The Letterpress Roundtable VI: Letterpressing the Issue

With the 2012 election just a week away, we thought it’d be fitting to poll some of the printers we admire to see how they’re using letterpress to inspire political change. The results are in, and they’re poignant, humorous, intelligent and – above all – stimulating. We gathered some of letterpress’s best for the sixth installment of our letterpress roundtable discussion in an effort to light the way for what is yet to come. Read the stirring responses this group has to offer and be sure to tell us about your own projects in the comments section below!

Sarah Meyer Walsh & Erin Miller – Haute Papier

We love our political coasters – which represent both sides of the current political culture – because they are fun and flashy.  No matter where any one person falls in the political divide, it’s important to vote and that was our focus with the political coasters!  Plus, we think they’d be a ton of fun for an Election Night Party. And we just can’t call ourselves proud Washingtonians without getting a great product to market that represents our area’s past-time – national politics!

BONNIE THOMPSON NORMAN – THE WINDOWPANE PRESS

My artist’s books often relate to political content and encourage change. I have been creating them collaboratively in weekend workshops that I teach for beginning letterpress printers. The classes are taught in my home studio through the University of Washington Experimental College. The books are conceived, designed and directed by me with the participation of whoever shows up for the workshop that weekend, so there is often a surprise element in the content and direction of that content. At the end of the two-day workshop, each participant gets five copies of a finished book which has been produced in at least two, if not more, colors/press runs.

Pictured above is my “Homeland Security” artist’s book, and the project below is “A Primer for Democracy”. The primer’s main theme, VOTE, is repeated and reinforced: CALL and/or FAX your elected representative, often, because your voice – and everyone’s voice – matters. Essentially, this alphabet book [printed on a 10 x 15 Chandler & Price] can be constructed, reconstructed and deconstructed in countless ways. Like democracy, as a completed structure, “A Primer for Democracy” is a little bit wobbly and requires care in constructing and maintaining.

EMIKO WATANABE AND KOICHI SATO – BIG BANG FUN SNAPS

Our first project, “PARTY PEOPLE IN THE HOUSE: Who will it be? Presidential Election 2012” is a set of 11 coasters, bearing the faces of American politicians. We thought it would be interesting to capture the facial expressions of these desperate politicians during this US presidential election, and create a coaster set which could appeal not only to those who are interested in politics, but also to those who couldn’t care less one way or the other…or better yet, to people who hate politics, but can find humor in it. Our intention is to make people think and talk about serious issues with a little humor, or even just to look at them.

The expression, “PARTY PEOPLE IN THE HOUSE” obviously stands for the political parties and the White House. (It is also intended to portray these characters as party people, who you may invite to a house party…and that they would be “in ‘da house!”.. which has been borrowed from street slang, but is cleaned up a bit in spelling). This product is not to be taken too seriously about political opinions, but with irony and humor. When you open the box, all the party people come out and sit with you while you drink! You can make a toast to your favorite politician, or make a stain on your least favorite one.

Each original illustration was hand-drawn and printed on a vintage letterpress (Adana 8×5), then edge painted by hand.

PATRICK CRUZAN

As far as my own work in letterpress, I use it almost entirely to support my photographic work, which is centered around recording local farming traditions and preserving local history as it is slowly stamped out (from an on-the-ground perspective that is, whilst the City of Portland would call themselves great preservationists…).  There is this idea that in order to move forward as a city and as a county, we have always to be looking ahead and shedding our skin, and what nobody realizes is that the system that accomplishes this on a base level, also runs family off their land and out of houses that they may have had for generations and generations.

My family has been on the same land that I live on since 1863.  Within my lifetime, I expect to see our ability to stay here challenged and quite probably yanked from under our feet.  Most immediately, my passion is to record everything I can about the small community that I live in, stories, images, [letterpress], textures, etc., and further down the road, I’m tinkering with some legislation that I’d like to see passed that would give protection to longstanding farms and encourage them to become centers of family identities. It is my hope to raise social awareness of immigration laws and their immediate effects.

Within all that, printmaking and photography in various forms play a central role.  The ability to capture just about everything but sound and taste is hugely important, as all the work I produce will eventually become key to my argument for protective legislation, as well as a dedicated record of the existence of everything that exists here, should it ever fall away.


KYLE VAN HORN AND KIM BENTLEY – BALTIMORE PRINT STUDIOS

We don’t print shirts.

No really, we just don’t do it. We’re a strictly paper-based shop and we like it that way. But, every 4 years, we arrive at a time that we feel is important enough for us to break this hard and fast rule. So, for the second election in a row, we printed PLEASE VOTE and PLEASE F*CKING VOTE shirts (and this year, totes too). Election posters have a rich history in the world of screen printing and letterpress, but we wanted a more mobile, thought-provoking item and T-shirts fit the bill.


Our message was deliberately simple, nonpartisan, and clear. Just VOTE. And if you REALLY felt strongly about it, “Please F*cking Vote”. By making shirts and totes, we found ourselves reaching an audience in a completely different way. The message became a quick reminder to the public and often, a conversation starter. We support the idea that everyone has their own stance, reasoning, and beliefs that will shape their vote, and that’s great. We have our preferred politicians and so do you. At best, we hope the shirts open a dialogue and encourage everyone to stand for what they believe in, and take it to the polls on November 6th.

Please Vote.

Jill Morrison – Ruff House Art

We here at Ruff House Art are proud to offer an eco-friendly line of letterpress products that push the boundaries of traditional stationery. When we decided to launch our line of political coasters (which are printed on 100% biodegradable paper) we just wanted people to get excited and involved in the upcoming election. It is important to stay knowledgeable & involved, and if our coasters can act as a reminder to vote, a conversation starter or merely a touch of patriotic decor, then we high-five that! Our entire election coaster line is on sale right now, too — 35% off while supplies last!

If you’ve got photos online of your work that stirs the mind and you’d like to share them, please include a link to the photos in your comment! We are taking the inspiration one step further and offering 10% off election-related plate orders retroactively until November 30, 2012.

One thought on “The Letterpress Roundtable VI: Letterpressing the Issue

  1. Students in Bob Kelemen’s Type High Press class at Kent State University designed posters around the topic of voting for the upcoming Presidential Election. Kelemen’s assignment charged students to create a non-partisan poster encouraging students on the Kent campus to vote.

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