A fresh batch of our Smock cards are gathered (or printed) by Jake.
Tag Archives: Boxcar base/plates in action
Boxcar Talk With Shayna Norwood
It’s been a long cross-country ride through the remarkable realms of painting, book-making, and letterpress printing for Shayna Norwood, the daring woman behind Steel Petal Press. We were able to catch up with her in between runs to get the deep dish on printing in Chicago, Illinois.
Can you tell us a little about yourself?
My name is Shayna and I currently live in the Logan Square neighborhood of Chicago by way of San Francisco, New Orleans, Los Angeles, St Louis, and Washington, DC. I print handmade letterpress greeting cards, custom wedding invitations, and make hand-bound journals. I’ve always known I wanted to be an artist. Right out of high school, I went straight into art school to study painting. Since then I have explored many different mediums before finally landing in book arts and letterpress printing.
How did you first get involved in letterpress and who are your printing mentors?
While finishing up my BFA at San Francisco Art Institute I took a year long Book Arts class that first exposed me to the art of letterpress. Following graduation, I was accepted to a six month residency at Women’s Studio Workshop where I continued to focus on Artist Books, letterpress printing, silk screening, book binding and paper making.
As I moved around the country, I continued to volunteer and take classes at Pyramid Atlantic in Washington, DC and at the San Francisco Center for the Book. In 2008 I moved to Chicago to work towards my MFA in Book and Paper Art at Columbia College Chicago. Although I left the program early, I was able to use the knowledge I had learned throughout the years before to move forward in starting my own business.
Are you a designer and printer, or printer only?
Mostly artist, full time printer, and self taught designer.
If you design, tell us a little about your creative process.
For my creative process: First, I have to think up a new idea. This can come at any time and is usually out of the blue: riding the train, while jogging, on a Sunday morning reading the paper, running errands, riding my bike, etc. Then I need to transform the idea into an image or object. This takes some time tinkering with the materials and the images to see what looks best. Then there’s production mode, in which I just crank out a bunch of work. The last part is much less creative.
When I work with clients on custom jobs, I listen to them and their ideas, collect image samples and inspiration and move forward from there.
What is the story behind your very first press?
I just bought my very first press this past year! Her name is Penelope and she is a C&P model-n. I am still in the process of getting her up and running, so in the meantime I rent press time on the Vandercook presses at Evanston Print and Paper. Also Kimberly at Daily Sips Studio generously lets me use her Vandercook SP-15.
Tell us about your print shop or where you print! Any cool things about it or its location?
My print shop is in a shared studio space that takes up the floor of an unfinished warehouse in West Town, Chicago. I moved in before I had committed full time to printing. It’s good for the time being, but not somewhere I picture myself long term.
Do you print full time? For how long?
YES! I have been printing full time since January 2011, so it’s all relatively new for me.
What are some accomplishments you are proud of?
Setting goals, working hard to make them happen, and ultimately starting my own business.
How has Boxcar Press helped you with your business and printing?
I do not have access to lots of type, nor do I have a polymer platemaker, so Boxcar really helps me turn my digital designs into polymer plates for printing. I’ve also ordered inks and other supplies from Boxcar in the past.
What’s your favorite piece of business advice you’ve uncovered so far as a letterpress printer?
Network! There’s a really great community of letterpress printers in Chicago and it seems everyone is somehow connected or knows each other. I have been saved from impending deadlines (on more than one occasion) by generous letterpress printers willing to help me out of a bind.
Big thanks to Shayna for letting us get such a cool, closeup look on Steel Petal Press!
BOXCAR TALK WITH TABLETOP MADE
Sarah Wilkinson and Karis Van Noord are two beautiful California girls living their dream with Tabletop Made. With a garage turned studio and music at full blast, their stationery line proves that with a little you can get a lot. Each one of their cards are hand printed on a tabletop Kelsey Excelsior and the response has been nothing but positive. They have been featured on well-known blogs such as Design*Sponge, Sycamore Street Press, and more as of late. Read on about these ladies to hear what everyone is talking about.
How did each of you first get into letterpress?
We dreamed of starting a letterpress card company, and for fun, we took two workshops at Irvine Fine Arts Center with Madeleine Zygarewicz of Panorama Press. We were hooked! We immediately started searching for a press of our own.
What was your very first press?
Our first press (that we still use to this day) is a Kelsey Excelsior 6×10. We nicknamed him Sven, and he’s a hard-working man. He complains sometimes, but he’s had a good life so far.
What medium do you usually print?
Most of our designs are on photopolymer plates, but we do have a couple of steel plates. We also have a few collections of metal type, which we use for our own personal designs, say stationery with a friend’s name. However, photopolymer is our medium of choice.
What’s your process from sketch to press?
Taking inspiration from just about anything, we sketch, scan and trace the image to Illustrator, play around with colors, send each other ideas, rework the design a couple of times, prepare the file for plate-making, jump for joy when the plate arrives, and slap it on our Boxcar Base!
What other print shops do you admire?
We love Deadweight, Great Lakes, Morris + Essex, Tall Cow, Dutch Door Press, and Krank Press.
Who or what inspires you the most?
Living in Santa Barbara is a huge inspiration to us. We love looking at local textiles, architecture, natural landscapes, Mexican pottery, paper cuts – basically everything around us!
What’s your favorite item from Boxcar Press?
We love our base!
Any neat tricks you can share?
We have one trick that we swear by. We use paper corners to hold our paper in place. This allows us more room for the design since we don’t have to worry about mashing clips up on the base.
How was your experience showing at LA Renegade Craft Fair?
LA Renegade was an insightful experience. It was our first fair ever! Since we weren’t sure what to expect, we over-prepared. We basically brought our whole print shop. Now we know better! Our favorite parts included meeting fantastic artists who were so friendly and helpful to us and seeing our customers in person! We want to try out the SF Fair next.
Thanks Sarah and Karis for showing us your talent and hard work! Check out their blog and shop for all the latest from Tabletop Made!
Our Stronghold
In pre-press, King Tut stands guard over the imagesetters, helping wand off unruly files.
Envelope Printing
Joe works on printing outer envelopes in silver ink with beautiful filigree artwork.
So Wonderful
Here is a plate mounted on our Boxcar base. Lou’s letterpress is singing in pool ink today, a lovely deep blue. Hearing the press run never gets old.
Welcome to Platemaking
Here is a plate being proofed in the platemaking department- a test print to make sure everything appears properly. This is a KF152 plate. We make a variety of plate types in different thicknesses, in metal or polymer depending on the customer’s plate mounting system.
by Carrie Valenzuela, letterpress printer. 1:38 p.m.
Printshop Visitors
Today we had the pleasure of welcoming Byrd & Bleecker to our very own printshop! They were treated to a premium tour by Cathy and surprise gift coasters to be letterpress printed and diecut right before their eyes. We all share the letterpress love! Here is a picture of the die about to make contact with the printed sheet and deliver the piece cut out. What a fun time showing these fine folks around.
by Carrie Valenzuela, letterpress printer. 2:11 p.m.
See Jeff Print
Jeff is putting the second pass down on this card. Each color requires a separate pass through the letterpress (in this case, good ole Heidelberg Windmill 10 x 15) and a plate with only that color on it (“photo-polymer letterpress plate” to be technical).
by Carrie Valenzuela, letterpress printer. 12:30 p.m.
Blind deboss
Here is an example of beautiful letterpress blind deboss! The plate is printed with no ink leaving only an impression that is pressed deeply to create an interplay of shadow and paper.
by Carrie Valenzuela, letterpress printer. 1:59 p.m.