Printing on Specialty Papers: Seed Paper and Handmade Paper: Part 2

Part two of our specialty papers roundtable on seed paper and handmade paper focuses in on more excellent tips and inspiring projects from three amazing printers and paper vendors. And don’t forget to check out Part 1 here for tips and tricks for getting the best print on luxurious deckled paper and the eco-friendly!

Don Martin – Bloomin Paper Keep ink coverage to a minimum [when printing on seed paper], as any place that the plate strikes, it will crush the seeds and they won’t grow. Additionally, the cracked seeds ooze an oil and stain the paper, so light minimal ink coverage is always best. Our paper are thick and packed with seeds, so even if some of the seeds are damaged by the letterpress printing, the paper will still grow.

Printing on Specialty Papers: Seed Paper or Handmade Paper -Seed paper letterpress printed on by Blooming Paper via their Garden Gram piece.

It’s not an exact science [when printing on specialty paper]. Folks should know that variations in the paper thickness can cause the printing density to vary as well. Again, minimal ink coverage minimizes that concern, as heavy solids are more noticeable.

Bloomin’ Premium papers are thick enough for any letterpress plate to get their teeth into it. Because this Premium seed paper sheet from Bloomin is packed with seeds, it grows great, even when a percentage of the seeds are damaged on press.

Printing on Specialty Papers: Seed Paper or Handmade Paper -Seed paper letterpress printed on by Blooming Paper adds wow factor to business cards and printed goodies.

The variation and handmade quality of the Bloomin papers makes each and every final piece unique and original. Handmade paper letterpress printed one-at-a-time has an old world nostalgic quality that no digital or offset machine can replicate.

Jenn Upham – Tiny Pine Press  For printing on handmade paper: If you have a natural deckle, it’s important to go slow, because sometimes the sheets don’t drop into the gauge pins on their own and you usually don’t have too much overage. I always set up on trimmed edge paper as make ready because the edges can get so wiggly. Also, you have to make sure the type is extremely clean to get a crisp pillow.

For seeded paper: You really have to watch your type because if a seed hits it could drop out and be there for a while because it mashed in the packing – so I move around the packing to make sure nothing too bumpy gets in my way! I use Of the Earth for their lotka seeded … it’s not too seedy but still nice. Greenfield Paper Company has so many colors of seeded. I love Jute from Sustain and Heal, these are all trimmed edge. I hold my natural deckle vendors closely, but unfortunately some of those have gone out of business so I can’t even refer them.

I love the pillow of both. Most handmade or seeded papers are not processed as much and they are extra soft. The type sinks in and you just want to grab a blanket and rest your head on a wedding invitation.

Annemarie Munn – Lady Bones Paper Inc.  The main challenge of printing on handmade paper is that both the thickness and density of the paper can vary enormously within a single sheet as well as between sheets, which poses a problem both for achieving consistent impression and consistent transfer of ink. There’s a bit of letting go that’s necessary for the especially exacting printmaker; the printed pieces will be neither as close to identical, nor as easy to control, as those printed on commercial paper. In order to get the cleanest prints I can on handmade paper, I generally use fairly hard packing, set my rollers as high as I can get away with, and use slightly more ink than I normally would. I use a heavy impression, so that the thinner sheets (or parts of sheets) will still get a decent hit. I also just try to relax and let the process happen!

Annemarie Munn of Lady Bones Press prints beautiful letterpress pieces on deckled handmade paper. Annemarie Munn of Lady Bones Press prints beautiful letterpress pieces on seed paper.

Another issue with handmade paper is the deckle. It doesn’t come up every time (some projects will have a clean cut edge), but often the natural deckle edge is a desirable component of the handmade sheet (especially in the wedding industry, currently). The deckle presents a problem for registration of course; tight register is not possible when printing on paper with a deckled feed-edge–if you need to achieve a tight register, it will be necessary to cut the feed edges square and then create a false deckle by tearing–but it’s far preferable to just avoid printing tightly registered pieces on deckle-edge paper, and instead use a simple one-color design that allows the paper to be the star. A deckled feed edge can also sometimes cause the print to appear crooked on the overall sheet (though it is straight to the feed edge)–this crookedness drives me bonkers, so I usually tape a gridded sheet to my feed table (on the Vandercook) so that I can achieve a feeling of overall straightness even when none of the paper’s edges are actually straight. That might sound a little over-the-top… but letterpress printing nearly always is, right?

I like a lot of handmade paper vendors; there’s something to appreciate about any handmade sheet. That being said, my all-time favorite handmade/seed paper is from Porridge Papers. I really enjoy the proletarian aesthetic of their Blue Collar line, and I love buying from small, authentic companies. I have a hard time talking wedding clients into using the Blue Collar Papers, both because of the cost and because they don’t fit the in vogue, airy, natural-deckle aesthetic as well as a paper like Silk and Willow, so I mostly covet them for personal projects, and wait around for the special client who will get on board with the workman aesthetic!

Annemarie Munn of Lady Bones Press prints beautiful letterpress pieces on deckled handmade paper.

The cover of Deconstruction/Construction, the book I wrote and printed for the San Francisco Center for the Book’s Small Plates series, was printed on a Porridge Papers seed paper. The color is sadly discontinued–it’s a fantastic neon green which I believe was called Sour Apple. I have some sheets left and I’m always mulling over what to print on them; so far, I’ve just been hoarding them away.

Annemarie Munn of Lady Bones Press prints beautiful letterpress pieces on seed paper.

I also love printing on hand-dyed or dipped handmade paper — the colors never land in exactly the same place on each sheet, so when designing for hand-dyed paper I enjoy contending with that element of chance, and while printing, it’s just a visual feast.

Seed paper is a special challenge because the seeds can be hard enough to dent the printing form. For this reason, I only print on seed paper with polymer plates–I don’t want to damage my lead or wood type! Incidentally, on the other end of the papercost spectrum, chipboard poses the same problem, because it can have small pebbles or pieces of debris in it that will dent type (I learned this one the hard way!). Sometimes the seeds can even dent the super-hard polymer, but luckily that can be re-made when necessary, so it’s not as serious of an issue.

Annemarie Munn of Lady Bones Press prints beautiful letterpress pieces on handmade paper.

One of the nicest things about printing on seed paper is the opportunity to reflect on impermanence and the cycling of physical objects. As letterpress printers, we often spend a lot of time making prints that are beautiful enough to be worthy of being saved for generations, and using archival materials so that they will be capable of lasting generations. But seed paper is intended to be planted in the ground, to rot and provide the basis for a young plant. It presents us with the opportunity to embrace ephemerality and to “kiss the joy (of printing something beautiful) as it flies.”

Fun side story: My first commercial venture as a printer, at the age of 11, was hand-printing my linoleum cuts onto handmade paper to make Christmas cards. I made the pulp out of scrap paper and dryer lint in an old blender; my dad was kind enough to make me a screen and deckle out of some 1″ x 1″s and an old window screen. The decision to make the paper myself was a classic misguided money-saving move, I just didn’t want to pay for paper, so naturally I opted to spend days making my own instead. I think I charged a dollar a card.

(Paper credits!: Deconstruction/Construction:Porridge Papers;  Mickey & Chris: The Paper RecycleryVivian & Kyle: Papel Vivo; and Kai & Jeremy: Silk and Willow)

 

Still feeling as energized as we are? Share your thoughts & tips in the comments section below–we’d love to hear from you!

Printing on Specialty Papers: Seed Paper and Handmade Paper: Part 1

Seeking to add a special touch or extra “wow factor” to your next letterpress print project? Specialty papers (such as seed paper and handmade paper) add texture, personality, and eco-friendly advantages to invitations, business cards, and more. In this roundtable, we reach out to paper vendors and printers alike for their weigh in, tips, and advice on printing on such unique paper stock to create a lasting impression.

Annika Buxman – De Milo Design  I’ve only printed on Porridge Papers’ seed paper a few times. It’s similar to Mr. Ellie Pooh’s handmade paper in that the larger seeds (or in the case of Mr. Ellie Pooh, the chunky grass) can bust the plate. Lightweight type can break. I try to use bolder, stronger fonts. And always make two plates in case I need to replace it.

I have a handfed C&P and SP15 Vandercook. I don’t know if the following would work on a Windmill [for printing with hand-made paper]. When printing on handmade marble paper, I arrange each sheet in the stack beforehand to make sure the print will read legibly over the marbling.

Printing on Specialty Papers: Seed Paper or Handmade Paper - Annika Buxman prints elegant and memorable letterpress Happy Birthday card on handmade, marbled paper (De Milo Design).

If there’s a rough deckle edge against the guides, the print can sometimes look crooked. Here’s my hard earned trade secret. 🙂 Eyeball the paper so it looks square on a large post-it note applied to the back. That way the guides have a straight edge. This is especially helpful with registering more than one color. Even with the post-it note edges, it often won’t look perfectly aligned. Accept the imperfection…

Printing on Specialty Papers: Seed Paper or Handmade Paper - Annika Buxman prints elegant and memorable wedding invitations on handmade paper (De Milo Design).

If trimming handmade paper it can easily tweak in the cutter no matter how hard it’s clamped because it’s so spongy. I interleave cheap printer paper and that helps wtih the tweaking. I also do two cuts. The first 1/8″ away from the trim guide. The second is shaving off that last 1/8″. I don’t know why it works, but it works.

[I’d recommend] Porridge Papers for seed paper. Of course my favorite for handmade paper is my own Sustain & Heal marble and Letterpress line because it supports fair trade artisans in Bangladesh. I recently did some marbling and printing on Fabulous Fancy Pants paper and that was a lot of fun! […] The handmade fluffy surface takes the print so well. I don’t mind the extra work because the end result is so unique.

Kelly Caruk – Botanical Papers When using letterpress on seed paper, we recommend using minimal ink coverage as the pressing nature of the process may damage the seeds. Less ink coverage will ensure you get more viable seeds to grow in your finished piece. We also recommend you do some testing with a small batch of plantable paper before placing a large order.
(source: https://www.botanicalpaperworks.com/printing)

Printing on Specialty Papers: Seed Paper or Handmade Paper - Seed paper from Botanical Papers adds eco-friendly touch to wedding invitations and business cards. Printing on Specialty Papers: Seed Paper or Handmade Paper - Seed paper from Botanical Papers adds eco-friendly touch to wedding invitations and business cards.

We only produce and manufacture seed paper and seed paper products at the moment [and] we love printing on seed paper because it has a unique texture and very natural feeling to it. The fact that grows into plants that benefit the environment makes the pieces extra special and symbolic.

Printing on Specialty Papers: Seed Paper or Handmade Paper - Seed paper from Botanical Papers adds eco-friendly touch and memorable impressions.

Christopher James – Porridge Papers When printing on seed embedded paper or handmade paper with inclusions the most important thing is NOT to use wood or lead type or old cuts. Because the seeds can be hard they will dent the soft material. We recommend and use photopolymer plates.

Printing on Specialty Papers: Seed Paper or Handmade Paper - Plants sprout from eco-friendly seed paper from Porridge Paper.

While you can and most likely will create small indents in the polymer it is easy to replace. That being said, if it is small areas or type most of the time, you will not see it.

We are in the process of coming out with our new line of seed papers. There are about 8 colors, mostly all light so that they will work well for printing. While white is the dominate color we like Ecotan which we describe as the color of Khaki pants. In our new color line, the light grey and green are our new favorite colors.

Printing on Specialty Papers: Seed Paper or Handmade Paper - Porridge Papers Blue Collar Handmade Paper line prints with character and uniqueness.

Aside from seed paper, we have the Blue Collar [handmade paper] line which was specifically made for letterpress printing. There are 7 colors in that line and all made with, or inspired by, Blue Collar professions. Overalls is made from denim, Pallet is made from chipboard and cotton trimmings, [and] Brewhaus is made from spent grain from a local brewery. These papers by far have been our favorites. After years of printing, we wanted to make and offer a paper that had some interesting characteristics, was a little thicker, would make for a wonderful impression, and something that would be different from what is currently out there. We launched it almost 2 years ago and it has been exciting to hear what people have said and done with it!

Printing on Specialty Papers: Seed Paper or Handmade Paper - Stacks of colorful handmade paper from Porridge Paper. Printing on Specialty Papers: Seed Paper or Handmade Paper - In-process papermaking seen at Porridge Papers.

With handmade paper, it tends to take a wonderful impression; and a lot of times you can get away with double sided printing where with commercial paper you tend to see the “punch through” on the reverse side.

Printing on Specialty Papers: Seed Paper or Handmade Paper - Porridge Papers handmade papers print elegantly for invitations and wine labels.

Keep in mind that handmade paper, ours in particular, is soft, textured, and fibrous. Because of that it can be hard to get 100% solids. You tend to have more of a mottling effect. That can lend itself well to the design, so when we are printing, we always like to point that out ahead of time.

Printing on Specialty Papers: Seed Paper or Handmade Paper - In-process papermaking seen at Porridge Papers.

Our favorite paper to print on is Timecard from the Blue Collar line. It is such a great recycled sheet. White in color with interesting recycled bits in it. Aside from that, almost all of them can find their way into that perfect project. Our other favorite papers that we have made and love to print on our the ones embedded with silver and gold leaf or iridescent powders and if the project arises, scented paper can be a lot of fun!

In addition to our stock papers/lines, we love to work with the client before they begin the project. To have the opportunity to create a paper that specifically shows their personality, or is embedded with materials they provide, is what makes it so unique.

 

Feeling as excited and inspired as we are? Share your tips and thoughts in the comments section below–we’d love to hear from you! And stay tuned for upcoming Part 2 of this awesome blog article feature on these eco-friendly delights!