As a coin collector, it’s very easy to appreciate the art, colors, and designs of all the national currencies in our world. And when a beautiful currency note reveals a printing press? It doesn’t get much better than that. We have two examples of small but oh so detailed works of art depicting presses and pressmen.
On the Colombian Cien Pesos Oro – circa 1990 – is a little jewel in the corner of a common press. There is an interesting story behind this currency and explains why a press image. On the front is General Antonio Nariño, who was a political activist and founded a political newspaper in the 1800’s. He was a great admirer of Benjamin Franklin and translated the Declaration of the Rights of Man, which he printed and distributed from his own private press, much to the ire of his government.
On the 50 Kronur from Iceland, circa 1981, is a wonderful illustration of two pressmen on a Gutenberg Press. On the front is Bishop Gudbrandur Thorlaksson, who lived from 1570 to 1627. He edited and published over 80 books including the first complete Icelandic translation of the Bible. He set up a press in his home and was also the engraver of the woodcuts in this Bible. A rare first edition of this Bible is in the National Library of Scotland.
Not only can we appreciate the art but the stories remind us that people today are still printing books and broadsides from similar presses.
Equipment, or toys, to date: 1917 vintage 10 x 15 C&P New Series hand feed; 1930’s vintage 10 x 15 Kluge Automatic; 1954 vintage 10 x 15 Heidelberg Windmill; late 40’s / early 50’s vintage Miehle Vertical V50; 1917 vintage Intertype linecasting machine; 1960’s vintage Ludlow Typograph; 1920 vintage 34 inch Challenge Diamond power paper cutter; 1940’s vintage Challenge floor model paper drill with round corner attachment; 1954 vintage Rosback auto stitcher; and a 1936 vintage 14 x 20 Baumfolder.
There were a couple of times I was printing one way or the other seven 24 hour days non stop. Take note: The word “work” has not been mentioned. I was having too much fun to classify what I was doing under the category of “work”. Adding to it all, if I was moving printing equipment, well, that was fun in overdrive.
PRINTER’S PRIDE The many letterpress and offset printing production awards ranging from honorable mention to best in category presented by peers in the graphic arts industry. Also, a period of 44 years of moving printing equipment without any kind of mishap.
She has a large, open studio with plenty of natural light for printing and finishing.
They are in Charlestown, Massachusetts along the waterfront. What amazed me was the quantity and variety of presses our customers have. I lost count of presses at Smudge after five. Smudge Ink actually has a long history tied with Boxcar Press and we feel like we’ve grown in this business with them. 
PRINTING LEGACIES I knew when I saw the miniature empire that Jen from Starshaped Press had built that it would be possible for me to do what I envisioned. I wanted the flexibility of creating my own schedule, the satisfaction of having people choose to spend their hard earned money on beautiful things that I design and print for them, plus the ability to take time off for kids when I need to (which will be March, 2012!). Paul Aken too, of course, without whom I would never have acquired any of my equipment and who I credit with helping me move closer to accepting imperfection. Still working on that.
