Advice for letterpress printers: a letter from the machinist’s daughter.

Yesterday Harold talked about his letterpress printing mentor, Paulette Myers-Rich of Traffic Street Press. Here’s an email from Paulette that captures her generous spirit. Harold explains: “Paulette wrote this to me in 2001 and I thought it read like poetry. I turned it into a broadside for the APA, printed in Boxcar Press’s basement digs when I was working out of my house, using Zapfino back when Zapfino used to be cool.”
Harold Kyle turned this letter from his mentor, Paulette Myers-Rich, into abroadside for the APA

Harold Kyle turned this letter from his mentor, Paulette Myers-Rich, into abroadside for the APA

“Harold, Sounds like your adventures with machinery are going along right about how they should. Machines and equipment were never designed to cooperate. They are the boss. We are subservient to them and they are temperamental, destructive, dangerous, and cranky. They need lots of understanding, TLC, and grease. John Henry and his exploded heart found this out. Just finding a place to put the stuff is only the beginning. Then there are the adjustments, the cleaning, the replacement parts, the exotic, expensive obsolete tools to go with the machine, the bolts no longer manufactured, the gremlins that live inside that won’t let you do your work properly. It’s the fourth of four nuts that is rusted on or frozen and refuses to come loose as easily as its three predecessors. It is also the mastery of metal, the ability to use machines to an amazing end, to crank out stuff that few others can, to become one with gears and cylinders, to go places you couldn’t otherwise go. What a life! Take care and wear your steel toes, (I mean it!)”
Paulette Myers-Rich

 

Tell us about your printing mentors: a Valentine for the people who taught us how to print.

A few months ago, we sent out a survey to a whole lot of letterpress friends asking them a whole lot of printing things. One of our favorite questions was “Who are your letterpress mentors”? The list of responses was a gushing love fest to the famous, infamous, and unknown printers alike, the people who taught us, inspired us, and stay with us. You can read the list below. So in honor of red hearts and Valentine’s, share your stories with us — who taught you a love of letterpress — and what did they teach you?

Harold Kyle of Boxcar Press talks about his first letterpress printing mentor

Barry Moser a designer, typographer, illustrator and teacher from Pennyroyal Press, shared his mentor story with us:

I got started in printing in 1968. It was a late umber November afternoon in 1969. I wish I knew the exact date, because it was a day that changed my life. When I opened the door of Leonard Baskin’s Gehenna Press I heard a din of sweet noise and smelled the essence of viscera of a sort known to me in some distant and obscure way. The din was the chitty-chitty-bang-bang of the big press running. The essence was the smell of oil and grease and ink and solvents. There was an antique trestle table with stacks of books on it and a model of Gutenberg’s printing press. The books were of a kind I had never seen. Hand made paper. Fine bindings. Impeccable printing. I stood there, a little uncomfortable, and feeling like I had just stepped into another world. Continue reading

A Sweet Surprise: February Vector Set!

With Valentine’s Day coming up soon, letterpress lovers, we thought you’d enjoy a free Valentine’s Day vector set! The sweet set includes clever Scrabble messages for you and yours, as well as pair of lovebirds for all you nesting couples out there. All are free for use and in both EPS AND PDF format. Cheers!

Free February vectors from Boxcar Press

Microscopic View

Here is a part of a very common printer’s tool. Can you identify it? Here’s a hint: rhymes with coin fee.
letterpress print toolsletterpress print tool

Boxcar Talk With Ivan Gulkov

Printer and designer Ivan Gulkov first molded his passion for print in the colder climates of Siberia, Russia before turning out clean, modern collections at Pillowface Press that pay homage to the printing roots in the sunny state of California. Now, Gulkov balances the cool with the fun, with a nod to the old while creating the new. And he does it in spades.

Read on to get the full scoop.

Ivan Gulkov of Pillowface Press shares the full scoop on his background and printshop
Ivan Gulkov of Pillowface Press shares the full scoop on his background and printshop

SMOTHERED IN INK My name is Ivan Gulkov. I hail originally from the frozen wastes of Siberia, though currently reside in sunny California. PILLOWFACE PRESS is a small printmaking studio I set up to experiment with handset typography and photopolymer. Until recently, ours was one of the most traditional and conservative trades. For five hundred years, the tools and techniques of assembling type have not changed. Fonts were discreet, tangible things, you experienced on a physical level. In every letter, every space and ruler, there was a trace of the creators hand. Computers changed everything.

Continue reading

Getting ready to send out new Bella Figura albums

By the time you read this, stores will already be receiving their new 2012 albums that we have worked so hard on for the past several weeks and months. Within these pages, we have poured so much love & energy to present a DAZZLING selection of new envelope liners, new embellishments, new designs! Can’t wait to show you! To see it in person, go to the Bella Figura website & click on the link that says “Find a dealer“. Enjoy the feast for your senses!
bella figura 2012 albumsbella figura 2012 letterpress albumsbella figura swatches

Lou is building his own igloo

He’s been working steadily printing Smock cards. Soon he will have his own private enclosed digs!
letterpress printers love papersmock everyday letterpress igloo

Jack & the Beanstalk

Actually it’s Joe and bamboo that grows in Pat’s magic Heidelberg windmill. We’re waiting to see if Joe climbs it.

Bill is also becoming a press farmer with a strong daffodil that’s growing like crazy!

Running Windmill

The sleep machine is running, unaware it is being watched. Long out of production, this Heidelberg 10 x 15 windmill letterpress still runs smoothly & precisely with the loving care it has been given over the decades. If you listen closely, you can hear it breathing & purring as ink is pressed to downy white cotton paper.