Letterpress Wisdom of LittleOwl Letterpress

There’s nothing small about it; sisters-in-law Gina and Katie Vallecorsa of LittleOwl Lettepress are big on keeping their rollers inked. From helping plan each other’s weddings, to acquiring a 3000 lb Heidelberg affectionately named Berkeley, to the thrills of printing their first 3-color invitation set, the labors of their love show in each detailed printed piece. Gina & Katie took a break to let us in on the whirling world of their custom letterpress home.

Gina and Katie Vallecorsa of LittleOwl Letterpress in front of their Heidelberg Windmill.

A CREATIVE TWIST We are sisters by marriage and have a love affair with stationery design, paper, and pretty much all things wedding related! We’ve both lived in Arizona our entire lives, even attending college at rival schools Arizona State and University of Arizona. Since graduating forever ago, Gina has worked in marketing for a home builder and Katie is a teacher.

IN THE BEGINNING Our letterpress start involved our two husbands and a C&P Pilot. We really had no idea what we were getting into, but luckily Mike O’Connor at Letterpress Central was there to help us on our way. We also follow quite a few people on their blogs and social media that we’ve never met. Looking at the work they post is always inspiring.

GREATNESS IN THE GRAND CANYON STATE You know the saying “you’ve put the cart before the horse”? We’ve lived that one! After spending 35+ hours printing a friend’s entire invitation suite using our tabletop press we decided we needed to make a change if we were going to pursue a letterpress business. And this is where the trouble started! At the time we were printing on our tabletop press that resided in the dining room of Gina and Max’s condo. We went ahead and bought Berkeley, our almost 3000 pound Heidelberg Windmill, and realized he would soon be on his way with nowhere to go. Even if there was room in the condo, there was no way to get him through a doorway!

Blind deboss and one color letterpress piece show off letterpress unique appeal.

So began the adventure of finding a home for Gina and Max in a great area with a detached garage or shop. After some searching, the stars aligned and we found a house that satisfied all our needs. The original backyard garage with nothing but studs and some outside paneling has turned into a fabulous semi-girly workspace that Berkeley calls home. If you could see our before and after pictures you would be amazed at the transformation! We are so fortunate to be able to walk out the back door and step right into our custom letterpress studio

THE CREATIVE PROCESS Neither of us went to school for design, but all of our current pieces we feature on our website and Etsy shop are our own creations. We’re self-taught in Illustrator (we have the books to prove it!) and we tend to design things that we’d like to buy. We would definitely be broke if we purchased all the different invites we’ve printed since we started!

Fine letterpress details of a one-color letterpress wedding invitation.

A LABOR OF LOVE We would love to say that we do this full time, but we’re not there quite yet. Both of us have full time jobs, which means correspondence and proofing happens in the evening and printing usually takes place during the weekends. Sometimes those weekends feel very long, but they don’t call it a labor of love for nothing! Running LittleOwl Letterpress full time is definitely one of our goals.

PRINTING FEATS Our first accomplishment has to be that we’re still at it together! It’s been a long road of trial and error and we are still enamored by the items we letterpress print. We think we’re going to be doing this for a good long time! Another accomplishment was when we printed our first 3-color invitation set for a mock wedding shoot. The invite was designed by Purple Nickel Studio and it was amazing; mostly blind impression with a just a couple items, including the Phoenix skyline, in orange and gray ink colors. When we nailed that third run, it was an amazing feeling!Preparing photopolymer plates for letterpress printing and wedding invitation printed pieces.

PRESS HISTORY We got married a year apart and had a great time planning our weddings together. It was at this time that each of us fell in love with all things wedding related, including paper products. Gina’s husband, Max, found a 1910 Chandler and Price hand press and purchased it as a gift. We figured we’d found a new craft and set about learning how to use it. Gina took a 3-weekend workshop in Tempe and then came home to show off her new skills. The two of us started out printing some cards here and there for fun and that transitioned into friends asking us to create their wedding stationery!

BOXCAR’S ROLE Boxcar Press has been amazing to work with!  We’ve used Boxcar since the beginning with our Boxcar Bases & for our polymer plates and haven’t looked back! One of our most popular invites gets sent in for a plate often and we always wonder if anyone sees it and thinks, “I’ve done a plate like this before. There’s another one for LittleOwl!”

LittleOwl Letterpress printed pieces showing off color and fun!

SHOP TIPS Read, read, and re-read your manual! It will become your friend!  Also, when frustration levels are running high, having good tunes coming from the speakers can work wonders!

WHAT’S NEXT Most of our business so far has been wedding related stationery and we’re always working on adding more designs for brides. Currently we’re designing greeting cards for the holidays and general occasions. We’ve recently added a corner rounder from the 1890’s that we’ll refurbish.  We’re also working on a concept that we’re calling Pen to Plate that will allow us to partner with graphic designers from all over. No rest for the weary!

Two rounds of applause and big thanks to Gina and Katie for letting us a get the big picture of LittleOwl Letterpress.

Printing Ace: A Look at Albertine Press

Shelley Barandes, the printer behind Albertine Press, is inspired by architecture and fine custom letterpress printing. It’s no surprise as both trades support the meticulous nature of crafting complex and carefully devised works through attentive planning and design. And like architecture’s founding core values: beauty, durability, and utility—Shelley’s letterpress printing has it in aces.Beautiful popping color on Albertine Press cards

THINK INK Professionally, I am a trained printmaker who spent five years post college working in architecture in Paris and New York before coming back to printmaking, and then letterpress, where I stayed for the past nine years. I’m also a mom to two apprentice printers (4-year-old and 9-month-old girls), both of whom have grown up in the studio. I take the little one with me every day to the studio where she serves as mascot and favorite distraction.

Letterpress pieces from Albertine Press and Shelley Barandes

FIT TO PRINT I have a printmaking background but was turned on to the Center for Book Arts in New York City where I took my first class in hand typesetting. That was the beginning of the end of my architecture career as I started printing more and more, taking on custom jobs and started Albertine Press.

BEAUTY IN THE BAY STATE Our studio is located in an industrial building in Somerville, Massachusetts which also houses two (yes, two) chocolate companies. Our neighbors down the hall (EH Chocolatier) routinely bring us over trays (yes, trays) of “mistakes” which we happily consume.

THE PRINTING PROCESS I design our wholesale line of greeting cards and note sets as well as much of our custom printing. Drawing from my architecture background, many of our designs feature cityscapes, which I’m particularly drawn towards. For a new city sketch I’ll do a lot of research to pinpoint iconic scenes, buildings and elements of a particular place and start sketching from there. My style of line drawing translates well to letterpress, so aside from cleaning up the images a bit, they’re ready to use for printing.

Albertine Press and Shelley Barandes' Kesley press and printing helpers

FULL TIME FUN The studio is a full time business, which was always the goal. In addition to me (and I’m behind the desk more often than behind the press these days) Albertine Press has four full time production folks who oversee the custom printing and the greeting card line, as well as two interns.

PRINTING FEATS I’m proud that our work has been recognized both locally and nationally in the press as well as for some awards. I’m also really excited to see that several of my former interns and employees have gone on to start letterpress companies of their own.

PRESS HISTORY A Kelsey 5″x8″ that I found at a flea market. The Vandercook arrived not too long thereafter so it was really just used for letterpress classes. I’m waiting for my daughter to be old enough to start using it.

Detailed letterpress pieces of Albertine Press

BOXCAR’S ROLE All of our plates are Boxcar plates and I have printed exclusively with the Boxcar base / plate system from the beginning. The fast turnaround and super customer service and attention to detail have made it a real joy to have Boxcar as our partner. At times I look at the volume of plates we create and think about getting a platemaker, but then I think about how well you guys do it and I am just so happy to let you do what you do best, and you really do.

WHAT’S NEXT I could fill a book with my future plans, many of which I have to put on hold while I juggle the business and the girls. That said, I’m excited about the new designs planned for release in the new year – more city sketches, of course, but also some more organic designs, like fruits and vegetables.

Big round of thanks out to Shelley for letting us take a sneak peek around Albertine Press!

Printing Powers of Presse Dufour

To come full circle as a letterpress printer is a feat that is by no means easy, but it satisfies that creative itch deep down. Karen Dufour, of Presse Dufour, is a printing maven who has connected and entwined progress, adaptability, and design consciousness as showcased in her astounding command over the letterpress art. We sat down with Karen in between ink runs to find that over the years, letterpress will find a way.

Karen DuFour of Presse Dufour prepares a lettepress plate on her Vandercook.

CRESCENT CITY CREATIVE  I am from New Orleans, Louisiana and I have a degree in Visual Art and Graphic Design from Southeastern Louisiana University in Hammond, LA. I consider myself a very happy wife, mom, and artist. During my career I’ve worked in Hammond and New Orleans, and in London, England for many years. My husband and I eventually settled back here in New Orleans, only to be forced to relocate a few days after Hurricane Katrina. And after seven years in Austin, we’re back home again! Presse Dufour is run within Bayou St. John, one of my favorite neighborhoods in the Crescent City. We are thrilled to be back home and watch the progress our city has made in so many positive ways since the flood.

IN LOVE WITH LETTERPRESS  I’m a graphic designer by trade. My career has come full circle, really. In college, my first design job was working in a 2-color print shop. I loved burning film, collating, designing and taking in the smell of ink and the sounds of the presses. Over the years, I designed wedding invitations and other paper goods for friends and family. I always loved working with my hands best.

A serendipitous introduction to letterpress happened when I was looking to print our daughter’s birth announcement, which was letterpress printed. I researched the art of letterpress for nearly a year, took a workshop, and found my press. From then on, I’m self-taught, like most other letterpress printers I would imagine.

Presse Dufour letterpress cards and stationery featuring plant life and bridges.

Lettepress cards on a Vandercook.

DOWN ON THE BAYOU  My shop is inside our 110-year-old “shotgun” style Victorian home…in the living room! When you walk through our front door, my press is the first thing you see. I have an amazing drafting desk, which was custom made from reclaimed wood, and a table to mix my ink. It’s very pared down, as I don’t have a lot of room. I love printing from my home though, in the neighborhood which gives me so much inspiration.

PRINTING MENTORS  My first introduction to letterpress was through Bethany with Thistleberry Press, who printed our birth announcements. Meredith with Punch Press runs workshops in Austin, Texas, where I was able to create my first print. There are many printers who have offered me countless advice, like Casey with Inky Lips, and Barbara with Lunada Bay. Thank you so much!

Oh, and recently I was fortunate enough to have Paul Moxon pay a visit to my studio to instruct me on how to keep my press in top shape and how to make a few repairs.

Green Ink and Pantone colors on display at Presse Dufour.Whimsical piles of Valentine's cards created by Presse Dufour.

THE CREATIVE PROCESS I am both a designer & printer, and I find that most of my final designs start out as my first idea. I’ll have an idea, and then have a long think about it over days, weeks, or months. I think about my design ideas almost all day…when I’m walking around the bayou, driving, etc. Once I feel strong enough about the design I move forward. Some designs are hand drawn with ink, and some start out digitally. I prefer to hand draw my designs.

FULL TIME FUN It seems that I run Presse Dufour full time, but realistically it’s a part-time business. My first priority is raising our daughter and making our home a happy place. I’ve managed to balance my day pretty well at this point. Presse Dufour has been official since 2010.

Detailed music sheets letterpressed deftly by Presse Dufour.

LETTERPRESS VIBES  In the short time that I’ve been printing I feel proud to have such positive feedback from my customers. Making my customers happy is most important to me. Whether or not my goods sell, I am most happy during the process of creating artwork, using my hands, or printing on my press. When my goods are selling well, it makes my job even more fun.

PRESS HISTORY The one and only press I have is my 1965 Vandercoook SP15 proof press.

BOXCAR’S ROLE I have used Boxcar exclusively for platemaking. You all make it easy and efficient, and your customer service always exceeds my expectations.

PRINTING FEATS I have a few. I laser print some designs on transparencies to help guide my plates with tight registration and multi-colors. I lay these on top of my base and slip the plates underneath. Also, I discovered that baby wipes clean ink off my inking surface better than any rag. I use them constantly to keep my hands ink-free while printing.

Folded note cards fresh from Presse Dufour.

LETTERPRESS COMMUNITY I’ve been blessed to be a part of a very exciting creative project that I’ve been working on diligently for the past month. I’ve partnered with MESA Production Company, here in New Orleans, to design and sell note cards and limited-edition prints related to 33 VARIATIONS, a 5-time Tony Award Nominated play written by Moisés Kaufman. The story is about a modern-day music scholar driven to solve one of classical music’s enduring riddles – the mystery behind Beethoven’s Diabelli Variations. A story about familial love, romantic desire, and artistic obsession, this extraordinary play examines what it means to lose the things that define us, and what we end up gaining in their stead. The play will run here in New Orleans September 11-29 at The Contemporary Arts Center.

My Etsy shop will carry the note cards and prints throughout the month of September and proceeds from those sales will go to benefit The ALS Association Louisiana-Mississippi Chapter and Team Gleason in helping to create a world without ALS!  Details and tickets for 33 VARIATIONS can be found here.

Vandercook letterpress press handle and Presse Dufour printed goodies.

WHAT’S NEXT  I have many designs in the works that express my love of the Gulf South. Watch this space!

A heaping round of thanks out to Karen Dufour for letting us get the skinny on Presse Dufour!

Of & Type and Men

Trekking northwestward from the the sprawling Milan palazzos rests the quiet & serene city of Varese, Italy, surrounded by rolling fields of the awe-inspiring Italian countryside. Taking a closer look into the city, you’ll find the vibrant camaraderie that flows from the & Type print shop. Claudio, Gabriele, and Simone, the founders of & Type, opened their doors for us, letting in the passionate and experimental energy that engulfs their letterpress and printing abode. & Type is a letterpress print shop based in Varese, Italy

THE PRESSES We have four machines: 2 presses made by Saroglia (from Torino, Italy) 70×100 cm and 40×60 cm, 1 small manual press 23×32 cm, and 1 Nebiolo Ideale “a battuta” (as we say in Italian for “beat”), but this last one doesn’t work.

SIZE OF PRINT SHOP 70 square meters… almost 750 square feet.

TYPE OF SHOP We are just a laboratory, but often it is enjoyed with friends, interested people, or guests that join us for different purposes like projects, workshops, or just for type love sharing.

THE LOCATION Near the Liberty train station (in Varese, Italy).

FAVORITE THING ABOUT THE SHOP Our machines, wood type, typography, lettering books, and our friendship. We are surrounded by several posters, books, and music that are good sources of ideas. Last month, a beautiful puppy arrived, which is such great company!

NUMBER OF PRINTERS IN SPACE We have three printers. We don’t share the place with other people, but anyone is admitted to print with us or just to come enjoy with us. We prefer to be considered as only one mind because & Type is the mixing of the knowledge about letterforms of all of us.

MOST VALUABLE SHOP TOOL Pencil & hands.

FAVORITE INK Well, we always take time to figure out what color is most suitable for our purposes. We like to use typographic ink penetration, or rapid drying, that helps us to see details in our linocut matrix. Currently we enjoy finding and trying particular colors like metallic, fluorescent and glowing ones.  In our country, it is not easy to find all the colors we want; some of them are prohibited because of their chemical compositions.

SOLVENT OF CHOICE White spirit (turpentine), self-cleaning mechanisms, old towels and of course elbow grease. If you have some good cotton sheets, it’s not hard work.

PLATE AND BASE OF CHOICE We mostly use furniture linoleum used by gauges, but we also like to work with wood, MDF and different kinds of rubber. If it comes up that we find some interesting texture materials, we love to try it.

OIL OF CHOICE For gearboxes: synthetic oil; for the lubrication of open parts: UV-40 or oil for sewing machines.

WHAT TYPE OF RAG DO YOU CLEAN UP YOUR PRESSES WITH Towels, sheets, pants, T-shirts, shirts – everything that otherwise should be in rubbish.

FLOORING MATERIAL Industrial concrete flooring.

FLOOR PLAN TIPS Work in an illuminated space.

PIED TYPE None.

ORGANIZATION ADVICE Clean up after printing and have a relaxation area with some comfortable chairs.

PRINTING ADVICE To center the matrix, we used to draw the matrixes’ shapes on the print area with transparent paper, so we would know where to put every different color for posters. Custom engraving, friendly puppy mascot, and hand-crafted printed pieces of & Type of Italy.