Boxcar Talk with Sycamore Street Press

Sycamore Street Press, a husband and wife duo from Heber City, UT, began printing on a Vandercook #3 in their dining room in 2007. Quirky sketches lead to a stationery line, limited edition prints, and collaborations with numerous fine artists. Today, with a more spacious set up, they have been featured on design*sponge and Good Morning America as well as a variety of creative blogs and magazines. They will also be featured in the highly anticipated book, Impressive: Printmaking, Letterpress, & Graphic Design, due to be released in the states in a matter of weeks! Kirk and Eva found time to partake in our cool new blog feature, Boxcar Talk.

sycamore-stree-press-letterpress-stationery

What made you want to become an artist?
Drawing was my favorite part of kindergarten, and tole painting with my mom is a favorite early childhood memory. I don’t remember ever not wanting to be an artist.

How did you first get into letterpress?
I studied fine art printmaking during my undergrad years, and really wanted to learn letterpress at that point. Unfortunately it was only available to the graphic design majors. So, when I went to grad school at the University of Utah, learning letterpress was on the top of my list. Marnie Powers-Torrey and the rest of the staff at the Book Arts program were great teachers and mentors. I taught Kirk how to print, and he also took a course through the University of Utah to fill in any gaps I may have missed.

What was your very first press?
A Vandercook #3. I got it in September of 2007 and it’s still the only press that Kirk and I print on. It’s completely hand operated. There isn’t even motorized inking. One of these days, we’ll get a windmill, but this press has really treated us well.

sycamore-street-press-letterpress-print-shop-workshop

{Image at far right by Zuzanna Audette.}

What medium do you usually print (lead/wood type, photopolymer, lino, etc.)?
Photopolymer plates from Boxcar. I’ve printed with lead and wooden type before, as well as lino cuts and mag cuts, but photopolymer is what we use for our line of paper goods. We love the versatility of it.

What’s your process from sketch to press?
Well, I can’t speak for the other SSP designers (there are 3 other regular contributing designers), but this is my process: I usually have an idea in my head of what I’d like the image to look like. I do a few rough sketches, and then proceed to do a detailed drawing in pencil, which I then go over with pen and ink. I scan the drawing into Photoshop, bump up the contrast, and turn it into a bitmap. I upload my file to Boxcar’s site, and within a week, I receive a photopolymer plate with my drawing on it in the mail. We slap that onto our Boxcar base, get it all positioned, and start to print.

letterpress-art-print-mustaches

What other print shops do you admire?
I am constantly amazed by the technical prowess of Studio on Fire. Their blog is full of useful tips and information about printing.

Dee & Lala and Dutch Door Press are both smaller operations with two full time partners who design and print their own line of stationery (kind of like us!). We see both companies pretty often at craft shows, and they always have beautiful work.

Mandate Press is another Utah-based studio who does great work…I guess I’ll stop there, but I could go on and on. There are so many wonderful letterpress studios out there!

letterpress-note-card-love-je-taime

Who or what inspires you the most?
I wrote a really in depth post on this a couple of months ago as part of SFGirlByBay’s Blog it Forward project. Here’s the shortened version: the creative people in my family, the traditional Maori art of Ta Moko, folk art from all over, contemporary artists (such as Kiki Smith, Jockum Nordstrom, and Margaret Kilgallen), the letterpress process and its limitations, my good friend’s dogs, and my time spent studying and living in France and Belgium.

What are your favorite things/items from Boxcar Press?
Definitely the plates and the base.

la-vie-en-rose-letterpress-art-print-sycamore-street-press

Any cool printing tricks you can share?
If the piece of paper I’m printing on is too small to reach the gauge on the feed board, I cut up an old plastic credit card, membership card, etc… and tape a strip of it onto the cylinder packing to act as a guide instead. This comes in handy for smaller size envelopes as well.

What are you looking forward to?
Kirk and I are currently in New York. We’re here for an entire month, selling our goods at the National Stationery Show, the Brooklyn Flea, and the Renegade Craft Fair. We are so excited for the shows – we love meeting our customers face to face. We are also looking forward to taking some time to explore different neighborhoods, museums, shops, etc…around the city. On a more personal note, Kirk and I are having our first baby in November! We are over the moon about this and can’t wait to meet the little one!

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Thanks Kirk and Eva! Congratulations on the little one on the way – we can’t wait to see the baby announcements!

{Photos by Sycamore Street Press unless otherwise noted.}

Boxcar Plates in Action: Letterpress Invitations Featured on Mint

We think it’s beyond cool when people decide to tackle letterpressing their own wedding invitations. Like Lindsay, Beverly and Neil, a graphic designer and an architect, designed and printed their own letterpress invitations. We love the hands-on approach! These were featured on Mint earlier this week – the couple used photopolymer plates from Boxcar Press and Neenah paper, and got to take over the printshop of their friend Amos Kennedy of Kennedy Prints. How sweet is that? Beverly and Neil printed invitations, thank you notes and all of the corresponding envelopes, then added a cool textile inspiration by sewing the invitations.

You can read more about these invitations on Mint.

photo via Mint

Boxcar Press Letterpress Platemaking – Free Shipping, Faster Service + Your Feedback

There are some exciting changes going on here at the old Boxcar – we’re now offering free shipping and faster service to better serve our platemaking customers. Hooray! And while we’re at it, we’d love to get your feedback! Tell us what you think: take our high tech, 4 minute survey and we’ll happily plant a tree for every survey participant. (Oh and you can now follow Boxcar on Twitter, too!)

Free 2-Day Shipping

Be gone, shipping charges! That’s so 2008. We now offer free 2-day UPS shipping on all domestic platemaking orders over 90 square inches.(Edit: As of August 15th, 2014, our minimum platemaking eligibility is 120 square inches) That’s less than 8.5 x 11, if you don’t have a calculator handy! (View our international or other shipping charges)

One Day Turnaround On All Orders!

One day rushes, get out of here! Our standard turnaround is now one day, which means:

* if you send in your order and your ready-to-go files by 5:59 p.m. EST, we’ll ship your order on the next business day. (see new turnaround chart here)
* same day turnaround rushes are still available if you submit your files by 1 p.m. EST (see pricing here)
* if your files aren’t ready to go, keep in mind this may delay your ship date (unless you request that we process your plate no matter what seems wrong with the file)

Questions about any of these changes? Let us know and we’re happy to help!

How to Reach Us (it’s easy, trust us!)

(A happy note: we have finally fired our auto-attendant for our phones. You now get to talk to a real live person when you call during our business hours, 9 a.m.to 6 p.m. EST. Hooray!)

Cathy Smith, Customer Accounts Manager
existing orders & ordering questions • pre-press file prep questions
letterpress printing questions • plate problems • troubleshooting • supply needs
cathy@boxcarpress.com • 315-473-0930 x12Anthony Allen, Prepress Manager
file problems on existing orders
anthony@boxcarpress.com • 315-473-0930 x13

Julie Salzar-Smith, Admin Assistant
billing questions or concerns
julie@boxcarpress.com • 315-473-0930 x14

Kim Stevens, Operations Manager
praise or complaints
kim@boxcarpress.com • 315-473-0930 x15

Cyd Converse, Blog Editor
get your print shop profiled on our blog
share good news and printing samples that we’ll post on our blog
cynthia@boxcarpress.com • 315-473-0930 x19

We like planting trees for you.

Remember, for every platemaking order you place over $100, we plant a tree with American Forests. Over its lifetime, each new tree planted will absorb roughly 740 pounds of carbon dioxide. Go trees!

Need coaching, tutoring, or one on one help for preparing your letterpress files?

We’ve been doing prepress for letterpress for a decade now, and we love helping out both new and old printers & designers overcome technical challenges to create the perfect pre-press files. If you’re new to the polymer world, or if you simply hate file prep, give Cathy a shout out (cathy@boxcarpress.com, 315-473-0930 x 12), and we’ll find ways to make the file prep process a breeze for you. (You also might want to take a look at our file prep tips and our FAQ’s on our web site).

We want to hear your thoughts (and we want to plant you a tree too)

We know Boxcar Press wouldn’t exist without you, so we’ll be honest—we love each and every one of you guys. We admire your enthusiasm for letterpress and we share your passion for cool heavy machinery. And we care a whole lot about what you think. We hope that you share your thoughts, great ideas, and disappointments with us whenever you can—but wouldn’t it be fun to also fill out a high-tech survey about how we’re doing? All you need to do is go here by August 8. It’ll take about 4 minutes of your time, and in return, we’ll plant a tree in your honor with American Forests. Thanks!

Get profiled on the Boxcar Blog!

One of our favorite things to do is recognize our platemaking customers and the great letterpress printing they create with our plates. We’d love to profile your print shop and your work on our blog! Drop an email to cynthia@boxcarpress.com if you’re interested, and check out previous customer profiles on our blog here.

At Boxcar, it’s all about letterpress and the printers who love old presses as much as we do…

Boxcar Press began 10 years ago, with a guy named Harold, a polymer washout brush, a tray full of warm water, a dream about an easy-to-use printing base, a few rescued presses, poetry, and a lot of caffeine. When employee #2 (Debbie, Harold’s wife) joined Boxcar in 2000, Harold was still hand processing plates himself in the basement sink of their Syracuse, NY house and keeping track of orders on a white board. There were no order forms (or auto-attendants either!). Our little company has changed a bit since then. We’ve learned a lot. We have order forms now. Our home is now 12,000 square feet of space in an old artist warehouse in Syracuse, New York, and we have a team of employees here that keep your happiness close at heart. We’ve processed tens of thousands of plates for thousands of letterpress shops internationally. We’ve fallen more deeply in love with letterpress and this cool printing community. And we’ve had the amazing experience of helping shops, both large and small, figure out how to get their hulking cast iron presses to print well. But we’re still the same friendly folks at heart who love coffee and who are doing what we do because we love letterpress.

Boxcar Base/plates in action: the Studio On Fire letterpress calendar

Okay, we’re in love.

Actually, we fall totally head over heels in love with the Studio On Fire calendar every single year, and this year is no different. The design is always amazing. The letterpress printing is always amazing (amazing solids, great impression, super crisp type).

And we’re so thrilled that the calendar is printed using our Boxcar Base and Boxcar’s photopolymer plates.

Studio On Fire, by the way, is a design and letterpress shop based in Minneapolis, Minnesota and they consistently create some of the most original letterpress work out there — so go check them out and get inspired! The calendar is available for purchase for $30 from their web site — and sure, it’s March, but that means you can still get nine more months of authentic over-the-top letterpress pleasure from this calendar. Also check out their awesome letterpress blog Beast Pieces.



Angel Bomb Design uses Boxcar’s letterpress plates to make very cool work

Oh we love it when our platemaking customers send us really lovely letterpress samples! These come from Todd Thybert from Angel Bomb Design in Minneapolis–Todd uses our platemaking services and our Boxcar Base for his printing. He also wrote us a sweet letter: “I’ve been using your photopolymer plates for a year and a half and have thoroughly enjoyed the quality and service I get from Boxcar Press.” Angel Bomb Design has been around for 10 years, and started offering letterpress to clients in the last year and half, after receiving some letterpress tutoring from the good people at Minnesota Center for Book Arts. Angel Bomb Design now uses their 8×12 C&P and their 12 x 18 C&P to produce colorful works of beauty (with really nice letterpress solids, we might add!). We’re in love with all the samples, but in particular, we don’t want to let the “Minnesota” fine art print out of our site. Thanks so much for sharing your work with us, Todd!



Letterpress printing at Red Oak Press – letterpress calendars, a beautiful press, + more!

One of the joys of the new year for us is letterpress calendars – 12 pages of pure letterpress pleasure! So we were thrilled this year to receive a beautiful calendar from one of our platemaking customers, Rick Ziesing, the owner of Red Oak Press in Kennett Square, Pennsylvania. Turns out, in addition to being a letterpress printer, Rick is also a photographer and has taken amazing photographs of his shop, his Windmill, and his printing. His pictures remind us of why we love letterpress printing so darn much – because everything about this printing process is beautiful! Can you imagine an offset shop looking so gorgeous? (see more photos of more letterpress printing at Red Oak Press here)

Rick shared with us some thoughts about letterpress (see below), and all photographs are taken by Rick. The calendar was printed using the Boxcar Base and KF95 plates.

“We bought a beautiful ‘red ball’ Heidelberg Tiegel (windmill) in August of 2007, in order to make products designed in-house without those pesky clients telling us what to do.”

“Of course, I was not a printer, had never run a press nor even seen a Windmill in the flesh until it arrived. Armed with the Heidelberg manual, Platen Press Operation, by George J. Mills, and Kelsey’s little green book, I commenced my self education. The paper companies loved me as I burned through reams of cotton paper while learning to get the press to feed, then to print, then to print properly. Many trials and errors later, I am able to produce something of reasonably good quality.”

“This calendar was designed by Lori Gray, my wife’s partner in Kedash Design, a graphic design firm in Kennett Square, PA.”

“The printing of the calendar itself was not particularly difficult, registration was not critical but getting good ink coverage on both the text and the graphic for the month was trying. I resorted to running most colors twice through the press, which is supposedly a sacrilege but certainly gets the job done without having to resort to smashing one run and deforming the letters to get the graphic to print. I did some makeready by glueing some tissue thin press packing to the platen in certain areas. Of course, the Heidelberg is so beautifully designed that you can run pieces through multiple times and get dead on registration every pass.”

“The gray wash graphics were simple, once I got the color right. There’s just a hint of color anyway and lots of trusty transparent white was consumed. We bought a hand operated wiro binding machine for finishing as the cost of outsourcing 100 calendars to some drone in a copy shop was more expensive (and frightening) than just doing our own.”

“I use standard Boxcar Bases and the KF95 photopolymer. If you’ve dealt with them, you know that this is a top-flight operation.”

“Here are a few hard learned tips. If you’re running a Windmill, get it to feed perfectly before trying to print. If your final print looks bad, it can be a million things, but I always go to the packing first and use fresh tympan and packing for every run. Roller height is critical and may even need to be changed according to what kind of job you are doing. Don’t overink….as in most things, less is best.”