Zealand means I have had little to do with Boxcar Press, only seeing the name pop up regularly on google searches for letterpress stuff. Meeting the boss and Maddie and others at the Ladies of Letterpress convention in 2017 was great. I was most impressed that Maddie was willing to dive into the press to pull out all the rubbish deep inside! Getting the ink into your blood is a prerequisite of a dedicated letterpress printer!

SHOP TIPS My experience is mostly with Heidelbergs, so one thing I reinforce is, for new operators, set up and get the feeder running consistently before inking up the press. If it’s not feeding well it’s just adding to the battle of getting a good job done.

WHAT’S NEXT There are opportunities to run more workshops, both beginner letterpress and Heidelberg platen workshops. I have a plan to set up a mobile printshop, visiting schools, libraries, and events where I can share the letterpress experience. I’m on the lookout for an ex-ambulance or similar. And for a while yet continue to run my little print shop as a profitable and happy place!

A world of thanks to Graham of GTO Printers for letting us take a sneak peek into his New Zealand printing world!

Flourishing Creativity with PRESSDD

Braiding her cross-disciplines of graphic design, web programming, psychology and a love for minimalistic & organic design, Giorgia Katerina of PRESSDD creates beautiful letterpress pieces with panache. Having come by letterpress from a curiosity to know more about the printing tradition, Giorgia has woven into her bespoke creations a love of floral motifs, her great eye for detail, and welcoming warmth. We talk shop on her next adventures into a custom line, the joys of finding zen in her press room, and the exciting feeling of accomplishment when an ink run lines up just perfectly on the press.

RENAISSANCE WOMAN Obtaining a degree in psychology, I originally envisioned pursuing something in this field. Shortly thereafter, I came to the realization my love for design was stronger than that of psychology. As a result, four years ago I started out as a freelance graphic designer and web programmer. Now, I specialize in bespoke wedding stationery. 

GETTING HOOKED ON LETTERPRESS  My journey into letterpress was very unconventional. With a background in graphic design, letterpress was the last thing on my mind. Always looking for design inspiration, I started noticing beautifully printed pieces. Curious by nature, I became eager to learn how to make stationery pieces. As a result, I became hooked on letterpress!

PEACEFUL PRINTSHOP My press room is my personal oasis, complete with no distractions … just me and my press. First and foremost, the accessibility of my press room is second to none. Connected to my home studio, this gives me the flexibility to print at any given time. In this room, you will find a Chandler and Price 12×18 press. In addition, I have a Kensol 27T (which is not part of my studio). Complete with no distractions, just me and my press!

BEAUTY IN THE BUCKEYE STATE I’m based in Rocky River, a suburb of Cleveland, Ohio. A picturesque little town where coffee shops and restaurants are all within walking distance.

FINDING THE CREATIVE VEIN As a self-taught printer, with no true print mentor I find my design inspiration comes from minimalism and organic elements. With a passion for exploring various textural elements, I love how letterpress can create a beautiful, deep blind impression.

PART TIME PRINTING, FULL-TIME FUN As a stationery designer, and a part-time printer I always look forward to press days … as it gets me up and moving, and away from the computer! 

EFFECTIVE AND FLORAL INFUSED DESIGN  As a designer, I like to keep things simple and modern with a touch of organic elements. I love working with florals. Whether it is scanning them to use as background images or sketching them for the press. Similarly, I like to incorporate elements of old-school romance in my work. My favorite period is the French Renaissance!  

PRINTING FEATS My clients are second to none, and I absolutely love working with them and helping bring their vision to life. Simply put, there is no better feeling than being able to give my clients a bespoke letterpress wedding suite designed and pressed specifically for them.

PRESS HISTORY As a perfectionist, and having spent countless hours on any given project, my first print job was such a rush! I had just started as a full-time freelancer … and my first assignment was a wedding suite.

BOXCAR’S ROLE First and foremost, I want to give a shoutout to my girl Rebecca, who was a dream to work with! She and Boxcar Press have saved me quite a few times during the plate making stages. From helping me stock my studio with all the essentials (like everything in my shop … and outside of my C&P and type) to being an excellent printing resource in my times of need. Needless to say, I was lost without the help of Boxcar Press!

PRINTING TIPS My biggest frustrations is setting up a registration for a run. I have spent countless hours measuring, and remeasuring just to ensure the plate is in a perfect position. My advice, print a digital copy of the plate design using the same size sheet of paper you’ll press. Next, tape the plate over the print and transfer it to the base. This will help you save time, and will minimize the number of hours spent measuring (or remeasuring).

WHAT’S NEXT There are a couple big plans on the horizon for PRESSDD. Most recently, I’ve reintroduced greeting cards into my printing repertoire. In addition, I will also be looking to expand my wedding stationery and will be releasing a semi-custom collection.

We here at Boxcar Press would like to give a huge round of applause and thanks to Giorgia Katerina of PRESSDD! We’ll keep our eyes peeled for what she cooks up next in the print shop.

If you would like to be one of Boxcar Press’ featured printers, please complete the Printers Profile questionnaire.

Tight Registration with Slackline Press

Connecticut-based Lourdes Irizarry of Slackline Press balances printing life with outdoor adventures in her garage-turned-printing haven. With her Golding Jobber press (which she rescued from dust-covered days), Lourdes enjoys creating punchy, colorful designs and incorporating her love of travel into her work.   In our chat with Lourdes, topics flow from selecting the perfect paper for large solid jobs, to the allure of letterpress and sketching out her future line of wedding invitations.

PRINTING PASSION  My name is Lourdes. I’m a digital art director by day and run Slackline Press as a passion project for now. I was born and raised in Puerto Rico, lived in Orlando, Florida and now reside in Connecticut with my boyfriend and two dogs.

LOVE AT FIRST IMPRESSION I started my letterpress journey in 2013 as a creative outlet from my day job. As a designer, I had always been interested in letterpress but had never looked into what it would take to get set up. After researching different types of presses, I decided a Golding Jobber or Pearl would be the right size for my studio and the type of work I wanted to create. I started poking around online and found a Golding expert in my area that did workshops. It was love at first sight and I immediately became obsessed with building a letterpress studio.

CREATING IN CONNECTICUT My shop is in half of a detached garage behind our tiny cape on the CT shoreline. The detached garage was a selling point when we bought the house but it was in pretty rough shape. We hired a contractor who worked with my crazy vision of building a tiny loft in the crawlspace. It’s definitely my favorite thing about the space. It turned out way nicer than I ever would have imagined.

SURROUNDED BY ADVENTURE I love that I can bike to the beach in our town. There are also a number of outdoor adventure opportunities in the area. Rivers for water sports, plenty of forested trails for hiking and letting the dogs run around as well as a number of quaint town greens with farmers markets, shops and restaurants.

My favorite landmark is the shoreline trolley museum which renovates and runs old trolleys from East Haven to Branford. We’re also 1.5 hour train ride from New York City.

PRINTING MENTORS Yes! John Falstrom of Perennial Designs connected us with our first press and offered an incredible amount of knowledge on the best way to move and renovate our Jobber. Also John Barrett of Letterpress Things whom I acquired my other 2 presses from. His warehouse is packed with supplies and letterpress ephemera. They are both a huge wealth of knowledge and are just wonderful people to know.

Inspiration is everywhere in our surroundings but I’m particularly inspired by travel and culture. I am currently infatuated with Mediterranean patterns.

PART TIME PRINTING, FULL TIME FUN I have a day job so I work my printmaking schedule around that. I’m still working out my long term goals for my letterpress business and figuring out the balance between custom work and my own stationery line. But I would love to build relationships with other crafters and artisans who need branded stationery or packaging.

THE CREATIVE FLOW I always start with really rough thumbnail sketches on paper, on my iPad or just write down ideas. I then try to choose a few that I keep coming back to, develop the sketches a little further and then illustrate them in Adobe Illustrator. Lately I’ve been designing vector art on my iPad Pro to save time going from sketch to digital. I then send my designs to Boxcar Press to get plates made and then print in my studio. I love to photograph my travels and surroundings and often times I use that as inspiration or reference vs having to go online and look for visuals.

PRINTING FEATS I’d say my biggest accomplishment so far is just getting a dedicated space built to house my presses and that I can work in through the seasons. Having it separate from the house but still easily accessible is really convenient.

PRESS HISTORY A Golding Jobber 8×12 platen press that was cooped up in a tiny stone cottage in the mountains of Vermont and unused for 7 years.

BOXCAR’S ROLE First and foremost, Boxcar customer service is the best! They helped guide me when I got started, and are very quick to get on the phone when there’s something wrong with my order or if I have questions. A moment that stands out to me when Boxcar went above and beyond happened when I was having an inking problem. They worked with me for hours (some of which were after business hours) to help me solve my issue. Boxcar has a quick turnaround, convenient real-time uploading and proofing, and fast shipping. Overall, it’s been an affordable way for a small press like me to get started.

PRINTING TIPS The more I print, the more I realize how inking varies depending on the paper I use. If I design something with larger areas of solid color or want smoother inking, I try to print on smoother paper and tend to over-ink. If I have a design that has more fine lines or has a grungier style to it, I try to print on a more textured paper with less ink to add to the grunginess of the design. Also, the brighter white paper is less forgiving in terms of showing imperfections.

WHAT’S NEXT I’m growing my stationery line of greeting cards as well as adding more personalized options like wedding invitations. I would love to attend the National Stationery Show for the first time next year and am learning as much as I can in order to get me there.

Letterpress Passions with Puro Papel

Join Boxcar Press on this “adventure of a lifetime,” as we get a first-hand look at Miami based printer, Catalina Rojas of Puro Papel and find out how she brings the heat when it comes to passionate letterpress printing. Best known for her vibrantly colored projects (both printing and non-printing) discover how Catalina’s worldly travels inspire her work, creativity and how she shares this printing tradition with her local community.

The Call of the Press at Creative Beasties Workshop

Most letterpress printers find a sense of home in the happy clinking & whirling of the press. Danny Rhoades of Creative Beasties Workshop is no exception. The IT-by-day and printer-by-night found the letterpress bug bit hard after planning his own wedding. Turning part of his garage into his printing mecca, Danny finds inspiration in exploring creative options with his clients, his supportive family, and letting the press provide valuable teaching moments. Since our last visit with Danny, he caught us up on new printing tricks, the feeling when registration is spot on, and the wonderful rhythms printing has played in his life.

PRINTING JAM SESSIONS + FAMILY LIFE I’m a 37 year old married father of 2 adorable twin girls (age 2). It’s mostly me by myself printing since my wife is usually dealing with the kids. I sometimes have creative friends come over for printing sessions but other than that it’s just me.

BLOSSOMING PRINTING LOVE When my wife and I were planning our own wedding we both got super interested in the invitation options out there and came across letterpress. I instantly fell in love and that eventually blossomed into Creative Beasties Workshop.

PRINTSHOP EFFICIENCY Our workshop is in the tandem portion of our garage. It’s only about 288 sq ft so it’s very limited. My favorite thing about it is the Heidelberg Windmill 10×15 press that brings it all together.

AT HOME PRINTING  We’re in a pretty new constructed suburban neighborhood. The most interesting thing about our home is that it backs up to a 20 ft. sound wall for Highway 65.

PRINTING MENTORS One of the first people to teach me about letterpress was a gentleman I met on the Briarpress.org forums who goes by the handle, Inky. He taught both my wife and I the basics and helped us really understand the foundations of the process. I owe him a lot.

PART TIME PRINTING, FULL TIME FUN I wish I could print full time, but with a mortgage and budding family, I can’t afford to do that just yet. I work in IT and my day job pretty much supplements our workshop quite a bit.

DESIGN BROUGHT TO LIFE I don’t design as much as I’d like mostly due to time constraints, but when I do it’s usually after a lengthy conversation/meeting with the client to fully understand their motivation and inspiration so I can bring it to life and elevate it the best I can. One of my weaknesses is not knowing when to stop. This is something I am working on, and think I’m getting better … but I know it’s a flaw of mine.

PRINTING FEATS One of my proudest moments occurred when I was able to produce a 3 color work, shortly after having trained only for three days on the press. The registration was perfect and the colors were spot on.

PRESS HISTORY I learned on a C&P old style, but when I bought my own I went straight for the kill and got a Heidelberg Windmill 10×15. I didn’t even know how to use it! I was super scared at first and had to take a three day training to understand how to work it.

BOXCAR’S ROLE Anytime I need any advice … or help with a job I can always count on Boxcar to be there to walk me through it.

PRINTING TIPS For just starting out, don’t blame yourself too much. I blamed my inexperience a lot before I realized there was an actual problem with the press that needed to be fixed. The same thing happened with rollers. Once I changed to a different supplier things worked out much better. Sometimes, it is actually the equipment.

WHAT’S NEXT I hope to continue printing and eventually build a client base that can support me printing full time.

A big, huge Windmill-size round of thanks out to Danny of Creative Beasties Press! We look forward to seeing what cool, new projects come his way.

Shop Tour With Lourdes Irizarry

East Haven, Connecticut hugs the shoreline of Long Island Sound and is home to Lourdes Irizarry of Slackline Press. Lourdes’ self-proclaimed printing hideaway has cool tunes playing in the background, a loft nook above the main printing floor, and a treasure of letterpress tools collected over the years. Stepping back from her platen presses, Lourdes gives us a tour of where the printing magic happens, thanks in part to the support she has found in the New England letterpress community.

MINIMALIST PRINTSHOP Our shop is small so I like to keep it light and tidy. It has neutral, recessed lighting throughout and natural light from two windows and a sliding barn door that opens to the outside. The floor is a sturdy but affordable, wood textured linoleum over a leveled cement floor that I don’t have to worry about damaging. We built shelving from old wood we salvaged from the renovation, as well as a 7 ft. workbench with storage for large sheets of paper.

MOST PRIZED POSSESSION My favorite thing about our shop is a small crawl space in the rafters that was converted into a tiny loft for storage. I outfitted it with an old letterpress tray table I made. It’s a great space to hide with my laptop or sketchbook when I need quiet time to design. My prized possession is my first press – a Golding Jobber #6 named Brumhilda.

SHOP SIZE The entire space is approximately 300 sq ft.

CONNECTICUT SPLENDOR Our shop is a half of a detached garage that was drywalled and insulated to be functional throughout the seasons. It’s located behind our tiny cape on the Connecticut shoreline close to New Haven. It’s a short bike ride away from the town beach and town green where the library and farmer’s market is.

TYPE OF SHOP Our garage turned studio is in a residential neighborhood, on the border of a commercial part of town.

PRESS FAMILY I have 3 platen presses – a Golding Jobber #6 8×12, Golding Pearl #11 7×11 and a Sigwalt Nonpareil 6×9 tabletop press.

MOST VALUABLE SHOP TOOL  It sounds silly, but I can’t live without my pocket ruler, to help center or square artwork while printing.

INK OF CHOICE I print with Van Son rubber-based inks. My favorite is rubine red. It never gets tacky, is easy to mix and looks lovely by itself.

SOLVENT OF CHOICE I find mineral spirits work best for me. Easy Street, which was recommended by someone at Boxcar, is a huge help when switching colors, cleaning up dark ink or if ink has been on the rollers for more than a few hours.

BASE SYSTEM I’ve had the Standard Boxcar Base for the 5 years I’ve been printing. I started with KF95 plates then switched to 94CHFB but I can’t decide if I like one more than the other.

OIL OF CHOICE I use 3-in-1 oil.

PREFERRED CLEAN-UP RAG just use old t-shirts that I collect from anyone getting rid of them!

PIED TYPE I don’t have a lot of metal type but what I do have came nicely sorted, so I don’t think I have any lying around.

KEEPING IT ORGANIZED Clean as you go! Everything in my studio has a home, and if I didn’t put things back in their place I either wouldn’t find them when I need them or I wouldn’t have enough space to work. I think my favorite organizational solution is plastic shoebox size bins to store printed cards. They’re stackable, easy to see what’s inside and keep dust out.

SHOP TIPS I feel like I will always be learning. I did notice very early on, how friendly and eager the letterpress community is to share advice. I think acquiring presses that needed some elbow grease and restoration helped to get to know the ins and outs of my presses. They all have their own unique quirks. It takes time and patience but I think it’s a really valuable way to learn.

The Nature of Creative Beasties Workshop

West of the Sierra Nevada Mountain range and northeast of Sacramento is the beautiful city of Lincoln, California.  It’s home to the Creative Beasties Workshop and printing abode of Danny Rhoades.  The garage-turned-printing haven features the thrum of a Heidelberg Windmill on which Danny creates his latest colorful creations.  Danny throws open the doors to give us a tour of his studio.

EVERCHANGING WORKSPACE The workshop is in the tandem portion of our garage. I had a bunch of fluorescent tube lights installed to give better lighting. Other than that it’s pretty sparse. We tried to finish it with some texture and paint but we didn’t know what we were doing and made a mess. Then we decided just to leave it half done because we ran out of time and had to stop for equipment delivery.

THE HEART OF THE SHOP My favorite thing in the shop is my Heidelberg Windmill. It’s the heart of our workshop and is what makes all of our letterpress projects happen.

SIZE OF PRINT SHOP It’s right around 288 square feet. 14’8″ x 19’8″

CALIFORNIA NEIGHBORHOOD Our house backs up to a highway, so our backyard view is a 20 foot sound wall. We’re in a recently developed suburban family neighborhood.

TYPE OF SHOP I’d actually really like to open my shop up to community printers and let them use my equipment to allow budding printers get started. However, I don’t know how to make that happen yet since I’m worried about the legality of it and if it creates any liabilities or risk which I’m sure it does.

THE PRESSES We rely on our Heidelberg Windmill 10×15 press from the late 70s to print all out letterpress projects. We also have some digital printers, a hobby laser cutter, vinyl cutter, and a heat press.

MOST VALUABLE SHOP TOOL There’s so many things I rely on heavily, but if I had to pick one, I’d go with my oil can. It really makes maintenance a breeze.

FAVORITE INK Van Son Rubber base inks are what we use. Current favorite ink color is probably Orange. I used it in a split fountain test run along with Purple and it really took me by surprise how nice of a color it is.

SOLVENT OF CHOICE We took Boxcar’s advice and use California wash. It seems to do the best job overall. We’ve also use odorless mineral spirits from time to time along with a roller wash we got from a local distributor, but usually come back to California wash again due to its reliability.

PLATE AND BASE OF CHOICE We use a Boxcar Base system, of course, along with KF95 and KF152 plates depending on the job. We’ve been using this system since inception in 2014.

OIL OF CHOICE We use Mobile DTE Oil Heavy.

WHAT TYPE OF RAG DO YOU CLEAN UP WITH We use Scott shop towels and white cotton rags that we cut from t-shirts.

PIED TYPE No type, we do everything on photopolymer.

ORGANIZATION ADVICE I keep all my packing materials in a drawer pre-sorted by weight for easy setup. I do the same with pretty much all my materials, but that’s the best example.

PRINTING ADVICE Spend the time to line up your plates on the Base. If you’re careful, you can save a ton of time on press.

Keeping the Printing Rhythm With Tom Virgin

From Midwest to Miami and to teaching art by-day and printing-by-night, Tom Virgin of Extra Virgin Press weaves a letterpress journey of printmaking.  We caught up with Tom after hours on what makes his printing clock tick, the tales of teaching art in the high-school classroom, and the excellent food fare that is a must for a late night printing session in Miami.

Tom Virgin of Extra Virgin Press prints on a Vandercook.

PRINTING, SLUGS & ROCK’N’ROLL I was born and raised in the Midwest, just outside of Detroit. Fueled by blues, jazz, Motown, and rock & roll, I made my first print in 1972. I am now in my sixth childhood, having spent twice as much time in South Florida than in my native Great Lakes State.

IN TYPE-TOP SHAPE In 2004, I took a letterpress class with Kerry McAleer at Pyramid Atlantic Center in Silver Springs, Maryland. We made cards with a short quotation of our choice. Mine was:

“The course of true love nevər did run smooth.”– William Shakespeare, A Midsummer Night’s Dream | Act 1, Scene 1

I quickly realized my mistake, reset the type, and reprinted. I decided the typo was more in the spirit of the original quote, and returned the position of the second “e” to the first version. This is my first love of letterpress story.

THE PRINTING TRANSITION I am a bookworm (and a storyteller). Printmaking eventually led me to book arts. The ability to create archival editions from press printed text and images was what made me finally get into letterpress.

Tom Virgin of Extra Virgin Press prints beautiful broadsides.

I have always worked in communal studios as a printmaker, so the transition to letterpress was a natural step. The first presses I printed on solo, were at the Jaffe Center for Book Arts in Boca Raton, Florida. Arthur Jaffe bought my very first book for the Jaffe Collection, and mentored me for the rest of his life.

SPLENDID IN THE SUNSHINE STATE Nestled in the middle of Little Haiti just north of Downtown Miami, I am a five minute drive from Korean fusion BBQ, Haitian cuisine, Thai food, awesome burgers and, right next door, Clive’s Jamaican Jerk Shop. Four blocks away is the Little Haiti Cultural Center. I am a white guy in Miami, living the cushiest minority experience on the planet. Extra Virgin Press has a Vandercook 4 Proof Press (formerly owned by Gaylord Schanilec, and lovingly donated to EVP by Regula Russelle of Cedar Fence Press- both from the Twin Cities in Minnesota). Our second press is a Challenge 15KP. Both presses are bringing back letterpress printing to the Miami community. The presses keep me from eating all of that amazing food, every waking hour.

The printing abode of Extra Virgin Press in Miami, Florida.

PRINTING MENTORS I am fortunate to have had many teachers and mentors, all of whom have contributed mightily to my printing practice. I am especially indebted to Arthur Jaffe, who welcomed me to the Jaffe Center for Book Arts, and John Cutrone (Convivio Books/Jaffe Center) in South Florida. Stephanie Shieldhouse at Highway Press, in Jacksonville, Florida gave critical support when Extra Virgin Press became a reality in 2016.

In Red Wing, Minnesota, in my home-away-from-home, the Anderson Center at Tower View, I have been well schooled by the proprietor of Red Dragonfly Press, Scott King. Scott and Robert Hedin, the retired Director of the Anderson Center also introduced me to Regula Russelle (Cedar Fence Press), Chip Schilling (Indulgence Press), Monica Edwards Larson (Sister Black Press), Amanda Degener (Cave Paper), CB Sherlock (Seymour Press), Gaylord Schanilec (Midnight Paper Sales), and Richard Stephens, all from Minnesota Center for Book Arts, one way or the other. Moe Snyder and Maria Cardenas set me straight in Portland, Oregon. Many others have lent me assistance and support.

Tom Virgin of Extra Virgin Press prints beautiful broadsides.

GETTING INSPIRED My Instagram feed is a constant inspiration. I follow all I can find. Regula’s Russelle’s books offer me a sublime view of the world of color that helps me escape from black and white woodcut prints. (Mary) Bruno Press, another Minnesota great, keeps me smiling, Amos Kennedy in Detroit offers a powerful moral compass, and damn fine work to back it up. Another Motown great is Signal-Return. When I grow up, I hope to create a community of dedicated printers like Lynne Avadenka has, in Downtown Detroit. Can I just say, “Hatch Show Print in Nashville?” Writers have enriched my life immeasurably.

THE CREATIVE PROCESS My visual arts practice included printing, painting, drawing, book arts, and public art, prior to my entry into letterpress printing.

Teaching high schoolers letterpress printing with Tom Virgin.

Teaching a full spectrum of arts classes in Title I Public High Schools in the fourth largest school district in the United States helped me with design. I suspect the students teach me more than I teach them. My colleagues in grad school, as well as fellow Professors, Adjunct Professors, and working artists have helped me to bring some skills to the letterpress world.

Tom Virgin and helper set-up Vandercook printing press.

PART TIME PRINTER, FULL TIME FUN At this point, I am printing after school and on weekends. That is the bulk of my waking hours. My retirement from the public schools will make it possible for me to print full time.

PRINTING FEATS —In 2006 I received the Florida Artist Book Prize for Right There, an artist’s book about Sleeping Bear Dunes National Lakeshore, and a semi accurate account of my childhood in Michigan.

–I have taught five or six thousand teenagers about art.

–Extra Virgin Press has received support from the Knight Foundation, Cannonball Miami’s Wavemaker/Long Haul Grant, Miami Dade County Cultural Affairs, and the Miami Foundation, in its quest to bring letterpress back to Miami.

PRESS HISTORY [My very first press was] a Vandercook 4 Proof Press, Serial #13622.

Vandercook presses inside Extra Virgin Press in Miami, Florida.

BOXCAR’S ROLE Cathy and Rebecca make it possible for me to function in a letterpress world, answering far more questions than can be reasonably expected. The words on the website about setting up a letterpress shop are revelatory. Thank you Harold and Company.

SHOP (AND LIFE) TIPS I am still learning, but you will be the first to know.

WHAT’S NEXT I look forward to more printing, more books, more kids, more grant applications, and teaching new printers, so that I can run both presses every day.

A triple round of applause & thanks out to Tom Virgin of Extra Virgin Press for letting us take a sneak peek at his wonderful + tropical printing world!